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Women in classical hollywood essay
Depiction of blacks in films
Female inequality in hollywood movies essay
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While Imitation of Life 's main story involves the fortunes and loves of a central female character, this story intersects with the racially charged trials and tribulations of an African-American woman and her light-skinned daughter. Both films offer the view that a white woman can improve her circumstances with enough guts, ingenuity, and physical attractiveness, but that African Americans, even those light enough to pass for white, are inherently unable to realize the rags-to-riches dream of the self-made person that infects Americans to this very day. Stahl’s film, a faithful adaptation of the Hurst novel, centers on Bea Pullman (Claudette Colbert), a widow barely supporting herself and her three year old daughter, Jessie, by running her …show more content…
Sirk’s use of musical conventions reminds us that this is Hollywood’s classical period, a time when the motto of the movies was to “make ‘em big”. Sirk’s version epitomizes this classic mentality through the use of extravagant sets and costumes. One of the major advertising points of the film was the cost of Turner’s wardrobe and jewels. In a clipping released by Universal International to theaters around the nation, Turner’s jewels were so valuable “she was accompanied by two armed guards at all times while the color production was being filmed” (. With a script much more layered and explicit in regards to the evils of the world, it depicts a greater distance between Lora and Annie, white and black. Even though racial tension has been featured in films before, Sirk confronts issues of race more aggressively then Stahl. The complex discussions of race in Imitation of Life go way beyond Sarah Jane’s integration into American society. Lucy Fischer explains:
Her rejection of a black doll invokes research on children’s racial identification; her anger with her mother bespeaks her generation’s rejection of domestic work; her affair with a white man reminds us of loosening prohibitions against screen miscegenation; Mahalia Jackson’s presence at Annie’s funeral sparks associations to the singer’s participation in civil rights demonstrations, and her role in mainstreaming of black gospel music” (Fischer
This piece of autobiographical works is one of the greatest pieces of literature and will continue to inspire young and old black Americans to this day be cause of her hard and racially tense background is what produced an eloquent piece of work that feels at times more fiction than non fiction
This paper examines the drastic differences in literary themes and styles of Richard Wright and Zora Neale Hurston, two African--American writers from the early 1900's. The portrayals of African-American women by each author are contrasted based on specific examples from their two most prominent novels, Native Son by Wright, and Their Eyes Were Watching God by Hurston. With the intent to explain this divergence, the autobiographies of both authors (Black Boy and Dust Tracks on a Road) are also analyzed. Particular examples from the lives of each author are cited to demonstrate the contrasting lifestyles and experiences that created these disparities, drawing parallels between the authors’ lives and creative endeavors. It becomes apparent that Wright's traumatic experiences involving females and Hurston's identity as a strong, independent and successful Black artist contributed significantly to the ways in which they chose to depict African-American women and what goals they adhered to in reaching and touching a specific audience with the messages contained in their writing.
Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist, her political and social activism is understated despite her front-line presence in the movement.
It is ridiculous to say that Tony Morrison’s book is a good account of history. It would be nearly impossible for a black woman to try to write about the history of prejudices against black slave women without having bias views. Stanley Crouch, in his essay “Aunt Medea”, talks about how language is counterfeit and those who tell history only tell their perspective (Crouch, 39); the view is entirely biases because of what they have been through. Morrison even stated herself, as noted in Maggie Sale’s article “Call and Response as Critical Method: African-American Oral Traditions and Beloved”, that she “wanted to write literature that was irrevocably, indisputably black” (Sale, 42). Cynthia Griffin Wolff, author of “‘Margaret Garner’: A Cincinn...
Over and over again critics write about Nina Simone’s power and charisma throughout the Civil Rights Movement. She sang the words of an entire movement, “All I want is equality/ for my sister, my brother, my people, and me./ Yes, you lied to me all these years”(Simone Mississippi). She sang out for her entire race, and with a “smoky- toned” voice, when four young girls were killed in a church bombing (Lewis). She sang “Will my country fall, stand or fall?/ Is it too late for us all?/ And did Martin Luther King just die in vain? (Simone Why?) after the death of MLK. Nina Simone… a singer with many different voices, a singer who denies categorization, a woman who is genre-less to prove a point.
Her life seems like it has been so long when in reality it has only been a short twenty-three years. The book ends with Annie on a bus with other, young protesters singing. "We shall overcome, We shall overcome, We shall overcome some day. I WONDER. I really WONDER." (Moody, 1968, p. 424). While Annie is still determined to close the racial gap, she ponders whether or not if blacks really will overcome racism. I believe the youth and enthusiasm of the other passengers represent the hope for the future, that one day they will overcome.
In her life and in her writings, Zora Neale Hurston, with the South and its traditions as her backdrop, celebrated the culture of black Americans, Negro love and pride with a feminine perspective that was uncommon and untapped in her time. While Hurston can be considered one of the greats of African-American literature, it’s only recently that interest in her has been revived after decades of neglect (Peacock 335). Sadly, Hurston’s life and Hurston’s writing didn’t receive notoriety until after her death in 1960.
Philosophy questions many ideas or statements. For example, the Examined Life asks, does life have meaning? This idea was analyzed, experienced, questioned, discussed and concluded in many different ways. There was a common thread between the Philosophy film, the Apology, our class discussions and the video, Examined life. We often ask ourselves, are we obligated to other people?
She shows how these fictions are woven into the fabric of everyday life in Jackson, from the laws to ordinary conversations, and how these beliefs get passed from generation to generation. It shows a deep mistrust of whites on the part of the black community, who have been betrayed by them again and again. It also shows how powerful and how dangerous it can be to challenge the stereotypes and dissolve the lines that are meant to separate people from each other on the basis of skin
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
Lena Horne was an African American entertainer and civil rights activist, born in Brooklyn, New York. She, like many other African Americans in general, and African American women in particular, born in 1910’s, saw many evolutions of race and racialized gender relations in America. She was able to transition to glory at the ripe age of 92 years old, passing away from congestive heart failure in 2010. Lena Horne’s height of her career, while predating Womanism being named but not actualized, embodies the four tenets that are, radical subjectivity, critical engagement, redemptive self-love and traditional communalism, by way of her commitments to hope in perilous times. She is quoted saying many things that will be highlighted in this paper,
Moody’s position as an African American woman provides a unique insight into these themes through her story. As a little girl, Moody would sit on the porch of her house watch her parents go to work. Everyday she would see them walk down the hill at the break of dawn to go to work, and walk back up when the sun was going down to come back home. At this time in her life, Moody did not understand segregation, and that her parents were slaves and working for a white man. But, as growing up poor and black in the rural south with a single mother trying to provide for her family, Moody quickly realized the importance of working. Working as a woman in the forties and fifties was completely different from males. They were still fighting for gender equality, which restricted women to working low wage jobs like maids for white families. Moody has a unique insight to the world of working because she was a young lady that was working herself to help keep herself and her bother and sister in school. Through work, Moody started to realize what segregation was and how it impacted her and her life. While working for Mrs. Johnson and spending the nights with Miss Ola, she started to realize basic di...
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
From the primal inauguration of human civilization to today`s modern world, racial and cultural ties have played a crucial role in determining human interactions. John`s Stahl`s Imitation of Life (1934) epitomizes this principle through its parallel accounts of two mothers: Beatrice Pullman, a white business magnate, and Delilah Johnson, a black homemaker. Although both women work together in creating a pancake empire, Delilah is always perceived as subservient to her mistress resulting in her becoming an Other.
Since the birth of movies, Hollywood has strived to delve into the human experience and present certain aspects of life to the general population. Mental disorders are just one of many topics that are often explored for use in the media. The film A Beautiful Mind focuses specifically on paranoid schizophrenia, and follows protagonist John Nash’s life as he lives with the disorder. The film details Nash’s presymptomatic life at Princeton University, follows him through the early stages of the disorder, and continues as the symptoms begin to overrun his life. Luckily for Nash, his disorder is eventually clinically diagnosed and he is treated. The movie not only shares the tale of Nash’s life, but also shares with audiences a lesson about the