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Black stereotypes in media
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Lena Horne was an African American entertainer and civil rights activist, born in Brooklyn, New York. She, like many other African Americans in general, and African American women in particular, born in 1910’s, saw many evolutions of race and racialized gender relations in America. She was able to transition to glory at the ripe age of 92 years old, passing away from congestive heart failure in 2010. Lena Horne’s height of her career, while predating Womanism being named but not actualized, embodies the four tenets that are, radical subjectivity, critical engagement, redemptive self-love and traditional communalism, by way of her commitments to hope in perilous times. She is quoted saying many things that will be highlighted in this paper, …show more content…
While she was of mixed descent and fair hue of skin, this did not shield her from the social realities of her time. As a high school dropout, Lena Horne needed to help her family and realized that she had an amazing voice that would provide for her and her loved ones. However, providing was not enough, she decided to cultivate an ethic around her production of gift that would challenge society's status quo, racism and racialized sexism. At 16 years old, Horne joined the chorus of the Cotton Club and became a nightclub performer before moving to Hollywood. Lena Horne is most well known for her roles in the musical films, Cabin in the Sky and Stormy Weather. She reflected on this time with saying “In every other film I just sang a song or two; the scenes could be cut out when they were sent to local distributors in the South. Unfortunately, I didn’t get much of a chance to act, Cabin in the Sky and Stormy Weather were the only movies in which I played a character who was involved in the plot.” She also played in many television shows all while releasing numerous albums. The most meaningful role Lena Horne played in my childhood was in The Wiz singing Believe in Yourself. Lena Horne was awarded four of seven Grammy …show more content…
Lena Horne was blacklisted from Hollywood due to her activism and ideological affiliations, which had little bearings if at all, on any her contacts with recording labels. She describes her time blacklisted “I told them I belong to the same organizations and clubs Mrs. Roosevelt belongs to, but with a few brave exceptions, I was still unable to do films or television for the next seven years.” Much of her being blacklisted is attributed to her well known friendship, Paul Robeson, an African American Bass player heavily involved with social justice movements. Unlike many others, Horne’s great fame could not shield her. It was the means in which they attacked her professionally and personally. Her civil rights activism and friendship with Robeson and others marked her as a Communist sympathizer which was seen as professional
Many RnB singers rank among the highest paid celebrities in the world. This isn’t a surprise, as RnB and its various sub-genres have been leading the popular music charts for decades. Big voices and slick dance moves often translate into successful careers and big paychecks. Here is a list of the 10 richest RnB singers in the world, who have earned extensive success through their music, tours and other various ventures.
...ey choose to represent themselves. S ikivu Hutchinson writes that 20 Feet From Stardom is an example of how “women of color back-up singers are still treated like expendable objects, eye candy and soulful exotics while fighting tooth and nail for recognition and a shot at center stage.” None of the women in 20 Feet had exceptional solo careers because within the historical context they would never be respected as solo artist unless they asserted themselves in a sexual way that would be on the same level of Elvis. This would be harder for an African-American woman because they are already sexualized as back-up singers. There would be then a need for overt sexualization as displayed by Tina Turner. Although Tina Turner is an extraordinary performer her success is banked on that overt sexualization where’s the women of 20 Feet hoped to rely on their vocal talents.
Ella was born in Newport News, Virginia on April 25, 1917. When alled “The First Lady of Song” by some fans. She was known for having beautiful tone, extended range, and great intonation, and famous for her improvisational scat singing. Ella sang during the her most famous song was “A-tiscket A-tasket”. Fitzgerald sang in the period of swing, ballads, and bebop; she made some great albums with other great jazz artists such as Duke Ellington, Count Basie, and Louis Armstrong. She influenced countless American popular singers of the post-swing period and also international performers such as the singer Miriam Makeba. She didn’t really write any of her own songs. Instead she sang songs by other people in a new and great way. The main exception
Betty Marion White was born on January 17, 1922 in Oak Park, Illinois. She is the only child of Horace and Tess White, an electrical engineer and a house wife. At the age of two her and her family moved to Los Angeles. Betty White graduated from Beverly Hills High School California, in 1939 at 17. Betty started modeling they same year she graduated. She first did various radio shows in the 40s. But her first TV show was on Hollywood in Television in 1949. Whites first produced television show was Life with Elizabeth. "I was one of the first women producers in Hollywood."
Josephine Baker was an exceptional woman who never depended on a man. She never hesitated to leave a man when she felt good and ready. In her lifetime she accomplished many great things. She adopted 12 children, served France during World War II, and was an honorable correspondent for the French Resistance. She fought against fascism in Europe during World War II and racism in the United States. She grew up poor and left home at an early age and worked her way onto the stage. Baker was more popular in France than in the states. Audiences in America were racist towards Baker and that’s when she vowed she wouldn’t perform in a place that wasn’t integrated.
Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist her political and social activism is understated despite her front- line presence in the movement. According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than had many other African American entertainers.”
To commerate Black History Month, I have decided to do reasearch on an exceptionally talented musician Ella Fitzgerald. She was essentially the Aretha Franklin of the Jazz Age. She was an incredibly talented jazz singer who was considered the best by almost everyone. The reason she’s been chosen as today’s Black History Month is because she holds the distinction of being the first Grammy Award Winner who was both Black and female. Ella Fitzgerald had an everlasting impact on, not only how jazz music sounded, but also who performed it. When looking at a compulsive life as Ella’s, I was inspired by the huge impact she brought throught out music; especially jazz.
Activist.” Encyclopedia of African American Popular Culture. Ed. Jessie Carney Smith. Santa Barbara, CA: Greenwood, 2010. ABC-CLIO eBook Collection. Web. 26 May 2011.
One of those women was Audre Lorde. Audre Lorde was raised in a very sheltered family. She was protected by her mother, who believed that white people should not be trusted. Seeing her mother as an idol, she dared not question her authority and obeyed her, she said. The pivotal point was when Lorde was on her own in college, it is then she fought racism and prejudice with writing and her involvement in the women community.
Whitney Houston to most was a very amazing and talented person who allowed life and its mishaps break her down. As a young girl she grew up in the church where she felt like it was a sign from God that she should be singing. Freud believes that religion is an illusion, an attempt to gain control over the external world. In his eyes saying that anything is a sign from God depends on how you vision life. There were times in her life where she would produce more music just to get thru the thing that she would be going through. She would use her music as a defense mechanism to get away from all of the abuse, problems with her marriage, neglect, and drugs. Defense mechanisms are ways to distort reality to reduce anxiety: Rationalization is giving a positive reason to a stressor and regression is withdrawing from reality and going to pastime.
Lena decided to head out to Hollywood and see what she could do out there. She began singing in the Trocadero Club where she met one of the most influential people in her life: Billy Strayhom. Billy Strayhom was the chief music-writer for Duke Ellington. Lena has always felt that she and he were soul mates, d...
Singer/actress Lena Horne's primary occupation was nightclub entertaining, a profession she pursued successfully around the world for more than 60 years, from the 1930s to the 1990s. In conjunction with her club work, she also maintained a recording career that stretched from 1936 to 2000 and brought her three Grammys, including a Lifetime Achievement Award in 1989; she appeared in 16 feature films and several shorts between 1938 and 1978; she performed occasionally on Broadway, including in her own Tony-winning one-woman show, Lena Horne: The Lady and Her Music in 1981-1982; and she sang and acted on radio and television. Adding to the challenge of maintaining such a career was her position as an African-American facing discrimination personally and in her profession during a period of enormous social change in the U.S. Her first job in the 1930s was at the Cotton Club, where blacks could perform, but not be admitted as customers; by 1969, when she acted in the film Death of a Gunfighter, her character's marriage to a white man went unremarked in the script. Horne herself was a pivotal figure in the changing attitudes about race in the 20th century; her middle-class upbringing and musical training predisposed her to the popular music of her day, rather than the blues and jazz genres more commonly associated with African-Americans, and her photogenic looks were sufficiently close to Caucasian that frequently she was encouraged to try to "pass" for white, something she consistently refused to do. But her position in the middle of a social struggle enabled her to become a leader in that struggle, speaking out in favor of racial integration and raising money for civil rights causes. By the end of the century, she could look back at a life that was never short on conflict, but that could be seen ultimately as a triumph.
Josephine Baker Josephine Baker was an African American woman who had to overcome discrimination and abuse in achieving her dream of becoming a singer and dancer. She did this during the 1920s, when African Americans faced great discrimination. She had a hard childhood. Her personal life was not easy to handle. Furthermore, she overcame poverty and racism to achieve her career dream.
These attributes gave her the key to working with the most notable producers, script writers and musical producers in the history of Broadway. Her many shows gave her the opportunity to understand herself as a Broadway actress and her voice stands alone to all of the people who followed. Her voice will live on in theaters and she will continue to remain a pinnacle of Broadway history.
The movie Lady Day: The Many Faces Of Billie Holiday paints an interesting, and thought provoking portrait of one of jazz and blues most charismatic, and influential artists. The incomparable talent of Billie Holiday, both truth and legend are immortalized in this one-hour documentary film. The film follows Holiday, also referred to as “Lady Day” or “Lady”, through the many triumphs and trials of her career, and does it’s very best to separate the facts from fiction. Her autobiography Lady Sings The Blues is used as a rough guide of how she desired her life story to be viewed by her public. Those who knew her, worked with her, and loved her paint a different picture than this popular, and mostly fictional autobiography.