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Winston's personality in 1984
Symbolism and Literary Techniques in George Orwell's
How do orwell present the dystopian society
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The effect the Party has had on Winston’s humanity can be seen in his mental deterioration shown through his thought process and his physical being. Orwell uses a great deal of figurative language to further evidence the appalling situation Winston has found himself in. “His mind sagged round and round on the same track, like a ball falling again and again into the same series of slots.” The simile comparing Winston’s mind to a ball on a pointless journey into the same slots is used to show the futility of Winston’s thoughts against the party; no matter how hard he may try to plot against the Party he will always end up imprisoned, having no effect on the world. This forced inaction by the Party is one way Winston is robbed of his humanity, as it is a human right to voice one’s opinions in a …show more content…
“ He only had six thoughts. The pain in his belly; a piece of bread; the blood and the screaming; O’Brien; Julia; the razor blade.” Winston is so beaten down by the Party that he can only manage to think about six things, however, these objects are used to symbolize what Winston yearns for from the world. “The pain in his belly; a piece of bread;” Winston longs for the security of having three meals a day once more. The bread symbolizes the comfort and stability he sacrificed to fight against the Party’s ideals, as he was given bread at each meal when he conformed to the Party’s every wish. “O’Brien;” is used to symbolize the unlikely savior Winston secretly hopes will come to rescue him. O’Brien symbolizes the friendship the Party never allowed Winston to have, as O’Brien was the only non-romantic person Winston truly opened up to and shared his ideals with. “Julia” symbolizes the love the Party robbed Winston of, condemning him to death, in part, because he pursued Julia. “the razor blade” symbolizes the freedom Winston yearns for. Suicide seems like the only option where Winston will ever be truly free from the Party’s confines and able to escape their
Diction: While George Orwell used fairly simple and uncomplicated diction to tell the story many of his words still have a very powerful diction. In the first chapter the protagonist Winston is attack by the smell of “boiled cabbage and old rag mats”. This is the first indication to the nature of the living conditions of our protagonist. However, Orwell also uses his diction to create the atmosphere of Oceania with lines like “the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals, and though the sun was shining and the sky a harsh blue, there seemed to be no colour in anything”. These lines contain powerful words like cold, torn, and harsh and these worlds help paint the picture of what kind of story we are reading.
Returning to his diary, Winston then expresses his emotions against the Party, the Thought Police and Big Brother himself; he questions the unnecessary acts by the Party and continuously asserts rebellion. Winston soon realized he had committed the crime of having an individual thought, “thoughtcrime.” The chapter ends with a knock on Winston’s door. Significant Quotes “From where Winston stood it was just possible to read, picked out on its white face in elegant lettering, the three slogans of the Party: WAR IS PEACE FREEDOM IS SLAVERY IGNORANCE IS STRENGTH” (Orwell 7). “But there was a fraction of a second when their eyes met, and for as long as it took to happen Winston knew— yes, he knew!
I strongly agree with Fromm’s viewpoints and interpretations of Orwell’s 1984 text. He warns that the future federal powers will dehumanize society and leave everyone alienated. Thus, I agree with Fromm to the extent that he acknowledges the fact that humanity can indeed cease to exist as a result of our own self-destruction as well as the effect of our actions. Many of his opinions and warnings expressed by Orwell to an extent appear in contemporary society.
Winston commits “thoughtcrime” leading to his arrest and questioning at the Ministry of Love, the communities jail center working with matters pertaining to war. His comrade O’Brien begins torturing him in an underground room and calls it the “learning stage”. He teaches Winston the truth about the Party and their slogan; eventually he explains that “Freedom is Slavery” is easily reversed as “Slavery is freedom. Alone- free- the human being is always defeated… if he can make complete, utter submission… [and] merge himself in the Party… then he is all-powerful and immortal” (264). The Party uses this statement to illustrate that when one acknowledges the collective will, they become free from danger and desire. Those who are surrendered to INGSOC, including O’Brien, assume that when an individual has freedom they become subjugated to their senses and emotions. Moreover, Winston continues to be starved and tortured until he appears to be nothing but skin and bones when his opinions transition to align with the governments. He now accepts everything that O’Brien has expressed to him including that he is crazy and two plus two equals five. While he thinks about what he has been taught he thinks about “How easy it all was! Only surrender, and everything else followed… he hardly knew why he had ever rebelled” (278). In a sense, Winston is now free, only in a
Winston is confronted with struggle throughout the entirety of George Orwell`s dystopian novel Nineteen Eighty-Four. Living within a totalitarian regime subsequently causes Winston to seek approaches for dealing with such abundant oppression; he finds liberation through self-awareness, understanding and ultimately rebellion. First, Winston realizes that “if you want to keep a secret you must also hide it from yourself”, alluding to the notion of thoughtcrime (162). This recognition exemplifies the complete cognizance that Winston has regarding the oppressive society displayed throughout the novel. Next, Syme states “It’s a beautiful thing, the destruction of words”, alluding to the idea of Newspeak (28). This statement directly correlates to Winston speaking with other party members to gain knowledge about how others feels about policies deployed by the government. This information-seeking also connects with Winston`s rebellion, as he actively searched for others to join his uprising, which is shown when Winston tells O’Brien “We want to join [The Brotherhood]” (171). Winston’s attempt to join a rebellious organization exhibits his evident desire to release his suppressed emotions. Winston devises a very methodical approach to deal with the problematic society he resides in.
Symbols are everywhere. Whether it’s the cross of Christianity, or the swastika of the Third Reich, symbols can convey messages of love, or hate, without ever having to say a word. While George Orwell in his masterpiece 1984 does, of course, use words to convey his themes, he also uses symbols. In the novel 1984, symbols are used as a way for Orwell to reinforce his three major themes.
War Is Peace. Freedom Is Slavery. Ignorance Is Strength. The party slogan of Ingsoc illustrates the sense of contradiction which characterizes the novel 1984. That the book was taken by many as a condemnation of socialism would have troubled Orwell greatly, had he lived to see the aftermath of his work. 1984 was a warning against totalitarianism and state sponsored brutality driven by excess technology. Socialist idealism in 1984 had turned to a total loss of individual freedom in exchange for false security and obedience to a totalitarian government, a dysutopia. 1984 was more than a simple warning to the socialists of Orwell's time. There are many complex philosophical issues buried deep within Orwell's satire and fiction. It was an essay on personal freedom, identity, language and thought, technology, religion, and the social class system. 1984 is more than a work of fiction. It is a prediction and a warning, clothed in the guise of science fiction, not so much about what could happen as it is about the implications of what has already happened. Rather than simply discoursing his views on the social and political issues of his day, Orwell chose to narrate them into a work of fiction which is timeless in interpretation. This is the reason that 1984 remains a relevant work of social and philosophical commentary more than fifty years after its completion.
Early in the story, the reader is told of Winston 's death. This occurs again in the book using symbolism. Winston’s obsession with the past and trust in a stranger are what leads to his immanent death. The song itself is not the memory of an old man, but more of a morbid warning to Winston. The picture which brings up the rhyme hangs on the wall in the room owned by Mr. Charrington. It is here that Winston and Julia have their secret rendezvous. Likewise, the paperweight is not a simple piece of coral enrobed with glass; it serves as a link to the past for Winston. This item, as well, is also linked to Mr. Charrington.
George Orwell creates a dark, depressing and pessimistic world where the government has full control over the masses in the novel 1984. The protagonist, Winston, is low-level Party member who has grown to resent the society that he lives in. Orwell portrays him as a individual that begins to lose his sanity due to the constrictions of society. There are only two possible outcomes, either he becomes more effectively assimilated or he brings about the change he desires. Winston starts a journey towards his own self-destruction. His first defiant act is the diary where he writes “DOWN WITH BIG BROTHER.” But he goes further by having an affair with Julia, another party member, renting a room over Mr. Carrington’s antique shop where Winston conducts this affair with Julia, and by following O’Brien who claims to have connections with the Brotherhood, the anti-Party movement led my Emmanuel Goldstein. Winston and Julia are both eventually arrested by the Thought Police when Mr. Carrington turns out to be a undercover officer. They both eventually betray each other when O’Brien conducts torture upon them at the Ministry of Love. Orwell conveys the limitations of the individual when it comes to doing something monumental like overthrowing the established hierarchy which is seen through the futility of Winston Smith’s actions that end with his failure instead of the end of Big Brother. Winston’s goal of liberating himself turns out to be hopeless when the people he trusted end up betraying him and how he was arbitrarily manipulated. It can be perceived that Winston was in fact concerned more about his own sanity and physical well-being because he gives into Big Brother after he is tortured and becomes content to live in the society he hated so much. Winston witnesses the weakness within the prole community because of their inability to understand the Party’s workings but he himself embodies weakness by sabotaging himself by associating with all the wrong people and by simply falling into the arms of Big Brother. Orwell created a world where there is no use but to assimilate from Winston’s perspective making his struggle utterly hopeless.
In the beginning of the book, the narrator establishes a physical contrast between Winston and the Big Brother. Winston is described to have “a varicose ulcer... [and to be walking] slowly, resting several times” (Orwell, 3), while the Big Brother is described as having “ruggedly handsome features” (Orwell, 3). The narrator successfully depicts an image of Winston as someone who is weak and frail, while the Big Brother is described as appealing and strong. With this distinction that WInston is less appealing and feeble compared to the mascot, Orwell emphasizes that indoctrination cannot be broken as long as the party remains its strength. The narrator again uses visual imagery to describe the destroyed city. Winston’s hometown, London, is described to have houses with “their windows patched with cardboard and their roofs with corrugated iron” (Orwell, 5). By allowing the narrator to vividly describe the
He believes that mankind will only take so much abuse before their natural dignity causes them to revolt. Winston’s thoughts on the “Spirit of man” apply to history. In history, people have gotten together to overthrow incompetent or abusive leaders, because in their spirit, they are strong and determined in their right to do so. An example in the book, O’Brien tries to tell Winston that he is a broken shell of a man but Winston states that he didn’t betray Julia (299). And by not betraying her Winston has held himself onto those pure things that does make man capable of great things: love and
Orwell's sets the mood of the book as one of hopelessness for the future of humans. He contrasts this mood with a popular philosophy: belief in the progress of humanity and the ability of people to institute peace and justice in the world. These contrasting views set up the premise for the life of Winston Smith, who is one man caught in a society devoted to conformity. Orwell's warning to this is that if people cannot change the way things are going, our society will lose their human qualities. They will become soulless machines and not have a clue as to their new world they created. This is the world in which Winston Smith is caught in. He is different from the others and in a civilization which does not approve of individuality, Winston is targeted by the government from the beginning. Being different in this populace only means rebellion and that exactly is what Winston sets out to do. Winston believes that although he must conform on the outside, that no one can take his individual thought away. Winston's individuality is the only hope for human nature for he questions the most basic principles of the regime, a thoughcrime. One doctrine Winston questions is the concept of freedom-
At the end of the novel, Orwell describes Winston as a cured patient who has over come his metal disease. “He had won the victory over himself: he loved Big Brother” (Part 3, Chapter 6). Both Freud and Orwell break down the components of a person’s mind in the same way. Orwell’s character, Winston, depicts the different parts of the human mind so described by Freud. In Orwell’s 1984, he uncovers the same components of a human mind as seen by Freud, the instinctual drive of the id, the perceptions and actions of the ego, and the censorship imposed by the morality of the superego.
He got the girl and he is free from party eyes. The reader is content with what has happened in Orwell’s story. However, Orwell proceeds to remind the reader of the true nature of Oceania. “The picture had fallen to the floor , uncovering the telescreen behind it” (Orwell.222). Orwell completely ups the ante, flips the script, and changes the game when he reveals the secret behind Charrington’s upper room, it holds a telescreen and Charrington is a thoughtpolice agent. ”It occurred to Winston that for the first time in his life he was looking, with acknowledge, at a member of the thought police” (Orwell.224). Winston rented the room that he was going to use to rebel against the party from a thought police agent. He had absolutely zero chance from the very beginning. Charrington yells, “And by the way, while we are on the subject, Here comes a candle to light you to bed, here comes a chopper to chop off your head” (224)! Charrington speaks the words that make Winston’s heart stop, referencing a song that had been sung previously in the story. The ending of the song represents the current situation, the thought police have come to get Winston. Suddenly, Winston and Julia have been found out and are captured and tortured by the party. All of the rebellious nature is taken out of Winston and he becomes a loyal party member. Orwell throws the ultimate curveball, which completely changes the reader's thinking, making the reader realize that the room was never safe from the very beginning, and that gaining freedom in Oceania is a hopeless endeavor. Orwell’s true message is that the party always wins, there is no hope. The reader feels all of the evil and tyranny the party invokes and how far they will go to insure that their laws are enforced, their dominance is asserted, and their fear is felt. The room served
Everything is a symbol. Everything has a deeper being in which it represents once it is unlocked. The father of deconstruction, Jacques Derrida, was quoted in an interview saying that deconstruction is “to not naturalize what is not natural”. Therefore symbolism is deconstruction in its rawest form. Symbols beg to not be taken at their natural face-value, but rather dived into to reach their deep inner-core of true meaning. One must use every element of deconstruction to unlock the true meaning of a symbol. Symbolism in literature allows the author to express his thoughts and motives in a way that is engaging and entertaining to the reader. The reader must dissect every bit of knowledge presented in order to reach the full fountain of knowledge that can be expressed by a symbol. Symbols are a beautiful thing. It allows the reader to make his own connections to the author’s expressions. The reader can especially be engaged in George Orwell’s 1949 dystopian novel 1984. Symbolism is important in 1984 because the reader can find connections to today’s government in Orwell’s message of control, propaganda, and oppression within the symbols that Orwell creates.