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Revenge as a theme in literature
Revenge as a theme in literature
Advantages and disadvantages of revenge
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Recommended: Revenge as a theme in literature
In the Tale of Two Cities, Charles Dickens utilizes Madame Defarge to show the theme that revenge has the capability of corrupting an individual.
At the beginning of the novel, Dickens portrays Madame Defarge as, “a stout woman ... with a watchful eye ... a steady face, strong features, and great composure.” Defarge seems to be no more than a common spouse in the novel, merely occupied with her knitting. As the novel progresses, however, we find that she is anything but the average housewife. She’s the bloodthirsty leader of the revolution. The true evolution of Madame Defarge isn’t seen until the revolution begins. Madame Defarge and the oppressed peasants recently turned patriots, drunk with their newfound power, begin the pursuit of justice
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Though originally in pursuit of a noble goal such as justice, it quickly deteriorates into a bloodbath. Madame Defarge not only kills, but also relishes in watching the torment and execution of people for her entertainment. Evidence of this is shown after the storming of the Bastille where Dickens writes, “down on the steps of the Hotel de Ville where the governor’s body lay—down on the sole of the shoe of Madame Defarge where she had trodden on the body to steady it for mutilation.” Madame Defarge couldn’t just kill the man, she had to excessively harm it by stomping on the body. The bloodthirsty rage elicited by Madame Defarge is derived from the desire of vengeance, first formed at witnessing the torture, rape, and death of her family at the hands of the aristocracy and more specifically the Evrémondes’. Clearly as shown above, her desire
In the first book of the novel, the goal of Madame Defarge includes exterminating the noble race. She is constantly knitting in the wine shop she owns. The knitting shows a passive way to express her hatred towards others. “Her knitting was before her, but she had laid it down to pick her teeth with a toothpick” (Dickens 55). The quote shows how even in her first showing in the book, she is knitting. Her knitting and constant plotting brings frequent fear to her husband, Ernest Defarge, and all other wine shop patrons. Considering even her own husband is afraid for his life, Defarge keeps death in secrecy and shows extremely negative qualities. Defarge knits a register for the intended killing of the revolution in secrecy to show her hatred towards certain people. She has negative characteristics in regard to the loss of her family and her plot to kill all of her enemies. Madame Defarge lasts as the leader attributed to all women fighting in the revolution and
Madame Defarge was taking out her anger on the whole family, which she thought had killed her sister. So Madame Defarge was going after all of the Marquis, no matter if they had anything to do with the murder or not.
She plays the Force of Evil, as she plots against Darnay and those around him, despite occasional disapprovals from her husband. “‘One must stop somewhere. After all, the question is still where?’ ‘At extermination,’ said Madame’” (263). She’s described as a, “ruthless woman, now taking her way along the streets. Of a strong and fearless character, of shrewd sense and readiness, of great determination… but, imbued from her childhood with a brooding sense of wrong, and an inveterate hatred of a class, opportunity had developed her into a tigress” (281). Madame Defarge did what she thought was right in order to try and compensate for the damage done during her childhood, “that sister of the mortally wounded boy upon the ground was my sister, that husband was my sisters husband, that unborn child was their child, that brother was my brother, that father was my father”
Monsieur Defarge is a revolutionary disguised as a mere bartender. He communicates secretly with his fellow revolutionaries in the bar and helps to orchestrate the plot to overthrow the French aristocracy. Despite the power he holds, he is overshadowed by his ruthless wife, Mrs. Defarge. Mrs. Defarge is a very powerful woman with a lot of influence, and she is ultimately the driving force behind the revolution’s plot. She decides who to kill and knits their name into a coded list. Monsieur Defarge is cooperative and submissive to her, as seen when he agrees with every part of the story she tells without being prompted. Monsieur Defarge is a masculine character with a lot of influence, but his relationship with his wife is not reflective of what was typical during the time period of the French revolution. This is used by Dickens to show that society’s attitudes towards masculinity and femininity are
It is evident that A Tale Of Two Cities written by Charles Dickens is told in Rousseau's perspective. Rousseau believed that people were born with a blank slate or Tabula Rasa and that their experiences form who they are. People who were brought up with bad experiences and hate show evil throughout their life. While people who were brought up with good experiences and love show goodness throughout their life. The Aristocrats were raised to believe that it was okay for them to abuse their power over the peasants. While the Peasants developed anger and hatred towards their oppressors. As a result the peasants committed heinous actions against the aristocrats. Rousseau's theory is clearly shown in the lives of Charles Darnay, Madame Defarge,
...l of men. The oppressed male peasants join together to form a group of Jacques, or soldiers, to overthrow the aristocracy. The Jacques use The Defarge's wine-shop as a meeting place. Throughout the story, Madame Defarge is either murdering someone or knitting. She is always "sitting in her usual place in the wine-shop, knitting away assiduously" (162). Her friends are a twisted as she. Her closest confidant is known as The Vengeance. Both Madame Defarge and the Jacques fight until the end.
Madame Defarge, on the other hand, does not just hate Lucie, but she hates the Manettes and all the Evremondes. One would think that such a strongly fueled hatred would permit Madame Defarge to overpower Miss Pross, but, as the reader finds out, Miss Pross' determination to keep her darling "Ladybird" safe, from any harm that might come to her or her family, allows her to overpower and kill her enemy. This time, the power of good overcomes the power of evil due to Miss Pross' true love and dedication to Lucie. Another struggle between love and hate can be found within Monsieur Defarge. In this particular case, it is evil that eventually triumphs.
...to revenge. She turned into this cold killer to kill the entire Evermonde family for what they had done to her family. She uses her power in the revolution to take revenge on the Evermonde family. Madame Defarge loses her true self and becomes someone who disregards the lives of people include hers. Dickens’s theme of how history repeats itself appears again when Madame Defarge kills innocent people similar to what the Marquis of Evermonde did.
The symbol of knitting is represented throughout the whole book, when Madame Therese Defarge is always secretly stitching the names of the people whose fate will be death. Firstly, in the wine-shop, Monsieur Defarge is speaking about the knitting of Madame Defarge and the importance of how the knitted register cannot be changed because the fate of those people is decided. He is explaining this to one of the three Jacques because Madame Defarge has just added someone to the register. Monsieur Defarge explains, “Knitted, in her own stitches and her own symbols, it will always be as plain to her as the sun... It would be easier for the weakest poltroon that lives, to erase himself from existence, than to erase one letter of his name or crimes from the knitted register of Madame Defarge" (Dickens 132). Madame Defarge is secretly and constantly knitting whenever and wherever she is mentioned in the book, and only she is able to understand “the language” of her piece of work. She works...
Charles Dickens writes this book explaining the French Revolution, in which the social and economic systems in France had huge changes and the French monarchy collapsed. This causes high taxes, unfair laws, and the poor being mistreated. Charles Dickens shows that cruelty of other people will lead to a revolution and in addition to the revolution more cruelty will occur. He explores the idea of justice and violence through the use of ambiguous characters with positive and negative qualities, meaning that they have to different sides to them; for example, Charles Darnay, Sydney Carton, and Dr. Manette. Throughout the story of A Tale of Two Cities, Charles dickens uses ambiguous characters to shows how violence and cruelty can be stopped through the power of true sacrifice.
The French Revolution was a period of radical social and political upheaval, lead by the lower class of France, which began the decline of powerful monarchies in France and the rise of nationalism and democracy. In A Tale Of Two Cities, written by Charles Dickens, he highlights these aspects of the war between classes and makes them personal to the reader. Throughout the novel, Dickens’ establishes and develops several symbols in order to help the reader better understand the Revolution and the way people acted during this time. He shows that while emotion, desperation, and irrationality run high, humanity, justice, and morality are scarce. The blue flies, Madame Defarge’s knitting, and the sea are three of Dickens’ symbols that develop his theme of man’s inhumanity to his fellow man throughout the novel.
Although Madame Defarge’s hatred is initially fixed solely on the Evrémondes brothers, the revolutionary atmosphere extends this hatred to Lucie and her family. Dickens portrays Madame Defarge’s enemies, the Darnays, as the protagonists of the novel by provoking sympathy from the audience. As a result of Madame Defarge’s struggle to deal with her family’s death, the conflict between the opposing forces arises. Originally, Madame Defarge’s goal was to bring justice to the guilty. Due to the rise in the Revolution, her motives become based more on executing cruelty without
In his “A Tale Two Cities”, Charles Dickens uses the characters of Lucie Manette and Madame Defarge as two strong women that contrast against the rather manly group of characters. These women are both driven to do what they believe is right. Although Lucie and Madame are strong willed and independent, they both use these strengths differently. Lucie is a woman who is driven by love and affection. Whereas Madame Defarge is driven by hate and rebellion. Both these women, although similar, have such significant differences.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
Ayres, Brenda. Dissenting Women in Dickens' Novels: the Subversion of Domestic Ideology. Westport, CT: Greenwood, 1998. 86-88. Print.