Charles Dickens was born the second child of eight in 1812 to John and Elizabeth Dickens. When Charles was a young child he was exposed to a lot of literature and art that helped strengthen and develop his imagination. Dickens is known for his numerous and excellent works of writing. One of Charles Dickens’ well-known pieces of literature is A Tale of Two Cities. This piece of writing contains countless numbers of metaphors and symbols to add to the interesting plot. These metaphors and symbols are very powerful and beneficial in the understanding and comprehension of the novel. The theme of fate in Charles Dickens’ A Tale of Two Cities, is related and elaborated excellently through the symbols of knitting, blue-flies, and the fountain.
The symbol of knitting is represented throughout the whole book, when Madame Therese Defarge is always secretly stitching the names of the people whose fate will be death. Firstly, in the wine-shop, Monsieur Defarge is speaking about the knitting of Madame Defarge and the importance of how the knitted register cannot be changed because the fate of those people is decided. He is explaining this to one of the three Jacques because Madame Defarge has just added someone to the register. Monsieur Defarge explains, “Knitted, in her own stitches and her own symbols, it will always be as plain to her as the sun... It would be easier for the weakest poltroon that lives, to erase himself from existence, than to erase one letter of his name or crimes from the knitted register of Madame Defarge" (Dickens 132). Madame Defarge is secretly and constantly knitting whenever and wherever she is mentioned in the book, and only she is able to understand “the language” of her piece of work. She works...
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...tain have a great effect in the perception of the theme of fate. This is shown when Madame Defarge is continuously knitting the fate of others. Secondly, when the blue-flies chatter in excitement for the fate of Charles Darnay. Last but not least, how the water of the fountain is like the flow of life directed to fate. Dickens put a lot of thought in writing the metaphors and extending them all throughout the novel from beginning to end. The repetition really emphasizes the importance of the symbols and greatly helps in the understanding of themes. His usage of literary devices is very magnanimous. A Tale of Two Cities is a wonderful piece of literature that is extremely easy to connect with its themes, especially the theme of fate, after the analysis of the metaphors and symbols.
Works Cited
Dickens, Charles. A Tale of Two Cities. Mineola: Dover, 1859. Print.
In the first book of the novel, the goal of Madame Defarge includes exterminating the noble race. She is constantly knitting in the wine shop she owns. The knitting shows a passive way to express her hatred towards others. “Her knitting was before her, but she had laid it down to pick her teeth with a toothpick” (Dickens 55). The quote shows how even in her first showing in the book, she is knitting. Her knitting and constant plotting brings frequent fear to her husband, Ernest Defarge, and all other wine shop patrons. Considering even her own husband is afraid for his life, Defarge keeps death in secrecy and shows extremely negative qualities. Defarge knits a register for the intended killing of the revolution in secrecy to show her hatred towards certain people. She has negative characteristics in regard to the loss of her family and her plot to kill all of her enemies. Madame Defarge lasts as the leader attributed to all women fighting in the revolution and
Dickens wrote A Tale of Two Cities during his time of fascination with the French Revolution. The French Revolution was a time of inequity. There are many occasions in the novel where the problems of the Revolution are displayed. The human race is shown at its worst. Throughout the novel, man’s inhumanity towards fellow man, whether from a different social class or their own neighborhood, is shown through the metaphors of wine symbolizing blood, water symbolizing life, and blue flies symbolizing townspeople buzzing around death.
Kalil, Marie. Cliffs notes on Charles Dickens' A Tale of Two Cities. Cliff Notes Inc, June 2000
On the subject of the French she says, “I am a subject of His Most Gracious Majesty King George the Third and as such, my maxim is, Confound their politics, Frustrate their knavish tricks…God save the King.” (338) Since she is such, she is the perfect foil for Madame Defarge. Madame Defarge epitomizes chaos and violence. With her unrelenting bloodthirstiness and unceasing desire for revenge she symbolizes the intensity and bloodiness of the French Revolution. “The Evrémonde people are to be exterminated, and the wife and child must follow the husband and father.” (418) Madame’s chilling certainty and willingness to kill an innocent mother and child show the hatred that makes up the revolution she personifies and the peasants that were a part of it. Although Madame Defarge and Miss Pross are foils they share a common ground. They both have an uncompromising sense of duty; Miss Pross to Lucie’s safety and happiness, and Madame to a new and better France. They are both willing to do anything for these causes, including lying down their lives. As Miss Pross says, “I don’t care an English Twopence for myself. I know that the longer I keep you here, the greater hope there is for my Ladybird.” (427) Dickens uses these similarities he suggests that even seemingly opposites can have underlying
Dickens responded to this "dog-eat-dog" social climate by writing A Tale of Two Cities as a vehicle to reform society. He intends to fortify Christian values within English culture, such as self-sacrifice and kindness, in a time when he feels these values are threatened and sometimes completely overlooked. In this essay, I will show how Dickens interweaves his moral agenda of Christian values into the novel by using contrasts, symbols, and the motif of doubles as well as the evolution of Sydney Carton into a Christ-like figure with the goal of inspiring the reader to the point of evolving into an ethically "good" human being.
The line, “Fate will unwind as it must,'; (284) not only shows that the people believed they had no control of their destiny, but it is also relevant that Paganism was a significant part of their every day life. There are many illustrations throughout the poem Beowulf, that portray the importance of fate to the people. Often, the word fate was used as a way of showing the outcome of what has already come about.
The French Revolution was a period of radical social and political upheaval, lead by the lower class of France, which began the decline of powerful monarchies in France and the rise of nationalism and democracy. In A Tale Of Two Cities, written by Charles Dickens, he highlights these aspects of the war between classes and makes them personal to the reader. Throughout the novel, Dickens’ establishes and develops several symbols in order to help the reader better understand the Revolution and the way people acted during this time. He shows that while emotion, desperation, and irrationality run high, humanity, justice, and morality are scarce. The blue flies, Madame Defarge’s knitting, and the sea are three of Dickens’ symbols that develop his theme of man’s inhumanity to his fellow man throughout the novel.
Through the symbol of knitting, the metaphor of the fountain and water, and the metaphor of the wine, the theme of fate is used fantastically by Dickens in A Tale of Two Cities. Because fate determines the outcome of many situations, these metaphors help guide these situations to their outcomes. The outcomes for many characters were inevitable no matter what because of fate and could not be changed. Without the theme of fate in the novel, the story would have turned out differently because fate determined the events in the novel and how the novel continues. Because of this, Dickens’ use of the theme of fate is superb throughout his novel and enhances the story and to adds to the plot.
She created her own knitting patterns for letters out of the hope that the person knitted on the sweater will die. Many times in the book when something interesting happens around Madame Defarge she just continues knitting her hit list. She was so devoted to her gathering of people and their crime, so hopeful for them to be punished at her hands, and so ruthless as to hope for them to die. Defarge once said “It would be easier for the weakest poltroon that lives, to erase himself from existence, than to erase one letter of his name of crimes from the knitted register of Madame Defarge. ”(174)
The relationship formed between these two characters intensifies their ultimate intentions in support of the Revolution. With provocation from The Vengeance, Madame Defarge’s thirst for the execution of Lucie and her child and the Revolution as a whole is amplified. Madame Defarge, her cronies,and her stitches “knitted, in her own . . .symbols, [it] will always be as plain to her as the sun” (Dickens 303) play a significant role in the headway of the
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
In A Tale of Two Cities, Charles Dickens’ choice of sentimental expression had an excellent effect on the readers’ responses to the characters. The use of exaggerated sentimentality helped create a clear picture of the story’s issues in the readers’ minds; it gave a feel for the spirit of the times, and made it easier to understand the characters’ points of view. It was this very sentimentality that Dickens strived to achieve.
Throughout A Tale of Two Cities, Charles Dickens repeats a number of symbols and motifs. By employing these two literary devices throughout the duration of the story, Dickens is working to emphasize the importance of these specific components of the story. Motifs and symbols represent repeating ideas that help the reader to understand, as well as highlight the author’s central idea. Dickens employs the usage of symbols and motifs, such that by using both he adds a layer of significance and deeper meaning to actions, people, as well as objects. Additionally, by using symbols and motifs, Dickens is able to create a story in which both the characters, and the plot are interwoven.
Charles Dickens is a talented author who wrote many notable novels, including A Tale of Two Cities. Barbara Hardy notes that at a young age Dickens’ father was imprisoned for debt, leaving young Charles to support himself and his family alone (47). Dickens strongly disliked prisons, which shows as a motif in A Tale of Two Cities. Many of his interests contributed to the formulation of the novel. In the essay “Introduction” from the book, Charles Dickens, Harold Bloom claims Dickens hoped “to add something to the popular and picturesque means of understanding [the] terrible time” of the Revolution (20). Dickens’ reading and “extraordinary reliance upon Carlyle’s bizarre but effective French Revolution” may have motivated him to write the novel (Bloom 21). Sir James Fitzjames Stephen believed that Dickens was “on the look-out for a subject, determined off-hand to write a novel about [French Revolution]” (Bloom 20). In Brown’s book Dickens in his Time, Dickens guided the writing of the play Frozen Deep where two rivals share the same love, and one ultimately sacrifices himself for...
Webster defines fate as a “ a power thought to control all events and impossible to resist” “a persons destiny.” This would imply that fate has an over whelming power over the mind. This thing called fate is able to control a person and that person has no ability to change it.