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The story of an hour dramatic irony examples
Preface to the First Folio Edition of Shakespeare’s Plays
Irony in a Midsummer Night's Dream
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“Why do they run away? This is a knavery of them to make me afraid,” Exclaimed Bottom, not knowing why his friends ran away from him in fear (Shakespeare lll.l. 54). This is an example of dramatic irony, there are three main types of irony. Dramatic irony, verbal irony, and situational irony. Dramatic irony is when the audience and some of the characters know more then a character or other characters do at the time. Verbal irony occurs when someone says the opposite of what they mean. Situational irony occurs when the opposite of what is expected happens. There are many examples of irony used in A Midsummer's Night Dream. An example of dramatic irony is when Robin puts the magical flower into Lysander's eyes instead of Demetrius's eyes
Irony is the contrast between expectation and reality. There are three different types; verbal, situational, and dramatic. Verbal irony is when one person says something, but means the opposite. Situational irony is when an event happens that is the opposite of what was expected to happen. Dramatic irony is when the reader knows something that one or more characters do not.
Irony is defined as the contrast between what is said and what is meant or what happens and what we feel should happen. There are three main types of irony. Verbal irony is when what is said is the opposite of what is meant, as in sarcasm. Situational irony is when an event is the opposite of what would ordinarily occur. Dramatic irony is when the reader or audience knows something that the characters do not know. There are many examples of all three types of irony in The Most Dangerous Game and The Cask of Amontillado.
One example of expertly used irony is when Hamlet is talking to his mother when he hears a noise behind the curtains, so he stabs the figure behind the tapestries thinking it is Claudius, “How now, a rat? Dead for a ducat, dead!” (3, 4, 24), only to find out it is Polonius. This irony can be interpreted as dramatic irony, because the audience knows Polonius is behind the curtains while Hamlet does not. It can also be interpreted as situational irony, because Hamlet suspects that the person spying on him is Claudius. Wanting to avenge his father, he stabs him through the curtain but it turned out to be Polonius. Doing this initiates a chain of events that lead to his tragic death. Another prime example of irony increasing the enjoyment of the readers for the past 400 years is when Laertes is killed by his own poisoned sword. When Osric asks Laertes how he is doing right after he was scratched with his own sword, Laertes responds, “Why, as a woodcock to mine own springe, Osric. I am justly killed with mine own treachery.” (5, 2, 308-309). It is quite ironic that Laertes is murdered by his own plan. One would expect Laertes to draw first blood as he is a better skilled swordsman than Hamlet. However, he dies by poison first because the sword that was intended to kill Hamlet was used on him; this is situational irony. Irony brings a greater depth to the story.
that show an example of situation irony is, “There was a feverish triumph in her eyes, and
Shakespeare also uses situational irony. This occurs when the results of an action or event are different than what is expected. An example of irony occurs when Macduff talks to Malcolm and discusses the tragedies that are taking place in Scotland. Without knowing that his own family has been slain, Macduff says, "Each new morn/ New widows howl, new orphans cry, new sorrows/ Strike heaven on the face" (4.3.4-6).
In A Midsummer Night’s Dream, there are dozens of allusions to a variety of different topics. Examples found in Act One include Cupid, Theseus, and Phoebe. All three allude to Greek mythology and were used to provide deeper understandings for the audience. “Allusion[s], in literature, an implied or indirect reference to a person, event, or thing or to a part of another text. Most allusions are based on the assumption that there is a body of knowledge that is shared by the author and the reader and that therefore the reader will understand the author’s referent,” (Sinha).
Verbal irony is when someone says one thing but, means another. An example of verbal irony in the play is when Procter is in the courthouse and says that Elizabeth can not lie and then she does. “In her life, sir, she have never lied. There are them that cannot sing, and them that cannot weep, my wife cannot lie. I have paid much to learn it, sir” (pg 973 Miller Act 3), “Look at me! To your knowledge, has John Procter ever committed the crime of lechery? Answer my question! Is your husband a leacher!” (pg 974 Miller Act 3), “No, sir” (pg 974 Miller Act 3). Another example of verbal irony is when Abigail is in the court house and she is doing Gods work, but really she is doing the devils by getting all the girls to act like they see Mary’s spirit too. “Oh, Mary this is a black art to change your shape. No, I cannot, I cannot stop my mouth; it’s God’s work I do” (pg 975 Miller Act 3). Dramatic irony is when the readers know something that the characters do not. One example of dramatic irony is when Abigail acts like she sees Mary Warrens spirit, but she really does not. “Oh, Mary, this is a black art to change your shape. No, I cannot, I cannot stop my mouth; it’s God’s work I do” (pg 975 Miller Act 3), “Mary Warren! Draw back your spirit out of them!” (pg 975 Miller Act 3). Another example of dramatic irony is when Elizabeth was asked why she discharged Abigail she said that she did not satisfy
the play, it seemed that Othello was the only one who didn't know the truth.
create tension for the readers throughout the play. Dramatic irony occurs in the play multiple
With dramatic irony, on the other hand, it was used mainly for a comedic effect, rather than creating a plot twist for the audience. By creating a comedy using these two types of irony, Shakespeare was able to deliver his message of the true meaning of love. Situational irony is when the reader or audience is surprised by the outcome of the story. We see more of situational irony later on in the story, especially since it often leads to disputes and fights. For instance, when Robin was supposedly ordered to put flower droplets shot from cupid’s arrow into the eyes of Demetrius, he ended up putting them in the eyes of Lysander instead, mistaking him for the Athenian man Oberon had seen and causing a dispute.
One example of dramatic irony is when Oedipus is looking for the killer of the king Laius-his father. The irony here is that he is looking for himself because he is the murder of his father. Oedipus knows that he killed someone, but what he does not know is that it was Laius, the one he murder. Oedipus wants to punish the person who killed Laius, but we, the audience know that Oedipus was the one who killed Laius. Also Oedipus married Jocasta without knowing that she is his mother. We, the audience knew that he was Jocasta's son, but he was unaware of that.
In conclusion, many examples are given throughout the novel that exemplifies all three types of irony: situational, verbal, and dramatic. There are many more examples, like Bernard wanting attention and John’s suicide. His suicide can be an example of irony, with the reader hoping that John (the revolutionist) might succeed, but John taking his own life. Irony plays a huge role in the book, pointing out that no society can be perfect and that some laws are broken by the creators themselves.
Examples of this are when Macbeth says Banquo. “Tonight we hold a solemn supper, sir, And I’ll request your presence (III, i, 13-14)” or when he says “Fail not our feast (III, i, 28).” Verbal irony makes the play more tragic. because, if the reader understands the irony of what a character is saying, then the reader can see the true nature and intentions of the character. Another type of irony Shakespeare used is the irony of a situation.
The concept of contrast plays an important role throughout Shakespeare’s A Midsummer Night’s Dream. Shakespeare provides many examples of contrast signifying it as a motif. He groups the ideas of contrast together into those of some of the most important roles in the play. Helena is portrayed as tall and Hermia is short. Titania is a beautiful fairy who falls in love with Bottom, who is portrayed as graceless. Moreover, the main sets of characters even have differences. Fairies are graceful and magical creatures, yet tradesmen are clumsy and mortal. Additionally, the tradesmen are always overjoyed while the lovers are always serious with their emotions. Contrast layers throughout the whole play, as examples are shown in nearly every scene. Contrast becomes a constant, important motif to Shakespeare’s playwrite.
William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night’s Dream." They say that this play is the most purely romantic of Shakespeare’s comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night’s Dream" is a comedy combining elements of love, fairies, magic, and dreams. This play is a comedy about five couples who suffer through love’s strange games and the evil behind the devious tricks. This play begins as Theseus, the Duke, is preparing to marry Hippolyta. He woos her with his sword. Hermia is in love with Lysander. Egeus, Hermia’s father, forbids the relationship with Lysander and orders her to marry Demetrius. Demetrius loves Hermia, but she does not love him. On the other hand, Helena is in love with Demetrius. To settle the confusion, Theseus decides that Hermia must marry Demetrius or become a nun. In retaliation to her father’s command, Hermia and Lysander run away together. Amidst all the problems in the human world, Titania and Oberon, the fairy queen and king, continually argue about their various relationships that they have taken part in. (Scott 336) Titania leaves Oberon as a result of the arguments. Oberon is hurt and wants revenge on Titania. So he tells Puck, Oberon’s servant, to put a magic flower juice on her eyelids while she is sleeping. This potion causes the victim to desperately in love with the first creature that they see. Oberon’s plan is carried out, but the potion is also placed on Lysander’s eyes. Lysander awakes to see Helena, who is aimlessly walking through the woods, and instantly falls in love with her. She thinks that he is making fun of her being in love with Demetrius, so she leaves and Lysander follows. This leaves Hermia to wake up alone. Puck now has journeyed to the area where several actors are rehearsing. He uses his magic to turn one of them into a donkey, in hopes that Titania will awake to see it.