Examining Huck Finn's Moral Growth

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Samuel Clemens - or as he is most commonly referred to as, Mark Twain - was a seminal American novelist, with his works not only contributing to the general American literary canon, but in fact, greatly inspiring other such elemental writings. Twain is, perhaps, most remembered by the quintessential work, The Adventure’s of Huckleberry Finn, in which the eponymous character travels down the Mississippi River with his close friend, and runaway slave, Jim. In doing so, the two experience Twain’s satirical, yet quite realistic, interpretation of the South, while Huck, consequently, experiences a drastic change in terms of his own morality. When considering this novel’s content from a literary perspective, it seems to be that this notion of moral growth is quite essential to one’s understanding of the plot, as Huck’s character at the story’s conclusion highly contrasts with that of the beginning. Furthermore, and quite importantly, one shall find that evidence is abound for such a change in moral character when one is to examine Huck’s thoughts and subsequent actions in a chronological manner.

In order for one to truly appreciate Huck’s moral progress, one must first garner an understanding of Huck’s character as is introduced within the onset of the novel. It appears to be that Huck, although fairly pragmatic and disillusioned with - most of - the nonsensical schemes contrived by Tom Sawyer, is somewhat childish in that he is overly adventurous and apt to avoid the more serious aspects of life. For instance, while he is quite willing to partake in the creation of Sawyer’s gang of robbers, he ignores the Widow’s teachings about Moses because he, “didn’t take no stock in dead people.” (Twain, 2) However, it should be noted, as ...

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... the Duke and the Dauphin seemed to be solely responsible for Huck’s newfound resolve to act on his own thoughts; while the unnecessary and entirely senseless death and destruction wrought by the feud between the Grangerfords and the Shepherdsons resulted in an increase in maturity. Thus, it is possible that Huck Finn may in fact be a form of commentary, which targets the fallacies of Romanticism while upholding the accuracy inherent to Realism: for the various mishappenings Huck had witnessed on his journey simultaneously eroded his disposition towards adventure and contrasted with the romantic nature of the Mississippi River. Therefore, in spite of Twain having satirically remarked that, “[p]ersons attempting to find a motive in this narrative will be prosecuted”, it can be concluded that The Adventures of Huckleberry Finn possesses a large degree of complexity.

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