Essay On Substance Abuse In Emergency And Raymond Carver's Cathedral

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Denis Johnson’s “Emergency” and Raymond Carver’s “Cathedral” present a paradoxical exploration on substance abuse and its impact on life. The protagonists in both stories rely on substances to cope with, and escape, their dismal lives. Despite this similarity presented in the texts, there lies an important contrast between the manifestations of their realities, and the intent and outcome of substance abuse on the characters’ lives. On the one hand, in “Emergency”, the protagonist Georgie brings forth the idea that substance abuse functions to powerfully alter an overtly dismal life in order to augment personal meaning and purpose. But, on the other hand, in “Cathedral”, the protagonist reveals the idea that in unveiling the obscurities of an …show more content…

At the onset, when Terrence Weber arrives, the doctor, in assessing the patient’s needed treatment, orders for Terrence to be prepped, and yells: “Orderly!” (386). Georgie’s confusion is addressed as he asks for clarification, to which the doctor retorts: “Is this a hospital? [...] Is this the emergency room? Is this a patient? Are you the orderly?” (386). As Georgie is described sanitizing himself, the doctor ridicules him to the nurse: “That person is not right, not at all, not one bit,” to which the nurse defensively asserts: “As long as my instructions are audible to him it doesn’t concern me…I’ve got my own life and the protection of my family to think of” (386). Toward the end, as Georgie returns to work from his excursion, the narrator describes, “we got back to work in time to resume everything as if it had never stopped happening and we’d never been anywhere else” (393). Through situational irony, the politics that anchor the professional hierarchy go against the preconceptions about how the emergency wing of a hospital is supposed to operate collectively in saving lives, and has Georgie planted at the bottom akin to a nameless servant. Instead of being granted his identity (his name), Georgie is identified merely by what he does, which is to tend to superiors as “the orderly”. The tone depicted by the doctor connotes a belittling reminder of Georgie’s perceived

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