Dust, written by Judith Wright, discusses the concepts of a destroyed, empty world and a mother reflecting on the days when the “Earth was kinder”. Through her poem she shows the audience her fears for the world and how the world will become barren and “sick” if the environment is not cared for. This is typical of Judith Wright, with environmental themes central to many of her poems. The emotive responses that are evoked while reading this poem are extremely strong. A great sadness is experienced as she describes the barren new word and contrasts it to the previous one. To convey the moral of this poem Wright has employed many different literary and poetic techniques. These range over three major categories, imagery, structure and language. Overall we find that Wright is telling the reader that the environment needs to be protected and its resources appropriately used before it loses its beauty and can no longer provide for both families and the world.
Imagery is often used in poems as it creates a sense of space and gives the reader a better understanding of what is going on as well as helping them to suspend disbelief. Wright has clearly made an effort to involve imagery throughout her poem Dust. To establish the new world to the reader as a place impoverished and desolate she uses personification, saying that even the dust is “sick dust”. This allows the reader to clearly see the dust, representative of the earth, as diseased and almost dead which demonstrates the desperateness of the situation. The dust is also described as “harsh as grief’s taste”. This simile depicts a harsh landscape reminiscent of the cold bitterness of grief. This technique is really powerful as it forces people to remember or imagine the feelings of gri...
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...For Wright the poem was not only a future warning but was much more immediate than that. After the disastrous Australian drought of summer 1942, when the poem was written, and only three years after John Steinbeck’s novel Grapes of Wrath, which is all about the loss of a sustainable environment and fertile topsoil being turned to dust, it is likely that Wright saw this already occurring around her. Being a strong environmentalist and with a great sense of afflatus, she hoped that Dust would warn people before the “earth turns against the plough”. This poem successfully achieves this goal. It graphically depicts the horrible nature of what the world may well become, causing this message to strongly resonate with the reader. The poem uses a wide range of techniques which would capture the attention of any audience, causing them to have a vested interest in her cause.
There are multiple examples of visual imagery in this poem. An example of a simile is “curled like a possum within the hollow trunk”. The effect this has is the way it creates an image for the reader to see how the man is sleeping. An example of personification is, “yet both belonged to the bush, and now are one”. The result this has is how it creates an emotion for the reader to feel
In “Nightmare” from Out of the Dust, Billie Joe wakes up from a nightmare, trembling in fear from a nightmare about the dust storms and her inability to play the piano. The poem is filled with symbolism, used to build up anxiety and uncertainty, and for Hesse to elaborate on her thoughts. “Through a howling dust storm, my lowered face was scrubbed raw by dirt and wind” dramatically demonstrates a mood of panic and distress. As the suspense builds, Hesse uses imagery to exhibit uneasiness and describe the situation even further, “dust crept inside my ears, up my nose, down my throat.” Many instances of figures of speech are used, such as similes, personification, and metaphors. After trudging through the dust, not caring about anything but
He describes how the sun “bakes” the earth, the grasshoppers “consume the parched grass,” and how the prairies are full of “endless desolation.” The word “bakes” exhibits nature’s hostility to its surrounding lands. The grasshoppers eating the “parched grass” convey how on top of the grass slowly starving and dying, it has to deal with the grasshoppers devouring it as well; which emphasizes nature’s unforgivable attitude towards the land. The words “endless desolation” reveal that the land is nothing but despair, and that it is full of endless agony and suffering. This bleak description expresses a miserable tone that deduces the reader’s mind to believe the landscape is barren and
It is generally agreed that modern environmentalism begins with ‘A Fable for Tomorrow’, the first chapter in Rachel Carson’s Silent Spring (1962). The fairytale-like opening to the book begins with the words, ‘There was once a town in the heart of America where all life seemed to live in harmony with its surroundings’, painting a classic pastoral picture where she describes civilization far from modern ills coexisting with nature yet away from the perceived danger of the wild. However pastoral peace swiftly gives way to destruction- 'Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens; the cattle and sheep
The advent of industrialization and mankind's insatiable quest to devour nature has resulted in a potentially catastrophic chaos. Our race against time to sate the ever-increasing numbers of hungry stomachs has taken toll on the environment. Man has tried to strip every resource Earth has to offer and has ruthlessly tried to eliminate any obstruction he perceived. Nature is an independent entity which has sustained and maintained the balance existing within it. Traditionally, spring season hosts the complete magnificence of nature in full bloom. It is evident in the very first chapter when Rachel Carson talks about a hypothetical village which was the epitome of natural rural beauty and was a delightful scenery for the beholder. The village
A shroud of dust hangs over the story, underscoring the decay and decline that figure so prominently. The dust throughout Emily’s house is an appropriate companion to the faded life within. A great example of this is when the aldermen arrive to try and secure Emily’s annual tax payment, the house smells of “dust and disuse.” Even
Imagery is a key part of any poem or literary piece and creates an illustration in the mind of the reader by using descriptive and vivid language. Olds creates a vibrant mental picture of the couple’s surroundings, “the red tiles glinting like bent plates of blood/ the
I can definitely see what Wright was communicating with this poem. I had a somewhat depressed feeling after reading it, but I don’t know how one could read this and NOT feel that way. I also felt a little sad because I have been around people like this all of my life. Family, friends, friends of the family- a large majority of these people worked in factories and in the steel mills. As a child, I did not realize just how hard working these people were but of course as I grew older I started to understand. No one really spoke of it, as Wright also expressed in the poem.
Richard Wilbur's recent poem 'Mayflies' reminds us that the American Romantic tradition that Robert Frost most famously brought into the 20th century has made it safely into the 21st. Like many of Frost's short lyric poems, 'Mayflies' describes one person's encounter with an ordinary but easily overlooked piece of nature'in this case, a cloud of mayflies spotted in a 'sombre forest'(l.1) rising over 'unseen pools'(l.2),'made surprisingly attractive and meaningful by the speaker's special scrutiny of it. The ultimate attraction of Wilbur's mayflies would appear to be the meaning he finds in them. This seems to be an unremittingly positive poem, even as it glimpses the dark subjects of human isolation and mortality, perhaps especially as it glimpses these subjects. In this way the poem may recall that most persistent criticism of Wilbur's work, that it is too optimistic, too safe. The poet-critic Randall Jarrell, though an early admirer of Wilbur, once wrote that 'he obsessively sees, and shows, the bright underside of every dark thing'?something Frost was never accused of (Jarrell 332). Yet, when we examine the poem closely, and in particular the series of comparisons by which Wilbur elevates his mayflies into the realm of beauty and truth, the poem concedes something less ?bright? or felicitous about what it finally calls its 'joyful . . . task' of poetic perception and representation (l.23).
In Robert Frost's "The Need of Being Versed in Country Things," the speaker provides the readers with a juxtaposition between humans and nature. In the poem, a farmhouse was burned down, yet the reactions of humans and of nature to this tragedy are completely opposite. Frost, an avid advocate of nature over society, attempts to show his readers how nature essentially triumphs over mankind through its strength, resiliency to tragedies, and resourcefulness of what seems to be broken down and beyond help. Frost uses personification, anthropomorphizing, and the idea of cycles along with the contrasting responses of nature and man to their disruption to fully convey to the readers nature's dominance over humans.
The opening chapter paints a vivid picture of the situation facing the drought-stricken farmers of Oklahoma. Dust is described a covering everything, smothering the life out of anything that wants to grow. The dust is symbolic of the erosion of the lives of the people. The dust is synonymous with "deadness". The land is ruined ^way of life (farming) gone, people ^uprooted and forced to leave. Secondly, the dust stands for ^profiteering banks in the background that squeeze the life out the land by forcing the people off the land. The soil, the people (farmers) have been drained of life and are exploited:
As each work progresses, a personal change is expressed. The first section of “Ode to the West Wind” presents a speaker —who is also the author— who seems to be intently overserving the wind; however by the final section, he desires to be like the wind. When he writes that the Wind should “Be thou, Spirit fierce, / My spirit! Be thou me” (Lines 61-62), the author expresses a deep desire to be one with powerful force. A few lines later, he asks the wind to “Drive my dead thoughts over the universe / …to quicken a new birth!” (Lines 63-64) “Scatter, as …/ Ashes and sparks, my words among mankind” (Lines 66-67). In this instance, the “dead thoughts” are Shelley’s previous works. By making a comparison between his words and “ashes and sparks” (Line 67), Shelley expresses the idea that even though his previous works are dead and separated from him, he hopes his words will be able to inspire or ignite new thoughts and artistry in others. At the same time, Byron presents a different sort of personal experience. In the first stanza, Byron writes that “There is a pleasure in the pathless woods, /…rapture on the lonely shore” (Lines 1-2). He later writes that when he is in solitude, and surrounded by nature, he feels “What I can ne’er express, yet cannot all conceal” (Line 9). By using these descriptions, Byron shows that there is a type of restoring quality that the natural world can have on a person, an
Imagery is one of the many ways Edgar Allen Poe used to convey his message. At the beginning of the poem, the reader can instantly recognize imagery. A man is sitting in his study trying to distract himself from the sadness of a woman who has left him.
The poet uses examples of imagery in this poem. The poet uses a simile in the first line of the first stanza to start off the poem. The simile she uses is ''the skin cracks like a pod''. The opening of the poem gives a clear message that something is severely wrong. A pod cracks with barely any resistance so the comparison to the skin is a unreserved statement outlining how easily the skin is. There is obviously a drought or a vast undersupply of water. The opening surprises the reader and gives an indication of what is to come. The poet uses a short and abrupt line which is effective