El Norte And My Family Mi Familia Analysis

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El Norte and My Family, Mi Familia, films directed by Gregory Nava, depict how Latino-Americans migrate from their native countries to the United States, challenges they face through their journeys, and the time they spend in America. Some critics say that El Norte is a stronger film politically in comparison to My Family, Mi Familia because of how El Norte keeps the journey raw and emotional. Through the trials Enrique and Rosa face as they travel from Guatemala to California, the viewer gains sympathy for them and rejoices with them when they reach Los Angeles; however, as the protagonists live in Los Angeles, we as the viewer learn through their failure to assimilate to America’s lifestyle, they will never reach their ultimate goal, the …show more content…

In the case of José, born and raised in Mexico, he had to assimilate by eventually learning English to acquire a job to support his wife, María, and his children. Movie critics may argue that Rosa and Enrique’s journey to Los Angeles has a greater impact than that of José. Traveling from Central America to North America is a hard journey to go on. While the path Rosa and Enrique had to take to reach the United States may have been more arduous, comparing the two journeys is an unfair assessment. José’s expedition to Los Angeles, while it was not shown as a visually dark time of his life, did portray how an immigrant may cross the border into America in a different way. In addition, since both films have the same director, Gregory Nava, his decision to emphasize the act of illegally crossing into America in one film and not the other allows him to the artistic license to portray other portions of life as an immigrant. In My Family, Mi Familia, Memo and Toni’s characters depicts the generational changes a family living with two cultures may …show more content…

She is said to be “bossy” by her brother Paco which causes her to not follow the traditional route of a Latino woman. She, at first, goes into a follows a nun order but then leaves to marry a priest and become a political activist. In his article, “La Movie Rara”, Daniel Enrique Pérez states, “She and her husband become radical leftists and spend the rest of their lives fight for immigrant rights (107)." In his article he is talking about the queerness of Antonia 's character. However, since she is working for the rights of immigrants, she has not completely assimilated. As far as the film goes, she is successful in this line of work by keeping Isabel, Salvadorian refugee, alive and makes this a career for herself and her husband. The level of assimilation in this character is then challenged by her brother,

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