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More handpicked essays just for you.
Literature and society
Literature and society
Literature and society
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Natalie Batista English 1A Professor Perales Feb 6, 2015 A woman who rewrote her own ending Reyna Grande 's novel, Across a Hundred Mountains, focuses on the dynamic of the development and rethinking of the concept of a traditional Latino patriarchal family built up around male dominance. In low income and uneducated cultures, there are set of roles that throughout time have been passed by from generation to generation. These gender roles most often consist of the men being the breadwinner for the family. While the women stay home to cook, clean, and raise the children. Women are treated as possessions with limited rights and resources. Throughout the novel, Grandes challenges gender roles in the story of a young woman named Juana who, despite all adversity, fights stereotypes and is able to rewrite her own ending. Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that …show more content…
Never really encouraged or allowed to play ball with the boys. One day on her way to wash clothes at the river Juana passed by some boys playing soccer, “the ball came flying her way and landed near her feet. One of the boys started running toward her to come get the ball, but Juana lifted her foot and then kicked. The ball rose into the air in a perfect arc”(Grande 122). The boys were shocked, at how good Juana was when she kicked the ball. This is a perfect example of gender roles, girls are to stay home and help their moms while boys get to go outside and play and get dirty. Juana, even with something as insignificant as being able to kick the ball, and impressing the boys. Comes to show that she did not allow society to subject her only to roles to be only for women or
Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao is focused on the hyper-masculine culture of the Dominican, and many argue that his portrayal of the slew of women in the novel is misogynistic because they are often silenced by the plot and kept out of the narration (Matsui). However, Diaz crafts strong women, and it is society that views them as objects. The novel recognizes the masculine lens of the culture while still examining the lives of resilient women. In this way, the novel showcases a feminist stance and critiques the misogynist culture it is set in by showcasing the strength and depth of these women that help to shape the narrative while acknowledging that it is the limits society places on them because of their sexuality
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while trying to create their own as women without an ethnic landscape. In Sandra Cisneros’ stories “Woman Hollering Creek: and “Never Marry a Mexican” the role of female identities that are conflicted are highlighted, in that they have to straddle two worlds at once as Mexican-American women.
In Latin America, life was not easy for women. They were told that they could not have their own wealth, own land, or make money. They were expected to be obedient to their superior male figure. Through this, single stories were formed about women, essentially eliminating their intersectionality. A single story is a single view of an entire group, and intersectionality is being part of multiple groups at the same time. The story of Sor Juana best shows why a single story can be an issue.
Intertwined in allusions to women of Mexican history and folklore, making it clear that women across the centuries have suffered the same alienation and victimization, Cisneros presents a woman who struggles to prevail over romantic notions of domestic bliss by leaving her husband. In the story Woman Hollering Creek, Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleófilas; a character who is married to a man who abuses her physically and mentally. Cisneros reveals the way the culture puts a difference between a male and a female, men above women. In Woman Hollering Creek, we see a young Mexican woman, who suddenly moves across the border and gets married. The protagonist, Cleófilas’ character is based on a family of a six brothers and a dad and without a mom, and the story reveals around her inner feelings and secrets.
Juana Ines de la Cruz was a self-educated Mexican nun and writer who lived during the second half of the seventeenth century. Born to a lower-class family, Juana’s mother had her sent to Mexico City as a child with the hopes that the city would provide greater opportunities for her clever and talented daughter. Juana quickly gained a position serving the family of the Mexican viceroy at the time. The viceroy, recognizing Juana’s giftedness, provided the girl with the means to educate herself. As a teenager, in order to continue her life of study, Juana joined a convent where she assembled an impressive library and spent years writing everything from plays to poetry.
The narrator originally felt as if her hands were a burden as they could not perform the tasks that her sisters’ delicate hands could. This class has taught about the unfair treatment Chicanas receive for not only being Hispanic, but also being female. In patriarchal societies, females are often ridiculed for not being able to perform womanly tasks. Viramontes addresses this dilemma by using the narrator as a symbolic character who finds purpose in her flaws. The hands that were made fun of for being unable to perform delicate tasks were molded into hands used for labor. Viramontes is presenting to her audience that the different aspects of an individual can be empowering, and it is how one interprets purpose. Curanderas have the role of spiritual healing, but also the role of empowering women of color. Through the narrator, Viramontes takes a common hardship faced by Hispanic females and shapes purpose out of
By fictionalizing the book and including small matters such as getting period, writing on diaries, and questioning god, Alvarez simultaneously made the sisters both heroic and human. This choice of the author to write the novel this way helped me relate to the story and inspired me at the same time. Set in the mid-1900s Dominican Republic, under the reign of Dictator Rafael Trujillo, Julia Alvarez’s novel takes us on a journey of the four women who defied the odds of society and brought down Trujillo’s regime. Alvarez, herself, a child of a survivor of the regime, believed it is these heroes who awakened the world about the horrible treatment of Dominicans under Trujillo. I couldn’t agree more to Alvarez’s intention to write the novel to give a platform to hear the voices of the heroes of the Dominican Republic. Alvarez cleverly does this by separating each chapter by each of the sister’s name, so that no one sister is telling the story of the
In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.
Sofia, a radical woman, is willing to give her life away to her being treated equally to the rest of the world. She wants to see this happening, and fights for it, pays hard, but never experiences this equality happening. First, she is discriminated by Harpo, who is taught by Mr. ...
In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens. A society that is dominated by men, and a society that values women for what they look like, and not for what is on inside. In her Novel Cisneros wants us to envision the obstacles that Latino women must face everyday in order to be treated equally.
In Prida’s “Beautiful Señoritas,” Latin-American women are products instead of people, but attempt to find their humanity through bonding with an “ocean” of Latin-American female community. The first lines of the play “Beautiful Senoritas,” introduce the feminist voice of Dolores Prida. Written in the 1970s, this piece of literature reflects the Women’s Rights Movement and employs the liberation theme of many female writers during this decade. “Beautiful Señoritas” is a play that depicts feminist oppression, magnifying the lack of civil rights of Latina women. Although the rights of women were being recognized in the United States, the women of Latin America were still oppressed by masculine domination. In Prida’s play, she showcases this oppression and also the stereotyped gender roles of women.
Sandra Cisneros’s Woman Hollering Creek, brings the perspective of Chicana women into the movement of literary feminism. Cisneros communicates the experiences of Chicana women confronting the "deeply rooted male-controlled values" of Mexican culture through interactions with Mexican fathers and the broader community, which applies pressure upon the women to “conform to a narrow definition of womanhood and a subservient position to men” (Castro, 253). Rafaela Castro underlines in her book, Chicano folklore: A guide to the folktales, traditions, rituals and religious practices of Mexican Americans, how “Cisneros's work deals with the formation of Chicana identity, exploring the challenges of being caught between Mexican and Anglo-American cultures, facing the misogynist attitudes present in both these cultures, and experiencing poverty.” Thus, Chicano folklore helps build our culture, just as any race helps spread their ideas and accomplishments through their literature. It helps build a symbolic and educational reference for future Chicano students.