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Underground railroad signs and meanings
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Escaped slaves during and before the Civil War often needed guidance on their trek throughout America to get to the far north, so they created folksongs that had subliminal messages to help others on their way. Follow The Drinking Gourd was a common folksong that informed the escapees to follow the end of the Big Dipper to reach Polaris, or the Northern Star. While the phrase, “drinking gourd,” is also referring to the hollowed out fruit slaves would drink from, it became an Underground Railroad icon that led many people to freedom.
As the song comes from a slavery ridden world, roughly the late 1800’s, the person who interpreted and wrote down the song uses an uneducated tone by cutting off words or using incorrect grammar. By using this diction he embodies the oral aspect of the lyrics, seeing as folksongs and tales are always passed down or taught orally. The original authors, being slaves that were still entrapped, used metaphors like the drinking gourd so that the slave owners would just shrug it off as nothing. The song is also heavy in imagery, “The river bed makes a mighty fine road, dead trees to show you the way…” Slaves would need to be given landmarks so they knew they were on the correct path as well as the constant of the Big Dipper. The song itself radiates a hopeful aura,
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The path went from multiple places in the South and eventually brought the slaves to cross the Ohio River, which is another huge symbol in the folksong. The Ohio River was the initial door into the North, and the slaves were determined to cross it. “The river between two hills / follow the drinking gourd / There’s another river on the other side / follow the drinking gourd…” The man aforementioned would be a Railroad worker who would transport the slaves from one side to the other. The river was an aggrandized landmark for all slaves who were looking to
I also think it is a great insight to why people in the town only know about fishing looking at the town through the picture one can see that the town's right of the see. The bar picture represents The Crow’s nest which is the crew’s home away from home, or a second home. This represents how a home is made not by a building but by when one is surrounded by those you trust your life with like the employes in the Crow’s
Throughout the novel, The Adventures of Huckleberry Finn, the Mississippi River plays a highly significant role. The American landmark represents freedom, in many cases, to the runaway slave Jim. A cornerstone of Huck's maturity during the novel was the Mississippi River. This body of water reveals all that is wrong and ignorant in American society. The ignorance ranges anywhere from slavery to something as petty as a couple of small town swindlers. The Mississippi River was as routine as slavery and cotton plantations in this country's infancy;however, the significance of the Mississippi River cannot be measured, but it can be revealed.
Rivers are often linked with freedom and growth, as they are vast and continuously moving and progressing. With no exception, Twain beautifully paints the Mississippi river as Huck and Jim’s safe haven from the rest of the country. They jump on the raft and get away from the society, as symbolizing the river as a place where they do not have to worry about being ridiculed by anyone who refuses to understand their situation. As Huck and Jim ran away from the Grangerfords and the Shepherdsons, before setting out for their new journey Huck asserts, “I was powerful glad to get away from the feuds, and so was Jim to get away from the swamp. We said there warn’t no home like a raft, after all” (Twain 117). Clearly, the river rejuvenates Huck, he is tired of facing the society and all the injustices that it carries, but when he returns to the raft he once again felt free. While returning to their voyage, Huck illustrates the normal raft as something that holds grand scale to him and Jim. “Other places do seem so cramped up and smothery, but a raft don’t. You feel mighty free and easy and comfort...
With these sources, Buchanan fulfills his goal to illustrate "the way in which slavery in the West was shaped by its link to the western river system and its workers" (p. 16) and to explain "the work experience of African American river workers, their pan-Mississippi world, and the actions they took to better their condition" (p. 17). The book's first chapter gives an overview of this pan-Mississippi world, a place where getting crops to market came to rely on the steamboat system. While we may tend to think about Huck Finn and Sam Clemens going up and down the Mississippi River when we think of steamboats, Buchanan reminds us that steamboats also plied the eastern waters up the Ohio River system all the way to Pittsburgh, followed the Mississippi River as far north as St. Paul, brushed the West on the Missouri River to Kansas City, and brought goods and passengers into deepest east Texas on the Red River.
The slaves and the people who housed the slaves spoke in a disguised language that was used words like "freight, lines, stations and conductors". Freight meant freed slaves, lines were routes, stopping places were stations and the people who helped the slaves along the way were the conductors. So that is basically how it got its name because it was related to a train and the purpose of the system was to get you from one place to another. The "Liberty Line" was another for the system.
With long mournful guitar solos and a constant beat it is hard to forget. The opening lines, “There's a lady who's sure all that glitters is gold/ And she's buying a stairway to heaven.” makes clear that there is a lady who is rich and is trying to buy her way to Heaven. Then, the interpretations vary due to how we associate certain things in the song to our own life. A few lines later the lyrics “There's a feeling I get when I look to the west/ And my spirit is crying for leaving” and we can see how the focus of the song changes from the lady’s point of view to the speaker’s point of view. Following the song the lyrics “And it's whispered that soon/ if we all call the tune/ Then the piper will lead us to reason.” play into the band's ongoing theme of folk tale by referencing the Pied Piper and how he will give reasons for all things to everyone, but nonetheless the lyrics “here are two paths you can go by, but in the long run/ There's still time to change the road you're on” makes clear that even though this lady and the man may have both been through different things in their life, it is still their choice about what they do with themselves (Azlyrics;
The central image that Frost presents, which is the path, provides a clear picture that the reader can focus on in order to reveal something about the poem. The “two roads diverged in a yellow wood'; vividly portray the fact that it is always difficult to make a decision because it is impossible not to wonder about the opportunity that will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path that one encounters. In an attempt to make a decision, the traveler "looks down one as far as I could." The road that will be chosen leads to the unknown, as does any choice in life. As much as he may strain his eyes to see how far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the path that he chooses that sets him off on his journey and determines where he is going and what he will encounter.
The next use of symbolism is the setting of the journey and meeting in the woods. Early Americans looked at the woods as a test of strength, bravery and endurance. It took a lot of courage for someone to enter the forest because it was unknown territory and they would not emerge the same. ?He had taken a dreary road, darkened by all gloomiest trees of the forest?that the traveler knows not who may be concealed by the innumerable trunks?he may be passing through an unseen multitude.? (197) Goodman Brown does not face the dangers of Indians but faces the danger of reality and truth.
The ambiguity which dominates the poem seems to be intentional. The only certainty in the poem is that it deals with a solitary traveler who has come to a fork in the road and must choose which way to go.
What does the narrator mean when he says that taking the road less traveled by has made all the difference when the roads seem to be the same throughout the poem?
At the end of the poem, the regret hangs over the travelers’ head. He realizes that at the end of his life, “somewhere ages and ages hence” (line 17), He will have regrets about having never gone back and traveling down the road he did not take. Yet he remains proud of his decision, and he recognizes that it was this path that he chose that made him turn out the way he did. “I took the road less traveled by and that has made all the difference” (line 19-20). To this man, what really made the difference is that he did what he wanted, even if it meant taking the road less traveled.
In “The Negro Speaks of Rivers”, the river stands as a symbol of endlessness, geographical awareness, and the epitome of the human soul. Hughes uses the literary elements of repetition and simile to paint the river as a symbol of timelessness. This is evident in the first two lines of the poem. Hughes introduces this timeless symbol, stating, “I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins” (Hughes 1-2). These opening lines of the poem identifies that the rivers Hughes is speaking about are older than the existence of human life. This indicates the rivers’ qualities of knowledge, permanence, and the ability to endure all. Humans associate “age” with these traits and the longevity of a river makes it a force to be reckoned with. The use of a simile in the line of the poem is to prompt the audience that this is truly a contrast between that ancient wisdom, strength, and determination of the river and the same qualities that characterize a human being. The imagery portrayed in the poem of blood flowing through human veins like a river flows ...
Along with the raft, the river represents the path of life and how it can turn in many unexpected ways and how obstacles can get in the way of things at any time. During Huck and Jim’s journey along the Mississippi, obstacles in the form of troublesome slave hunters and scandalous royalty constantly took them off course and led them on a temporary sidetrack. Once they are able to overcome the obstacles or outrun trouble, Huck and Jim were back on the river enjoying life. Like the river, life also has many obstacles that must be overcome before one can continue down the path.
Above all, 'The Road Not Taken'; can truly be interpreted through much symbolism as a clear-sighted representation of two fair choices. The two roads in the poem, although, 'diverging,'; lead in different directions. At the beginning they appear to be somewhat similar, but is apparent that miles away they will grow farther and farther away from each other. Similar to many choices faced in life. It is impossible to foresee the consequences of most major decisions we make and it is often necessary to make these decisions based on a little more than examining which choice 'wanted wear.'; In
The poem uses symbolism most profoundly to bring life choices into perspective. The roads themselves symbolize choice and the journey that choice brings. People have the right to choose the direction their lives take. The