Dishonesty In Shakespeare's King Lear

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Truth is a commodity that is often taken for granted in human interaction. Belief in the integrity of others is necessary for healthy, trusting relationships. A presumption of integrity allows individuals to live their lives free from paranoia, however, if not taken in moderation, this same presumption can make it easy for individuals to be taken advantage of. In William Shakespeare’s “King Lear,” the dangers of such presumptions are made clear, as they allow for Edmund, the bastard son of the Earl of Gloucester, to manipulate his way from being one of the least powerful characters in the court to being the most powerful one. This rise of treachery and deceit in Edmund contrasts the banishment of honesty and truth in Cordelia. Taken together, …show more content…

In Act 1, he uses antanaclasis and polyptoton to twist the meaning of words like ‘base’ and ‘legitimate,’ a tactic that obscures his true meaning under a shroud of confusion brought on by the repetition. He also avoids elaborating on his plans, saying only that he “must have [Edgar’s] land.” (1.2.16) and that this will be done “if this letter speed / And my invention thrive,” (1.2.19-20). The vagueness of that statement is inescapable. Edmund, though he is alone, is careful to reveal neither what is in the letter, nor how he plans to possess Edgar’s land. At this point in the play, he is not secure enough in his position of power to allow him to be direct and say what he means, even when he is alone. His lies and schemes do not belong in the world that is used to truth and structure. Comparatively, in Act 5, the world order has turned around fully, and the “capacity to speak the truth, to seek justice, and to love” (Greenblatt 1379) that the characters previously enjoyed has been diminished greatly while the capacity for treachery has increased. In this world, Edmund can freely and explicitly say what he plans to do without fear of reproach. He states that he plans to let Goneril, “who would be rid of [Albany] devise / His speedy taking off” (Shakespeare 5.1.55-56). This proclamation is not muddied by wordplay or

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