Loyal Characters in Shakespeare's King Lear
Shakespeare's good characters, in the play King Lear, are considered good because they are loyal even when they are disguised from or unrecognizable by those to whom they owe loyalty. In addition, their loyalty does not waver even when they are banished or mistreated by those to whom they are loyal. Cordelia, Edgar and Kent are all characters that exemplify this goodness and unwavering loyalty.
Let us first consider King Lear and his relationship with his daughter Cordelia. When King Lear asks Cordelia to profess her love for him she merely answers that she loves him according to her bond, no more. Enraged, the king banishes her without an inheritance or dowry. Cordelia tries to explain that she will not speak of her love for him in order to get fortunes since this would be deceitful. However, Lear refuses to understand and Cordelia leaves imploring her sisters to care for him.
What makes Cordelia a good character here is not only that she refuses to flatter her father in order to deceive him out of his wealth, but also because she accepts her father's punishment and leaves willingly even though she knows it is not a just punishment. Additionally, she expresses no animosity toward Lear, instead she asks her sisters to care for him. This unwavering loyalty is also exhibited later in the play when Cordelia finds Lear and she realizes he is mad. She cares for him and gives him medicinal herbs until he is well again. Even when Lear begs for her forgiveness she insists that she has no cause to be offended.
Perhaps the most pure form of loyalty is when it is displayed even when the beneficiary is unaware. When loyalty is expressed in this discrete manner the bestower cannot e...
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... loyal servant and friend. He wanted to be close to the King in order to protect him. He demonstrated that he did not desire a reward for his loyal actions since he remained in disguise and did not reveal his true identity to the King.
King Lear is a play about loyalty. "Goodness" is portrayed by the characters as selflessness. Each "good" character displays loyalty through selfless actions. Cordelia selflessly does not attempt to rob Lear of his wealth by flattering him. Even though she risks banishment, she selflessly refuses to indulge her father's foolish wishes. Edgar, too, is selfless in his actions by leading his father to safety even when he knows Gloucester does not recognize him and will not appreciate that he was, in fact, the truly loyal son. Finally, Kent, Lear's Selfless servant, risks his life to protect his king even after he has been mistreated.
King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...
King Lear has been in a position of authority and superiority. This position shapes King Lear into a man full of pride. However, as King Lear’s age grows, his emotional needs also grows. It is the false pride of Lear that blinded him with his emotional needs. King Lear behaved rashly and irresponsibly at the start of the play. Deep within Lear, he realizes that it is time for him to retired from this position of honor. Despite this realization, Lear’s pride keeps him from letting go of his power. King Lear wants the title and treatment of a king, but he does not want the work and obligations of the position. Therefore, when he makes the choice of letting his daughters to govern the kingdom, it foreshadows the strapping away of his p...
As Shakespeare presents to us a tragic pattern of parental and filial love, in which a prosperous man is devested of power and finally recognises his "folly", empathy is induced in the audience. In "King Lear", it is noted from the beginning of the play that both Lear and Gloucester suffer from self-approbation and will consequently find revelation by enduring "the rack of this tough world". While Lear mistakenly entrusts the shallow professions of love from his "thankless" daughters - Goneril and Regan - instead of the selfless words of Cordelia, Gloucester shadows a similar ignorance by initially entrusting love in the evil Edmund, rather than Edgar, whom we consider to be a "truly" loyal "noble gentlemen".
“King Lear” depicts several life lessons throughout the play that are still relevant to life today. During the play, Shakespeare emphasizes how evil some may be through acts, scenes, and characters. The lessons learned throughout the play build on top of one another, much like the problems in the play build on top of one another. The root cause to all the madness in the play stems from the multiple characters that are hungry for power. Ultimately, the characters’ flaws come to light, the bad outweighs the good, and only a few are saved from death. “King Lear” illustrates valuable life lessons throughout the play, lessons about greed, deception, and power.
In King Lear, Shakespeare portrays a society whose emphasis on social class results in a strict social hierarchy fueled by the unceasing desire to improve one’s social status. It is this desire for improved social status that led to the unintentional deterioration of the social hierarchy in King Lear. This desire becomes so great that Edmund, Goneril, Reagan and Cornwall were willing to act contrary to the authority of the social hierarchy for the betterment of their own position within it. As the plot unfolds, the actions of the aforementioned characters get progressively more desperate and destructive as they realize their lack of success in attaining their personal goals. The goals vary, however the selfish motivation does not. With Edmund, Goneril, Reagan and Cornwall as examples, Shakespeare portrays the social hierarchy as a self-defeating system because it fosters desires in its members that motivate them to act against the authority of the hierarchy to benefit themselves. A consideration of each characters actions in chronological order and the reasons behind such actions reveals a common theme among the goals for which morality is abandoned.
In King Lear by William Shakespeare, Shakespeare recounts the tragedy of King Lear as he fails to acknowledge his tragic flaw and thus falls into tragedy and unintentionally brings others with him. Throughout the play, tragedy befalls undeserving people and they suffer greatly even though they have not done anything to deserve their suffering. Although Gloucester, Edgar, and Cordelia all live happy lives at the beginning of the play, they experience great suffering despite their inner goodness, a fact that highlights Shakespeare’s belief about the blindness of a justice that does not necessarily strike only the wicked.
Meanwhile, Kent has unknowingly has become Lear’s middleman in a brewing civil war between the Duke of Cornwall and the Duke of Burgundy set to completely oust the old king of his remaining power. So on seeing the sight of Kent in stocks, the fool explains the nature of power as well as how to best follow it: “Let go thy hold when a great wheel runs down a hill lest it break thy neck with following; but the great one that goes upward, let him draw thee after.”(Shakespeare. pg. 101) Here the fool suggests to Kent that his loyalty to decrepit King Lear is futile, as the king’s mental health and decision-making is in steep decline, and that should he go any further with him it will come at his own detriment. Still, the fool’s lesson places a special emphasis on the merit of loyalty, for while he encourages Kent to entertain the notion of jumping ship, he also tells him to think twice before abandoning his friendship with Lear: “And let the wise man fly. The knave that turns fool that runs away; the
The gaining and the maintaining of power require sacrifice of one’s moral integrity. Such idea is shown in the play, King Lear, written by William Shakespeare, as he explores the implication of power within family relations and showcases its link between power and morality, thus expressing the impact power has on one’s conscience. Cordelia says “My love's richer than my tongue”, exclaiming the magnitude and the legitimacy of her love towards her father. As before Cordelia, her sisters gave false words of love in order to gain power, the contrast of “love” and “tongue” is evident as one was used to give affection thus losing power, while other one was used to deceive to gain a selfish power. The contrast between the two further emphasizes the
The setting of King Lear is one spoiled with materialism, and is portrayed clearly within the first scene. King Lear is demanding his daughters proclaim their affections towards, in order to divvy up the land of his kingdom upon his retirement. Upon this forcefulness, Regan and Goneril are willing to falsely profess their love towards Lear, with clearly negative intentions. Their deceit is established early in the play. Cordelia, Lear’s third daughter, refuses to comply immediately. She will not participate because she understands the vanity, although her feelings towards her father are the most genuine; she believes that there are no words to accurately express her love. Lear’s inflamed insecurities cause him to dismiss Cordelia, refusing her an inheritance. Her initial refusal is minimal as a means to convey the depth of concern she has for her father, as she witnesses her sisters fake their admiration for material wealth and power.
King Lear, by William Shakespeare, is a tragic tale of filial conflict, personal transformation, and loss. The story revolves around the King who foolishly alienates his only truly devoted daughter and realizes too late the true nature of his other two daughters. A major subplot involves the illegitimate son of Gloucester, Edmund, who plans to discredit his brother Edgar and betray their father. With these and other major characters in the play, Shakespeare clearly asserts that human nature is either entirely good, or entirely evil. Some characters experience a transformative phase, where, by some trial or ordeal, their nature is profoundly changed. We shall examine Shakespeare's stand on human nature in King Lear by looking at specific characters in the play, Cordelia who is wholly good, Edmund who is wholly evil, and Lear whose nature is transformed by the realization of his folly and his descent into madness.
William Shakespeare’s tragic play King Lear is a well-plotted play about obsession of power and land, blindness, and sacrifices for the restoration of the kingdom. King Lear has split his three kingdoms amongst his three daughters; Goneril, Regan, Cordelia, however, Cordelia refused his offer and she spoke the truth and Lear has disowned her. Lear blindly trusted the two daughters but Cordelia. However, this character Cordelia is a significant character through the play, her name means the "heavenly queen" and the word "heart". This character also shows how she can be a Christ-like figure. Cordelia can be a Christ-like figure through her actions, suffering and her righteous path. Furthermore, this significant character shows that she is similar to Christ through her actions and righteous acts.
When one examines the words “pride” and “self-respect”, it is possible one may assume that the two are identical in meaning. That the words go hand in hand like butter and bread. For quite some time I was pondering on the meaning of the two words “pride” and “self-respect”. The more consideration I put into the two the deeper I was in a maze of confusion. After a long thought on the subject I had come to my own conclusion.
The theme of loyalty is prevalent in Shakespeare’s King Lear. Many characters are often unreliable and will lie in order to receive their way. There were a select few who continued to be faithful, even if they were obligated to do so. Kent, Cordelia, and Edgar were the three people who remained honest either to their parent or master until the end. Their positions in life would cause those to assume that they only stay true to their superiors because of who they are. A king’s servant must remain by their master’s side, whilst children of them must listen and obey without question. Despite these social standards, these three characters were able to find true compassion for those above them. King Lear proves
The reader discovers Kent's willingness to protect his King in the first scene. After Lear has had his daughter's display their love in a pubic competition Kent tries to persuade him that Cordelia "does not love him least" and that Lear should think about banishing her. Kent is trying to protect the King from his emotions and the decision that they have led him to. But Lear does not listen and instead banishes Kent from the Kingdom. His banishment is a result of another emotional outburst on the part of the King. If Lear were to look rationally at his actions and what his daughters have said he would realize his folly. Instead he is enraged by Kent and thinks that he is challenging his authority.
Throughout the play, King Lear, we are awaiting to see the reunion of Lear and his daughter Cordelia. In the begining of the play Lear wrongfully disowns Cordelia because he does not get the flattery from her that he wishes to hear. However, through much torment after he is reduced to nothing, Lear realizes that he cannot always get what he wants just because he is a king.