Tragedy was a very controversial issue in literature until recent years. Recent figures in literature have set a clear definition for tragedy. Author Miller is one of these figures. Plays and novels have distinguished the definition of tragedy. According to the Merriam-Webster Dictionary tragedy is a serious piece of literature typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that excites pity or terror. Miller’s explains that a tragic hero does not always have to be a monarch or a man of a higher status. A tragic hero can be a common person. A tragedy does not always have to end pessimistically; it could have an optimistic ending. The play Death of a Salesman, by Arthur Miller, is a tragedy because it’s hero, Willy Loman, is a tragic figure that faces a superior source, being the American dream and the struggle for success. Loman also excites pity in the reader because of his defeat and his inability to become a success or teach his children how to make their lives successful.
Miller defines a flaw as “an inherent unwillingness to remain passive in the face of what one conceives to be a challenge to one’s dignity…” Loman fulfills many of the requirements of being a tragic hero. Willy is not “flawless” in his actions, which by Miller’s standards make him a tragic hero. It is not wrong for Willy to have flaws and it does not make him a weaker man but a tragic figure. Miller designed the play so that Willy could be a tragic hero and for this he needs to have a flaw. Willy’s flaw is that he is unable to see things in a more realistic perspective. Charley says something in the play that sums up Willy’s whole life. He asks him, "When the hell are you going to grow up?" Willy’s spends his entire life in an illusion. He sees himself as a great man that is popular and successful. Willy exhibits many childlike qualities. Many of these qualities have an impact on his family. His two sons Biff and Happy pick up this behavior from their father. He is idealistic, stubborn, and he has a false sense of his importance in the world.
The extreme to which he followed the dream brought him to disillusionment and a loose sense of reality. Willy created a reality for himself where he "knocked 'em cold in Providence," and "slaughtered 'em in Boston."(p.33) “Five hundred gr...
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...nderstands. Willy could have still been successful if he was able to see the flaws in his ways and teach Biff the right way to be a success, which is in hard work. If Willy had not killed himself and taught Biff that working hard at anything would make his successful then Biff may have reached success for himself and make Willy a successful father as well. The reader must look at Willy’s suicide through Willy’s eyes. He killed himself in order to give Biff a better shot at being a success. Willy doesn’t understand that killing himself is wrong and he is not looking for any pity. Willy has sacrificed his own life so that Biff could have a better life. This truly does make him a tragic hero.
Willy Loman is a tragic figure in the play Death of a Salesman. Willy faces a superior source in the play and puts his life on the line for his beliefs and the beliefs of others. He meets the requirements of Miller’s article for a tragic hero. Death of a Salesman also meets Miller’s requirements for a tragic play because of Willy’s role in the novel along with the other standards that Miller sets for a tragedy. The exploration of tragedy by people such as Miller helps to define it more clearly.
Throughout the play, Willy can be seen as a failure. When he looks back on all his past decisions, he can only blame himself for his failures as a father, provider, and as a salesman (Abbotson 43). Slowly, Willy unintentionally reveals to us his moral limitations that frustrates him which hold him back from achieving the good father figure and a successful business man, showing us a sense of failure (Moss 46). For instance, even though Willy wants so badly to be successful, he wants to bring back the love and respect that he has lost from his family, showing us that in the process of wanting to be successful he failed to keep his family in mind (Centola On-line). This can be shown when Willy is talking to Ben and he says, “He’ll call you a coward…and a damned fool” (Miller 100-101). Willy responds in a frightful manner because he doesn’t want his family, es...
He then faces some tragedy of failing his family by not giving them what they wanted at the time he was working as a salesmen then he committed suicide by killing himself in a car, so that his family will get an insurance cover so that his wife Linda will get money to help her and his two sons to open big businesses and they would never become hungry anymore. I think by doing this Willy was feeling guilt that he did not accomplish what he needed in life while he was working and his money was spent in the hotels with that mistress that Biff caught him with and forgot to fulfill his American dream.
According to Miller, a tragic hero is someone who dies for personal dignity. Willy does die for his dignity. “Those who act against the scheme of things that degrades them.”(Miller. Tragedy of the Common Man) Willy, in his ideas and action of committing suicide, fits in that category. In act 2, Willy reveals his desires to win back Biff’s respect by committing suicide.
Yet, Willy was already down, and society kept him there. He lost the job that he'd worked at faithfully for thirty-four years simply because the younger owner couldn't bear having an older, less successful salesman representing the company. Willy is sealed off from his family, especially from his sons, because of an unseen force that causes an inability to communicate. Finally, he can't fight the predicament that society placed him in because deep down, he can't accept the fact that he's not what he wanted to be in life. All of the actions that alienated Willy Loman validate the prejudice and bias of society.
Willy also has very poor parenting skills. He has two children Biff and Happy. Willy excuses Biff for a lot of events when he was younger. If Biff stole something, Willy just brushes it off and says that is was no big deal. He didn’t even care when Biff failed math and did not graduate from high school. He measured success in how many people you knew not what your grades are. In one breath Willy would say that Biff is lazy and then in the next say he’s not.
“Death of a Salesman” written by Arthur Miller in 1948 attempts to give the audience an unusual glimpse into the mind of Willy Loman, a mercurial 60-year-old salesman, who through his endeavor to be “worth something”, finds himself struggling to endure the competitive capitalist world in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually strip the protagonist down one layer at a time, each layer revealing another truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willy’s current state of mind. These techniques are essential to the play, as it is only through this development that Willy can realistically be driven to motives of suicide. The very first section of the first scene, already defines the basis of Willy’s character for the rest of the play.
Willy?s identity crisis brings him much despair because without comprehension of his true nature his aspirations are inappropriate. Willy?s relationship with Biff is unquestionably most significant in Death of a Salesman, for it emphasizes the theme of self-awareness and its importance in the novel. Willy?s existence consists of a ?patchwork of errors in judgement, mental and moral lapses, and misdirected hopes?, however, Willy?s ?greatest mistake is living far too long with the wrong dream? (Nelson 110).
Death of a Salesman by Arthur Miller concerns itself with the fall of a simple man perpetually in a steadfast state regarding his own failure in a success-driven society. The protagonist of the play, Willy Loman, will follow a tragic trajectory that will eventually lead to his suicide. Arthur Miller's tragic play is an accurate portrayal of the typical American myth that sustains an extreme craving for success and a belief in the illusion of the American dream, a dream attainable only by a handful of people. Having chosen a career in sales Willy Loman constantly aspires to become 'great'. Nevertheless, Willy is a poor aging salesman that considers himself to be a failure when comparing himself to his successful father and brother, but he is incapable of consciously admitting it. Consequently, Willy will measure his level of success with the level of success attained by his offspring, particularly his eldest son Biff. Their difficult relationship contribute to the play's main plot. Willy unfolds his deluded perception and recollection of the events as the audience gradually witnesses the tragic downfall of a man shadowed by a mental illness that has already began to take it's toll on his mind and personality.
By the time Willy got to be an old man, his life was in shambles. *One son, Biff, was a hopeless dreamer who wasn’t able to hold on to a job. He could have been successful through an athletic scholarship, but he blew the chance he had to go to school. Happy, the other son, had a job, but was basically all talk, just like Willy. Now near the end of his career as a salesman, Willy realizes his whole life was just a joke, and the hopes he placed in the American Dream were misguided. At the end of the play, his only hope is to leave something for his family, especially for Biff, by taking his own life and leaving his family the insurance money. Through his death, Willy thinks he can achieve success and fulfill his dream.
The reader can see how Arthur Miller was inspired to write this play because of his family background using a biographical approach. Miller’s father “was a prosperous businessman until the Crash of 1929, after the family suffered through the Depression” (Rollyson) which had a significant influence on his life and works. As we see in the play, Willy Loman in a sense has two different realities. There is a Willy Loman -- “the financially burdened and emotionally exhausted main character (Thompson) -- is broken, an exhausted man in his sixties, near the end of his life. And there is the more confident, vigorous Willy Loman of some fifteen years before, who appears in flashbacks in the story. If we make a parallel between the story and the author’s life, these two realities are the before and after of the great depression that Miller’s father suffered through when Miller was a child. His life served as the inspiration to create the characters of the story: “Miller drove trucks, unloaded cargoes, waited on tables, and worked as a clerk in a warehouse.” (Rollyson)
Willy still struggles to find out why his son, Biff, has not made anything of himself yet. Instead of a stable job, Biff has been a farmhand across the country earning only $35 a week (Act I. Scene I). Willy does not know where he has gone wrong with raising his kids, with his job, and overall with his life (Krutch, 308-309). To find the solutions to the problems driving him insane, Willy looks to his past. While he is day-dreaming he actually talks to himself and makes his family worried about his health and sanity. He daydreams and feels as if he is actually encountering the past once again in his journey. Willy is desperately trying to find out what has gone wrong in his life, why no one responds to him in the positive way that he used to, and why Biff does not have a stable job or a family. Through his trek to finding his mistakes in life, Willy finds r...
...s personal failure and betrayal of his soul and family through the meticulously constructed artifice of his life. He cannot grasp the true personal, emotional, spiritual understanding of himself as a literal “loman” or “low man.” Willy is too driven by his own “willy”-ness or perverse “willfulness” to recognize the slanted reality that his desperate mind has forged. Still, many critics, focusing on Willy’s entrenchment in a quagmire of lies, delusions, and self-deceptions, ignore the significant accomplishment of his partial self-realization. Willy’s failure to recognize the anguished love offered to him by his family is crucial to the climax of his torturous day, and the play presents this incapacity as the real tragedy. Despite this failure, Willy makes the extreme sacrifice in his attempt to leave an inheritance that will allow Biff to fulfill the American Dream.
Willy believes that he is much more successful than he is in reality. The first sign of Willy’s illusion about his life occurs rather early in the play. He has the illusion that “[he’s] the New England man. [He’s] vital in New England” (14). In reality any person could have taken Willy’s position at work. This illusion leads to his downfall because as his life begins to fall apart, he lives in the illusion that he has enough money to support his family, so he does not recognize that he has to put the pieces of his reality back together. More towards the end of the play, in an outburst of anger Willy refuses to be called “a dime a dozen” and states “I am Willy Loman, and you are Biff Loman” (132), as if the Loman family is a special figure in society. His unclear view of his place in society leads to his destruction; with only one view of his life, Willy believes that he is living his life to the fullest.
In short, Willy Loman's unrealistic dreams caused his downfall. By trying to be successful with material desires and being "well-liked" he failed. By the play's end he had to lose his own life just to provide funding for that of his family. He put his family through endless torture because of his search for a successful life. He should have settled with what he had, for his true happiness included a loving family. Willy's example shows that one must follow their own dreams to be truly accomplished.
Willy’s failures and lies have been a result in his constant faith and will to achieve his dreams, the dreams which society has implanted within him. His flaws have come from society, but also himself, and Miller has used this to create the conflict and tragedy in the play. It is then that writer then makes the impact of Willy’s failures greater, incorporating his death into the play, crushing his dreams and the dreams of the characters around him, creating his tragedy.