“Death of a Salesman” written by Arthur Miller in 1948 attempts to give the audience an unusual glimpse into the mind of a Willy Loman, a mercurial 60-year-old salesman, who through his endeavor to be “worth something”, finds himself struggling to endure the competitive capitalist world in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually strip the protagonist down one layer at a time, each layer revealing another truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willy’s current state of mind. These techniques are essential to the play, as it is only through this development that Willy can realistically be driven to motives of suicide. The very first section of the first scene, already defines the basis of Willy’s character for the rest of the play. The stage directions on page 8 identify him as being an exhausted aging man, whose work seems to be wearing him down. “…lets his burden down…” (Miller, 8). Although this makes Willy appear uninteresting, he soon contrasts this characteristic when he shows an optimistic determination towards his own failures. “I’ll start out in the morning. Maybe I’ll feel better in the morning.” (Miller, 9) Another aspect of Willy that makes him more interesting to the audience is his already visible complexity of layers: “I have such thoughts, I have such strange thoughts.” (Miller, 9) This of course leads the audience on to wondering what exactly is taking place in a man’s head to make him say such a thing, evoking a mild fascination in Willy’s character. Another character that is developed almost immediately within the first two pages of the play is Linda. Again the stage directions on page 8 introdu... ... middle of paper ... ...me period without using artificial “memorable speech”. This conveyance of realism to the audience is vital for Willy’s motives to seem plausible, and for Willy to be believed in as a character. On the other hand however, “Death of a Salesman” offers the audience another aspect of the play in which the inner mind of a character is symbolically represented in an expressionistic way on stage. Arthur Miller however succeeds in combining theses seemingly contradictory techniques, by conveying a sense of realism in the way the protagonist’s mind is portrayed, creates what sets it aside from anything alike it. Work Cited Miller, Arthur. Death of a Salesman. U.K.: Penguin, 2013. Works Consulted Bloom, Harold. Arthur Miller. New York: Chelsea, 2008. Griffin, Alice. Understanding Arthur Miller. Columbia: University of South Carolina Press, 1996.
support is a pathetic effort to protect his identity. Linda will never admit to herself,
At the beginning of the play it is evident that he cannot determine the realities of life, and so he repeatedly contradicts himself to establish that his conclusion is correct and opinion accepted. These numerous contradictions demonstrate that Willy is perturbed of the possibility that negative judgements may come from others. Willy strongly believes that “personality always wins” and tells his sons that they should “be liked and (they) will never want”. In one of Willy’s flashbacks he recalls the time when his sons and him were outside cleaning their Chevy. Willy informs Biff and Happy the success of his business trips and how everyone residing in Boston adores him. He mentions that due to the admiration of people he does not even have to wait in lines. He ultimately teaches his sons that being liked by others is the way to fulfilling one’s life and removing your worries. These ideals, that one does not need to work for success, demonstrate Willy’s deluded belief of achieving a prosperous life from the admiration and acceptance of others. This ultimately proves to be a false ideology during his funeral, when an insufficient amount of people arrive. Willy constantly attempts to obtain other’s acceptance through his false tales that depict him as a strong, successful man. In the past, he attempts to lie to his wife, Linda, about the amount of wealth he has attained during his
Alistair Deacon from As Time Goes By once said that, “The people in the book need to be people.” The main character in a story or in a play always has to be somewhat likeable or relatable. Who doesn’t like to feel like they can relate to their favorite character in a story? In many cases the authors of stories or books always try to make the reader feel like they are not the only ones with problems or going through a crazy situation. Wanting the reader to become engaged in the characters' conflicts is what they aim for. In Arthur Miller’s play, Death of a Salesman, many people were gripped by Willy Loman’s, the main character, problems because they too struggle with many of the conflicts that Willy faces. Willy could not keep his life together, failing to see reality and pursuing the wrong dream, with a wrong viewpoint, ended up causing others around him and himself to hurt.
No one’s life can be classified as “normal”. Everyone has conflicts that they have to eventually deal with. People do in fact deal with these personal conflicts in different ways; some take it easy some take it hard. Some ignore the problem as long as possible and some deal with it right away to get it out of the way. In Death of a Salesman, Willy Lowman’s technique to his problem solving leads to severe consequences. Willy never does anything to help the situation; he just escapes into the past to happier times when there were few problems. He uses this escape as if it was a drug, and as the play goes on, this drug becomes dangerous, leading him to his death.
The conversation is supposed to be a flashback of the past, yet it makes sense that this conversation with Ben actually takes place in the present as things he would have wanted to say to Ben. Somehow, Willy has Linda enter the scene. She provides positive comforting, telling Willy that his life is okay, that he’s well liked by his sons and that, “someday . . . he’ll be a member of the firm(1957).” She provides this as a description of what can happen after honest work, unlike Ben’s own. Willy catches on and in fact begins to demonstrate that he did once believe in himself, and actually did think he could make it. A further demonstration of this is illustrated in a scene that has Willy completely sure of himself and of his boys, the day of Biff’s big football game. Miller uses Ben as a device to further the action, to move the play forward. Miller uses him as a way to re-direct the play, to get Willy out of a situation and into another. After the entire flashback sequence, the plot then shifts to Willy in Charlie’s office. Charley represents everything that Ben is not. He is a decent, hard working family man who has worked hard his life, and has achieved relative success in his older age. The opposite of Ben, yet Willy still idolizes Ben, the man who achieved immediate wealth. This can be tied to Willy’s profession as a salesman. A salesman is someone who one specific day could achieve successes, while other days not. Willy believes that this is the better way to do it, as evidenced by his belief in Ben’s method. Taylor 5 The third time Ben appears is in a complete hallucination of Willy’s. He appears completely within Willy’s mind, someone Willy is talking to about his decision of suicide. Ben is used to provide support for his decision. Willy becomes Ben in the last scene. We are able to view through him the final internal struggle that Willy goes through in his own mind, leading up to his suicide. Ben provides justification for Willy that he should commit suicide. Ben is a very materialistic person. He believes that money will do children better than love and support. He tries to persuade Willy into believing that insurance money would be better for his family than his love.
Throughout the play, Willy has hallucinations of his brother Ben, who left Willy when he was young, “Well, I was just a baby, of course, only three or four years old,” (Miller 47), and the man later offered to take Willy with him, but Willy had a dream “There’s a man eighty-four years old-” (Miller 86) and he felt that he was going to accomplish that dream. “Willy retreats into a dream world consisting of his roseate recollections of the past and of fantasies,” (Hadomi), he hallucinates often, and this is a better way of saying he’s delusional. He did not, he failed miserably, he had to borrow money from Charley “If you can manage it-- I need a hundred and ten dollars,” (Miller 96), then he pretended it was a loan from him “I’m keeping an account of everything, remember,” (Miller 96), that he would pay back “I’ll pay every penny back,” (Miller 96), but Linda and Charley knew he was not going to pay any of it back. Willy had a hard time accepting defeat, and he wanted his boys to succeed where he failed, but Biff was always better with physical labor “when all you really desi...
Death Of A Salesman by Arthur Miller is about a salesman named Willy Loman and his family. The Loman family story switches between the past and the present time during the play. The play explores the constant day-to-day struggle that many families face, and how this challenge takes a toll on the head of the household. Willy Loman continuously strives for a happy life. The way in which Willy goes about obtaining a happy life ultimately leads him to commit suicide. Death of a Salesman by Arthur Miller suggests that Aristotle’s theory on obtaining a happy life is correct.
Willy is a multi-faceted character which Miller has portrayed a deep problem with sociological and psychological causes and done so with disturbing reality. In another time or another place Willy might have been successful and kept his Sanity, but as he grew up, society's values changed and he was left out in the cold. His foolish pride, bad judgment and his disloyalty are also at fault for his tragic end and the fact that he did not die the death of a salesman.
Arthur Miller’s Death of a Salesman was written in 1949 just after WWII ended. The country was on the brink of the emergence of the financial success of capitalism. Willy Loman, the main character believes if he worked the concept of the American Dream, that he would reap the benefits of its success. However the fulfillment never happens to him the way he envisions it would. The story begins at the end of Willy’s sales career. He is a salesman who is no longer making any sales, and is wearing desperation like a badge causing others to slight and disrespect him. This is in sharp contrast to the prosperity indicated in the America media at the time. It is post WWII and America has to uphold her status as a world power in a cold war conflict with Russia. Therefore, the demand for weapons and better technology developed during this time helps to sustain the growth of the economy. In addition, families are growing and the baby boomer era is ushered in creating an increased demand for products and housing. Although some families were prospering in their corporate jobs, not all Americans were as fortunate. The Loman family feel in this category.
Death of a Salesman by Arthur Miller concerns itself with the fall of a simple man perpetually in a steadfast state regarding his own failure in a success-driven society. The protagonist of the play, Willy Loman, will follow a tragic trajectory that will eventually lead to his suicide. Arthur Miller's tragic play is an accurate portrayal of the typical American myth that sustains an extreme craving for success and a belief in the illusion of the American dream, a dream attainable only by a handful of people. Having chosen a career in sales Willy Loman constantly aspires to become 'great'. Nevertheless, Willy is a poor aging salesman that considers himself to be a failure when comparing himself to his successful father and brother, but he is incapable of consciously admitting it. Consequently, Willy will measure his level of success with the level of success attained by his offspring, particularly his eldest son Biff. Their difficult relationship contribute to the play's main plot. Willy unfolds his deluded perception and recollection of the events as the audience gradually witnesses the tragic downfall of a man shadowed by a mental illness that has already began to take it's toll on his mind and personality.
When Willy was young, he had met a man named Dave Singleman who was so well-liked that he was able to make a living simply by staying in his hotel room and telephoning buyers. When Dave Singleman died, buyers and salesmen from all over the country came to his funeral. This is what Willy has been trying to emulate his entire life. Willy's need to feel well-liked is so strong that he often makes up lies about his popularity and success. At times, Willy even believes these lies himself. At one point in the play, Willy tells his family of how well-liked he is in all of his towns and how vital he is to New England. Later, however, he tells Linda that no one remembers him and that the people laugh at him behind his back. As this demonstrates, Willy's need to feel well-liked also causes him to become intensely paranoid. When his son, Biff, for example, is trying to explain why he cannot become successful, Willy believes that Biff is just trying to spite him. Unfortunately, Willy never realizes that his values are flawed. As Biff points out at the end of the play, "he had the wrong dreams."
...s personal failure and betrayal of his soul and family through the meticulously constructed artifice of his life. He cannot grasp the true personal, emotional, spiritual understanding of himself as a literal “loman” or “low man.” Willy is too driven by his own “willy”-ness or perverse “willfulness” to recognize the slanted reality that his desperate mind has forged. Still, many critics, focusing on Willy’s entrenchment in a quagmire of lies, delusions, and self-deceptions, ignore the significant accomplishment of his partial self-realization. Willy’s failure to recognize the anguished love offered to him by his family is crucial to the climax of his torturous day, and the play presents this incapacity as the real tragedy. Despite this failure, Willy makes the extreme sacrifice in his attempt to leave an inheritance that will allow Biff to fulfill the American Dream.
The line between reality and illusion is often blurred in Arthur Miller’s play, Death of a Salesman. Whether it is incorporated in the content or the actual structure, this struggle between recognizing reality from illusion turns into a strong theme; it eventually leads to the downfall of Willy and his family. Willy is incapable of recognizing who he is, and cannot realize that he, as well as his sons, is not capable of being successful in the business world. Happy and Biff both go through some battle between reality and illusion that cause a collapse in some part of their lives. The line between Willy’s flashbacks and current time also send him into turmoil when he cannot distinguish between the two.
Throughout the story, the reader follows Willy as he interacts with other characters. In every scene shown, Willy is there playing a key role in the action by either driving other characters or making decisions for the party involved. Whenever Willy isn’t present, the other characters only speak about him, such as Biff and Happy holding a conversation about their father in the attic when he is not even present. Willy is portrayed as the title character and can be seen as a protagonist. Being the title character allows Willy to be able to set events into motion during the play.
Arthur Miller’s Death of a Salesman is a tragic play about an aging and struggling salesman, Willy Loman, and his family’s misguided perception of success. In Willy’s mind, being well-liked is more important than anything else, and is the means to achieving success. He teaches this flawed idea to his sons, Biff and Happy, and is faithfully supported by his wife Linda. Linda sympathizes with Willy’s situation, knowing that his time as an important salesman has passed. Biff and Happy hold their father to impossibly high standards, and he tries his best to live up to them. This causes Willy to deny the painful reality that he has not achieved anything of real value. Willy’s obsession with a false dream results in his losing touch with reality and with himself.