Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Visual Art On Sunday, February 7th, I went to McNay Art Museum that is located right outside San Antonio. The museum was founded in 1954 and is known for their collection of American and European art during the 19th and 20th century but also displays various art out of the time frame and from many other places across the world. Although the sculptures near the entrance really caught my eye structurally, while inside the museum I came across Still Life with Apples and Vessel painted by American artist David Ligare that really struck me visually. This painting is inspired by the first fruits of that the Greco-Romans would give to the gods to thank them for the harvest. David Ligare paints a very realistic picture of assorted apples and a vessel on a table accompanied by a background of a body of water and sunrise and plain black border to make the whole image really live on the canvas. Ligare’s use of oil for his painting adds to the realness of his painting. With many layers to the painting and use of shadows and light to imitate …show more content…
The fruit, glass bowl and vessel all have curve lines. All the lines in the painting are not harsh or dark to add to the angelic and magical act taking place. As for the colors in the image, the only darkness in the painting are the shades. This is to highlight the light being admitted on the table onto the fruit and vessel. The reds and greens of the apples and leaves are slightly more pigmented than their surroundings, this helps to point the audience’s attention to the fruit. The vessel on the other hand share complementary colors with that of the sky and the cloth on the table and even the body of water behind it. They all have very soft color variations of blue and orange. They all make the painting very pleasing to the eye because the colors are so
For my museum selection I decided to attend Texas State University’s Wittliff Collection. When I arrived, there was no one else there besides me and the librarian. To be honest, I probably would have never gone to an art museum if my teacher didn’t require me to. This was my first time attending the Wittliff Collection, thus I asked the librarian, “Is there any other artwork besides Southwestern and Mexican photography?” She answered, “No, the Wittliff is known only for Southwestern and Mexican photography.” I smiled with a sense of embarrassment and continued to view the different photos. As I walked through Wittliff, I became overwhelmed with all of the different types of photography. There were so many amazing pieces that it became difficult to select which one to write about. However, I finally managed to choose three unique photography pieces by Alinka Echeverria, Geoff Winningham, and Keith Carter.
The painting’s canvas has been exploited perfectly. All the space on the canvas had been used. However, space was not used to create depth, and there was no layering or recession present. The painting does not feel that it has motion, apart from what it looks like the creatures eating from the tree of life. The eating motion was depicted by the posture of the creatures, with arms extending towards the plants – in the case of creatures – or beaks being wide open – in the case of birds. All these factors 'accord' the painting with a unique
The Resurrection was made by Francesco Buoneri, known as Cecco del Caravaggio around 1619-20. The oil on canvas painting was commission by a Tuscan ambassador. Its new permeant home is in the Art Institute in Chicago. I chose to look at this painting for many different reason. The Resurrection is an amazing painting that through basic size, composition, and theme that captured my attention.
The show’s organizers, Teresa A. Carbone (the museum’s curator of American art) and Kellie Jones, did an exceptional job of strategically placing the artwork in relevance and relating topics to one another. When I arrived, the exhibit was empty and I actually had the opportunity to meet Ms. Carbone, who was on hand at the museum’s entrance.
The Tampa Museum of Art was not always the same museum that we see today. It went through multiple stages throughout the years. The works vary, creating a large spectrum from the old to the new. The social angles change with the exhibits in the museum, combining to create the diversity we see today. Visiting this museum in person helped me to appreciate it even more than I would have thought possible. Observing and analyzing the other visitors helped me to understand the museum’s impact on the community more than I would have been able to just by reading about it. This museum is much different from others than I have visited.
One of the most prominent features of the painting is the use of repetition. In the forefront of the picture plane we see a three-pronged pitchfork. That sam...
Gjon Mili was born in Albania and went to the United States in 1923. Gjon was studied to be an engineer and was an independent photographer that taught himself. In the mid 1930’s Gjon used small light bulbs to capture the motion of everything from dancers to jugglers in a single exposure. His photoflash techniques are still very much used today in light painting photography. Mili used this technique to study the motion of many dancers, musicians, jugglers and many other people. Mili’s creation of photoflash photography work was one of his first presents to the light painting world. In the 1940’s Gjon attached small light bulbs to the shoes of ice skaters he then took long exposure photos with his camera and created what would be the inspiration
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
...technique of fluid in the brush strokes, which lead to an impression of blurry. The spots of soft color combine with the color of the figures, which shows bright light of beams through the trees. He blends colors in the background that appear to be people dancing. The lack of outlines is a traditional Impressionist technique.
“Dance is movement aware of itself. Dance is purposeful movement that employs artful communication to express ideas and feelings, meaning that aesthetic intention is present” (Cornett, 2014, p 394). Art could be anywhere and anything it just needs to have creativity in order to make it unique and beautiful. One simple art form, could speak for a thousand words and convey many significant messages such as the art form of dance. Baile Folklorico is a great example of communicating in a unique and a stunning art form. Baile Folklorico is a folk dance that elaborates different dances, music and costumes to represent a Latin or Mexican culture.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
As I walked in and looked around, I noticed how big it was and how many people there were. There was not only amazing art, but great views of Los Angeles, which I found really impressive as well. The work of art that caught my eye was Claude Monet’s oil painting Sunrise c. 1873. To its left was The Portail of Rouen Cathedral in Morning Light c. 1894 and to the right was Still Life with Flowers and Fruit c. 1869. The subject of the sea from Monet’s Sunrise I was able to associate it with, Hokouasi’s Thirty Six Views of Mount Fuji c. 1826-1833. The museum was a very fun experience, and finding a piece of art from our readings in class made the experience a lot more rewarding, because I was able to take what I learned in class and apply it outside of
Childe Hassam was an American impressionist, a movement that was developed in paris and can be considered the first modern movement in painting. The characteristics that were specific to impressionism are very prominent throughout Hassam piece “fifth avenue nocturne”. The first characteristic is the brush strokes. hassam used large and visible strokes to help portray a dreamy and abstract mood. he also created different textures, both visually and physically, by layering colors on top of other colors. which resulted in him applying a technique called broken brushstrokes. The second characteristic is the lighting, which is usually one of the most important things that Impressionist use in their paintings and is very important in his because he uses the lighting in the painting to display where his two figures are. the third characteristic is the use of pure color Artists traditionally mixed paints on their palette to achieve a certain hue or color before applying it to the canvas. Impressionists broke with this formula by employing pure, prismatic colors fresh from the new