Daredevil: Racial Erasure In Contemporary Media

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As cited by the Merriam-Webster dictionary, the definition of controversy is a discussion marked specifically by the expression of opposing views. The controversy I will analyze is the racial erasure in contemporary media; specifically against Asian Americans. The central claim that I will offer about the racial controversy is that networks are more concerned about the ratings than the representation of race within the cinematic world. Furthermore, the current racial and gender controversy has a tumultuous relationship with social attitudes about human identity because negative Asian stereotypes and whitewashing have been prevalent since the Classical Hollywood Era.
The analysis will be based on the negative portrayals of ethnic women and Asian …show more content…

The critical acclaim derives from the show’s stellar cast and consistently tight writing and direction. In addition, the cinematic accolades brought along more viewership as well as criticism against Daredevil’s depiction of Asian Americans. Ironically, Daredevil happens to be one of the more progressive shows in the Marvel universe. That reasoning stems from the type of war , the hero is fighting; instead of battling extraterrestrial foes, Daredevil fights off urban gentrification, white collar crime and community displacement. But as progressive as Daredevil is, Marvel's Anti-Asiansm is continuing to push the centuries old agenda …show more content…

It was not central to the storyline and was a poor choice from an otherwise exceptional writing team. The subtle bigotry has received negative attention from Asian Americans and critics alike.
Another example of the “Yellow Peril” is in Episode 12 of Season One titled “The Ones We Leave Behind”. In this episode Daredevil attempted to liberate the gruesomely blind drug workers, but instead they swarm around him. This specific scene reflects the longstanding orientalist notion that Asians have no sense of independent thought and blindly follow authority. (Rivera,Takeo)
Among the numerous scoundrels in the television series, Wilson Fisk, a Caucasian character is provided with the most complexity and depth. Even going as far as seducing the viewer into sympathizing with him. Although,the Russian mobsters are certainly ethnicized throughout the show, at least they are given detailed framework, and one even exhibits a change of heart. Likewise,. Nobu and Madame Gao are only seen as mystical menaces. These tropes are just like the racial othering of the Classical Hollywood era and which Asian characters such Fung Wu’s “Asian-ness” which was central to their wickedness.

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