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Essay the characterization approach to storytelling
The Narrative Structure of Detective Fictions
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“Ms… Devil is it?” the detective asked the slender, ghastly woman. She smelled of a mixture of cigarettes and very strong perfume, perhaps to hide the unpleasant stench of the smoke.
“De Vil! Two words! Is it really that hard to even look at the name? Imbeciles, all of you, completely idiotic,” the woman shouted.
“I’d be careful with your tone, Ms. De Vil. Do you realize what you have done? You kidnapped and tried to kill 15 dalmatians, just for fur. The Radcliffes, however, you actually killed. Do you realize how much jail time you're facing?”
“Of course I do, you maladroit cretin. Besides, I don't see why I should. At least not in a crummy old jail cell in Scotland Yard. Bedlam seems more of my taste. All the grandeur, with a not-so-subtle
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Slowly, the time slowed down, till it reached a halt. Without warning, it was 3 days ago. Cruella De Vil, London’s most infamous aristocrat, was on her way to see her dear “friend” Anita Radcliffe, who had recently heard her pet dalmatian was having puppies.
Dalmatians make the best fur coats, but the time to get them, I’ve heard, is right when they are born, Cruella thought.
“James, darling, if you could, I’d prefer to get there before I have my 4th 30th birthday, please.” Cruella said, rather calmly, for her at least.
A short time later, she arrived at the Radcliffe Residence, ready to buy the little brats with her capacious amounts of money. She was almost certain that if her persuasive techniques weren't enough to win the creatures, £680 would be sufficient. She rang the doorbell a few times, more exasperation in each toll of the buzzer. Finally, the Radcliffes answered the door.
“Anita, Darling!” Cruella said in a hastily tone, as she barged into the
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“Where are they? Where are they?” she inquired. “Goddamn it, I said ‘where are they?’ No time for games,
Jeanne de Jussie, a dedicated Catholic nun, recorded events that took place in Geneva during the Reformation as the official chronicler for the Saint Clare convent. Although littered with biases, Jeanne de Jussie’s experiences reflect broader trends during the Reformation; therefore, The Short Chronicle is a valid source and not merely a personal attack against the Protestants. Her experiences and beliefs, including those concerning celibacy, reflected those of many members of the Catholic Church during the Reformation. Also, her categorization of Protestants as ‘heretics’ was consistent with the practices of the Catholic Church. Although biased, her fears about Protestant views on celibacy and marriage were legitimate and consistent with
“Pretty soon I wanted to smoke, and asked the widow to let me. But she wouldn't. She said it was a mean practice and wasn't c...
As the minutes tick down to his death, Poncelet begins to break down and his lack of remorsefulness dissolves. His only comfort is Sister Helen and his newly found forgiveness from the Bible. We can once again feel the pain that overcomes Poncelet as he fully grasps what is about to happen. Then, when the restrained Poncelet is displayed in front of the witnesses, including Mr. and Mrs. Percy and Mr. Delacroix, he asked if he has any last words. Poncelet states that he refuses to die with hate in his heart and apologizes to the devastated families. This scene becomes even more upsetting when you see Poncelet and Sister Helen mouthing ‘I love you’ to each other and when Helen reaches her arm out to comfort Poncelet as the first set of lethal drugs are injected.
“Pardon me?” Miss Allen asked, finally putting an end to the creepy ass moment of deadly silence. The perplexed expression on her face grew more confound with each passing second, but the gentleness in her eyes remained the same.
“Ain't no police around here, Sweetie,” Junior said. The blond's brows wrinkled. She must be a newcomer. Junior explained the situation. “Sheriff's office is gutted, jail's got a revolving door. Only detectives are Staters out of Medford. If we're lucky.” He took a swig of beer. “You can thank Myra Lipton for
“Eight shillings! I’m not that meek! Boys make an honest five at the blacksmith’s for a week!”
“You thought putting our lives in danger would be fun?! Are you mad!” She shouts at me, looking as though she were now the mad one. She does look quite angry
“I know you di’nt, but we gotta get out of here or you're gonna get shot.”
In Yönec and Bisclavret by Marie De France, the element of the supernatural is used to emphasize virtue. Those who embrace the supernatural are portrayed as worthy and morally upright, while those who are repulsed by the supernatural are portrayed as evil and immoral. In Bisclavret, the lord's supernatural situation draws attention to the virtues of love and loyalty. In Yönec, Muldumarec's shape-shifting abilities are used to emphasize the virtues of courtly love. Muldumarec's prophecy before his death establishes him as a character who is so virtuous that he is blessed with prescience. In both tales, those who stand between a supernatural being and their pursuit of virtue are severely punished.
“I thought they were still at the college! What do you mean by they can’t find her?”
The tale that will be discussed within Marie de France’s Lais is Guigemar. The tale of Guigemar begins with a knight who demonstrates braveness and valor in service of his lord, but is unable to recognize love in any lady. One day Guigemar was out hunting when he came upon hind, who set a curse upon him. The hind states that if Guigemar is unable to find a woman who is willing to suffer for him equally as much as he would suffer for her, he will die from his wound. There are two major themes within the tale of Guigemar. The first theme is selfless love and the second theme is the suffering related to love. The relationship between love and suffering is the more apparent theme. The idea that there is a relationship between love and suffering
Right off the bat, I found myself entertained and interested in the words that lied within the text of Marie’s first lay of the lais. I was absorbed, one could say, and couldn’t wait to dig deeper into the remaining eleven short stories. Most of Marie’s short stories are easy to read while understanding the dwelling of the knights and their love contingencies. The Lais of Marie de France is the perfect escape of a good medieval read for anyone who enjoys fairytales, like myself. As of right now, I may not know much about medieval poetry or even much about love, but I can definitely see why the mysterious Marie de France is quite the hot commodity among the medieval readers. Each and every one of her short stories uphold typical elements that
"Trifles," a one-act play written by Susan Glaspell, is a cleverly written story about a murder and more importantly, it effectively describes the treatment of women during the early 1900s. In the opening scene, we learn a great deal of information about the people of the play and of their opinions. We know that there are five main characters, three men and two women. The weather outside is frighteningly cold, and yet the men enter the warm farmhouse first. The women stand together away from the men, which immediately puts the men against the women. Mrs. Hale?s and Mrs. Peters?s treatment from the men in the play is reflective of the beliefs of that time. These women, aware of the powerless slot that has been made for them, manage to use their power in a way that gives them an edge. This power enables them to succeed in protecting Minnie, the accused. "Trifles" not only tells a story, it shows the demeaning view the men have for the women, the women?s reaction to man?s prejudice, and the women?s defiance of their powerless position.
Not too long ago, Ms. Morris’s beloved dog, Hattie, had 5 puppies. Everyone in town thought the puppies were boring and ugly. Their eyes were closed, made a little movement, and didn’t make any noise. Nobody thought the dogs were cute, and nobody wanted them.
"Where was she seen last," the detective asked. His face was stolid yet I could hear the pain and panic in his voice.