Criticism Of Hester Prynne

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D.H. Lawrence’s paper “On the Scarlet Letter” addresses a range of criticisms and ideas regarding Hester Prynne and has been widely considered in regard to Nathaniel Hawthorne's The Scarlet Letter. He explores different aspects of her sin as well as her nature through this analytical paper. It is in these criticisms that he conveys that Hester Prynne is wrongfully admired by both fellow characters and the reader by using repetition, choppy syntax, and biblical allusions. Lawrence's use of repetition is most effectively displayed in his diction, through which he presents and emphasizes Hester's less than holy attributes. The most prominent example of which is found in the two nouns seduction and purity, as seen in such lines as “ To seduce …show more content…

His sentence structures are arranged in such a way that when reading, it devolves into a sort of chant; “A, The Scarlet Letter. Adulteress! The great Alpha. Alpha! Adulteress” “Abell Abell Abell Admirable!” (Lawrence). These short one word sentences convey the apparent anger of Lawrence, they display his disbelief that a woman so tainted could be praised. These choppy sentences are also used to emphasize more nuanced points, all of which relate back to his thesis. Phrases such as “it becomes a farce”, “all begins with A”, and “flop goes spiritual love” all contain purposes that would not have equal impact if not for their choppy arrangement (Lawrence). For example, “all begins with A”, combined with the previous chant-like sentences, as well as their diction, drive home her rise to a near-god like status (Lawrence). To Lawrence they are idolizing and worshiping her “Abell, Abell, Abell”,praising that which he called a demon. This, in the eyes of D. H. Lawrence, is the great deceiver of the reader and characters, and is one that is only further emphasized by his choppy …show more content…

He states that “ this time it is Mr. Dimmesdale who dies. She lives on and is Abel” (Lawrence). In this case the word Abell is not spelled in its usual way, but instead is a name. This name, Abel, refers to one of the sons of Adam and Eve. The story goes that Cane, another son of Adam, is jealous of his brother who has won the favor of both his father and God. Cane is so enveloped with anger and resentment that he killed his brother Abel in cold blood. By including this allusion Lawrence is depicting Hester as the victim, the one who has been wronged, or at least that's what Hawthorne and much of the audience believe her to be. However, as the quote above displays, it was Dimmesdale who dies, and yet the woman who seduced him and lead him to slaughter lives on and is the victim. She is the daughter of “the new Adam and Adama” or Eve, and as such is considered the new Abel, when in reality she is Cain, the murderer. In addition to this she wears the face of a victim, “stand[ing] meek on the scaffold and fool[s] the world”(Lawrence 2). This, in the eyes of Lawrence, is her greatest sin yet, to steal the purity of a man, to deceive the world, to play the victim, and to receive sympathy instead of punishment. Then to be praised and admired, to be revered, to be

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