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A critical analysis of the characters of the midsummer night dream
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Sometimes, when a person becomes controlling, he can lead others down a path to destruction and failure. Control is a huge theme in A Midsummer Night’s Dream by William Shakespeare. Inside the play, certain characters try to make other characters do what he or she wants, and it often ends poorly. One example of this is Nick Bottom, a weaver who is a part of the players performing the play “Pyramus and Thisbe”. He often tries to be controlling by stepping into play other’s parts, and, the results don’t turn out the way he and the others quite expected. Overall, Shakespeare makes the case that it is not possible to control another person’s actions, because it results in ruining scenarios, and causes chaos. A Midsummer Night’s Dream describes …show more content…
Adding on to the first example, the players all met at the forest to rehearse, and Bottom tried to control Quince by asking him to write him a prologue. So when Quince decided to write this, he narrated at the play, not Bottom, which led the audience to believe that they are undereducated. “Write me a prologue, and let the prologue seem to say we will do no harm...This will put them out of fear”(3.1.17-22). Bottom’s act of control, his idea, caused the play within a play to develope chaos, and caused the audience to think that the players aren’t as smart as they claimed to be. A second example is after Oberon realized Puck’s mistake, and he didn’t reverse the potion’s effect on Lysander; he just anointed Demetrius also! This caused him to “suddenly” love Helena. She then became angry, and came to believe that both Lysander and Demetrius were toying with her in a cruel way. “Ospite...I see you all are bent/To set against me for your merriment./If you were civil and knew courtesy,/You would not do me thus much injury” (3.2.148-151). Every time that Oberon attempts to control someone, it ended up causing chaos. This even caused Demetrius and Lysander to fight over Helena. Not to mention how Hermia felt when Lysander suddenly stopped loving her for Helena. She was miserable that Lysander had done this. Since most of the control in A Midsummer Night’s Dream is a result of …show more content…
Both Oberon and Bottom seemed to control other people’s actions in the play. In act 4 of the play, Bottom appeared to be ordering and bossing around the fairies. “...Cobweb...get you/your weapons in your hand and kill me a red-hipped/humble bee on the top of a thistle, and, good/monsieur, bring me the honey bag. Do not fret”(4.1.10-13). Bottom believed that he was ordering around the fairies, but the one who was really in control is Titania, because she ordered the fairies to serve him! In act 3 of the play, Oberon seemed to be ordering Puck to anoint Demetrius. “What hast thou done? Thou hast mistaken quite/And laid the love juice on some true-love’s sight”(3.2.90-92). Oberon thought that he had ordered Puck to anoint Demetrius, but when Puck anointed Lysander, Oberon controlled someone, just not the right man. While it appears that control is balanced, it's true form is chaos. When Oberon ordered Puck to anoint Demetrius, he anointed Lysander, therefore causing chaos among the lovers! Puck was the one making his own choices based on his knowledge. Secondly, when Titania ordered the fairies to serve Bottom, she was under the love potion. Since she madly pursued Bottom, she didn’t truly know what she was doing, which caused chaos!. Though it may seem like Bottom and Oberon were controlling, they are both at the
The other major example of conflict with authority is also partly responsible for the friction that occurs in the play. This example occurs in the fairy world between Oberon and Titania. Oberon, as king of the fairies, is the supreme authority in the fairy world. Therefore, by disobeying him, Titania is defying her supreme authority. Her disobedience causes the conflict in nature that is apparen...
Oberon wanted the Indian changeling that Titania had but Titania had refused to hand the changeling over. Therefore in order to get the boy Oberon made Titania fall in love with Bottom by squeezing the juice of the flower that was shot through by Cupid’s arrow on her eyes when she was asleep and when she would wake up she would fall in love with the first thing she saw. This also brought a gap in the relationship between Oberon and Titania as Titania was in love with another man.
“(squeezes flower juice on Lysander's eyelids)...When thou wakest let love forbid.” This shows Oberon did not control because if Oberon was actually controlling puck wouldn't mess up and the story would end. Demetrius also does not control because at the end of the story he married Helena. “Now I do wish it love it long for it And will for evermore be true to it. ”(4-1-173-74)
Oberon wanted all Titania affection and wanted his wife back. Shakespeare used Oberon and Titania to show the struggles with their love
When one gains power in a Midsummer’s Night Dream by William Shakespeare, one must resort to trickery and manipulation, which often backfires, as the hunger of power inevitably grows. As Oberon’s hunger for power grows, he resorts to manipulation and trickery to attempt to have everything. When agreeing peacefully fails to achieve what Oberon
Through the use of the differing positions the characters take in the hierarchy of society, Shakespeare shows that people on opposite sides of the spectrum can be swayed by desire, bringing out the chaos in supposed order.
When Oberon uses the flower on Titania the next morning Titania falls in madly love with Nick Bottom, whose head has recently been transformed into the head of a donkey. While Titania is in love with Nick Oberon requests for Titania to give him the Indian boy, she agrees and fulfills the request. Unlike Oberon expected chaos was quick to ensue between Oberon and Titania, after the spell was removed Titania was still angry at Oberon. Titania was angry because Oberon ¨stole¨ the Indian kid, and Oberon supposedly loved Hippolyta more than
Oberon and Titania; two pairs of young lovers who run to a nearby. forest and a company of Athenian working men headed by Nick Bottom. the weaver, who all enter the same forest as the lovers to rehearse a play they intended to perform for Theseus and the nobles. The humour of the play begins with a spell cast by Puck, Oberon's. mischievous servant, which causes confusion of love between the two.
In Taming of the Shrew, by William Shakespeare, Petruchio took on the challenge of winning over Kate by taking complete control over her. He not only controlled her way of living, but also her mental and emotional capabilities. For example, Petruchio was able to have Kate laugh and speak at his command. Not only that, but he was also able to control her voice at any given moment. Nowadays people are not able to have this much authority over another, except in certain situations.
In William Shakespeare’s book, A Midsummer Night’s Dream, magic is a powerful and useful tool for the characters that have the capability to use it. Some of the characters abuse the power of magic, while others are more responsible in how they use it. Oberon is one the characters that abuses the power of magic. Oberon’s magic has an immense impact on the plot of A Midsummer Night’s Dream. More specifically, Oberon’s magic affects his own life, the lives of other characters, and all the characters in the story experience his magic differently. We will see that even the person who has power to use the magic can become surprised by it. Magic, the ultimate supernatural power, is often unpredictable and inexplicable.
However, the ideal relationships are not immune to experiencing unharmonious periods. Despite this, the ideal couples eventually found harmony which allowed them to experience a joyous ending. Lysander and Hermia have a harmonious relationship in that they display similar desires and mindsets. In the beginning, after declaring their love for one another Lysander and Hermia devise a plan to run away and elope (A Midsummer Night’s Dream 1.1.156-178). Even when they are not of the same mindset Hermia and Lysander find an amicable solution. After becoming lost in the forest, Lysander’s desire is for them to sleep together, Hermia refuses for fear of the disgrace that would be placed upon her if for some reason they did not become married. Even though Lysander is a reluctant he respects her wishes (A Midsummer Night’s Dream 2.1.47-67). On the other hand, the relationship between Oberon and Titania in spite of being plagued by dysfunction comes to a harmonious agreement. At the beginning Titania and Oberon are quarreling over the control of an Indian changeling boy (A Midsummer Night’s Dream 2.1.18-31). While under the influence of an enchantment that Oberon had placed on her Titania relinquishes the control of the changeling boy to Oberon (A Midsummer Night’s Dream 4.1.56-60). After the enchantment is removed from her Titania no longer has feelings of defiance toward Oberon (A Midsummer Night’s
Lastly, just as Puck’s magic caused turmoil and chaos among the lovers, it also aided in restoring balance. As the play ends, Puck no longer holds Lysander under his spell, however, Demetrius remains enchanted. It is important that Lysander is no longer enchanted. At this point, Lysander can return to Hermia. It is equally important that Demetrius remains under Puck’s magic because it is the only way that he will love Helena.
William Shakespeare’s A Midsummer Night’s Dream is not simply a light-hearted comedy; it is a study of the abstract. Shakespeare shows that the divide between the dream world and reality is inconstant and oftentimes indefinable. Meanwhile, he writes about the power of the intangible emotions, jealousy and desire, to send the natural and supernatural worlds into chaos. Love and desire are the driving forces of this play’s plot, leaving the different characters and social classes to sort out the resulting pandemonium. While the overseeing nobles attack the predicament with poise and logic, the tradesmen and nobles stricken with love recede to foolishness. Yet, it is not the ‘wise’ nobles who find any truth within the haphazard happenings of this play. The rhythm and structure of William Shakespeare’s A Midsummer Night’s Dream establishes a clear class divide between the nobles and the masses, and by doing so reveals that the solutions to life's most abstract problems have no grounding in logic. It is the fool who helps us understand the paradoxical abstract world.
The first instance of usurpation in A Midsummer Night's Dream is Demetrius saying "Yield/Thy crazed title to my certain right" (I.i.91-2). Essentially he is telling Lysander to give up his pursuit of Hermia, although Demetrius is not in a position to command Lysander. This sets the two characters against each other, and adds to the play's central conflict of whom Hermia will marry. Another kind of usurpation is shown by Egeus choosing Hermia's husband: he denies her the right to choose her husband based on love. Furthermore, Egeus endangers Hermia’s life, as Theseus declares she must marry Demetrius or die. This combination starts the plot action, causing Lysander and Hermia to flee Athens.
In the Globe Theater Company’s performance of King Lear at the Broad Stage, King Lear is presented as silly and mentally unstable. With this presentation of Lear, it is made evident that he did not truly have the choice in determining his destiny, but was rather fated to have a downfall. Throughout the play, King Lear jovially runs across the stage, making irrational decisions and comments. The performance reveals that it was not his decisions that led to his demise and death, but rather his destiny that he could not