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Romeo and juliet act 1 scene 1 fight analysis
Romeo's rash decision
Aspects of the fight scene in Romeo and Juliet
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The fight between Romeo and Tybalt lasted only a short time, but its effects were devastating. Previously in the story during the mid-afternoon, Tybalt killed Mercutio, as he tried to defend Romeo from Tybalt’s continuous insults and battle requests. After this event, Romeo was steaming in anger, with purple veins bulging from his arms. Romeo yellingly declared, “And fire-eyed fury be my conduct now. Now, Tybalt, take the “villain” back again.” Although Tybalt was known as the most skilled swordsman in Verona, filled with bad intentions and rage, Romeo did not back down from the challenge. Romeo claimed the fight will decide who dies, as Romeo and Tybalt begin fighting with swords. Not soon later, Tybalt falls and dies. Romeo won the fight,
conflict with the Tybalt. Mercutio on the other hand, who is a dear friend. Romeo will not back out of the fight and is killed in the onslaught. The snare of the snare. Romeo, seeking revenge, tragically kills Tybalt.
When asked by Benvolio to make peace in the streets, Tybalt bluntly responds,” talk of peace, I hate the word. As I hate hell all Montagues.” This is the attitude of Tybalt throughout the play. He believes he is doing all for the best and uses violence as his tool. He gets angry at the ball with Romeo being there, “villain as a guest,” and believes it best to defend his family’s honor by later taking revenge. When Tybalt finds Romeo, he thinks it best to fight him and when he ends up killing Mercutio he believes he has done his duty by causing Romeo the same hurt he has brought Tybalt, “the injuries that thou hast done me.”
Tybalt’s loyalty towards the family dispute intoxicates him with a quarrelsome nature. After recognizing Romeo at the Capulet Ball, Tybalt persistently rejects his uncle’s remonstrance to stay serene. Even after being restrained by his Uncle Capulet, he vows vengeance on Romeo in the future as he says, “Patience perforce with willful choler meeting Makes my flesh tremble in their different greeting. I will withdraw; but this intrusion shall Now seeming sweet, convert to bitt’rest gall” (1.5.88-90). Tybalt tends to take each and every “insult” towards his family and himself to heart, without even contemplating their true meaning. Furthermore, Tybalt’s aggravating behavior develops into a clear factor leading to his downfall. When Mercutio is found dead as a result of Tybalt, Romeo confronts him directly with a duel to the death. Rather than trying to discuss and come to a harmonious solution, Tybalt further inflamed the already belligerent environment. He does this by saying, “Thou, wretched boy, that didst consort him here, Shalt with him hence” (3.1.128-129). Tybalt’s relentless threatening behavior never fails to make an already hostile environment even worse. His cruel character is perpetual no matter what the
Romeo, enraged at the killing of one of his dearest friends, challenges Tybalt to a fight for revenge, saying:
Also in the beginning of the play a fight breaks out between the Montague and Capulet families and the Prince intervenes and after telling them to drop their weapons he says “If ever you disturb our streets again, your lives shall pay the forfeit of the peace.” Although this rule was given Tybalt challenged Romeo to a duel. Romeo kept refusing to fight Tybalt which caused Mercutio to be outraged and draw his own sword. During the duel between Tybalt and Mercutio, Romeo intervenes and tries to stop them both but Tybalt puts his sword under Romeo’s arm and kills Mercutio. Romeo then fights with Tybalt and murders him and is banished from Verona. If Tybalt hadn’t been so aggressive with the whole situation Romeo wouldn’t have been banished, and Juliet wouldn’t have needed to come up with a plan that resulted in both of their deaths.
This change of fate has a huge impact in Romeo and Juliet’s life. For starters, the fight happens right after Romeo and Juliet get married. At this point, Tybalt and Romeo are family, which makes Romeo hold back from fighting with Tybalt. Secondly, the fate for their future is now taking a different path because Juliet now had to marry Paris and Romeo is banished so they will never see each other again. Also, because of Romeo’s actions, Friar Lawrence makes a plan for Juliet to be “dead” so she will not have to marry Paris. As Mercutio is dying, he cries out, “I am hurt. A plague o ' both your houses! I am sped. Is he gone and hath nothing?” which is a reminder of Romeo’s fate. (3.1.20-92) Meanwhile, Romeo realizes what he has done himself and what he has done to ruin it such as the death of Tybalt, he is now banished and cannot see Juliet, and what is yet to come for himself in the near future with the lines of, “This day’s black fate on more days doth depend. This but begins the woe others must end” (3.1.118-119). The fight marks the fate as a controlling force with everything coming together all at once, being it is the climax, and turning for the worst in the newly secret married couple’s
Shakespeare sets the fight on a very hot day. This gives us passion and tiredness. Benvolio says that he and Mercutio should “retire” because “the Capels are abroad, and if we meet we shall not ‘scape a brawl” because “these hot days is the mad blood stirring”. The technique used here is dramatic irony, as the audience know that there will be a fight. There are more examples of dramatic irony in this scene. Mercutio says “we should have none shortly or one would kill the other”. The audience know that this is actually the case, that death will soon happen in the play. We also know that Romeo is now married to Juliet, and that is why he is not returning Tybalt’s banter. Romeo says “I do protest I never injured thee, but love thee better than thou canst devise till thou shalt know the reason of my love”, telling Tybalt that he loves him, but that all will become clear later. Unfortunately, there is no later for
Throughout the play, Tybalt gets into constant fights, having two major ones in act one, scene one, and act three, scene one. The fights occur over small interferences and show a great deal of Tybalt's willingness to fight over anything. In act three, scene one, Tybalt kills Romeo’s best friend in a foolish street fight. Doing so proves Tybalt's unwillingness to lose or follow the “no fighting or death” laws set up by the prince
Romeo Vs Tybalt Power Struggle Conflict Romeo Vs Prince Escales. Act three scene five Mercutio and Benvolio are out on the streets of Verona. Tybalt appears looking for Romeo to accept his challenge to duel, in response to Romeo gate-chrashing the Capulet party. When he finally encounters his chosen target Romeo. He challenges him to a fight, but Unfortunately Romeo is married to Juliet now making Tybalt his cousin.
William Shakespeare’s brilliant tragedy, Romeo and Juliet, has endured for over 422 years; however, even more intriguing is the play’s transition into the modern choreographic realm. Choreographers such as Kenneth MacMillan and Krzysztof Pastor have reimagined Shakespeare’s text to portray the traditional Verona as well as modern Italy throughout the 20th Century. Both Kenneth MacMillan and Krzysztof Pastor’s choreography is set to Sergei Prokofiev’s 1938 musical score, and both choreographers keep Verona, Italy as the central background for the classic love story. However, how each of the choreographers characterizes each of the principal characters–Romeo, Juliet, Tybalt, and Mercutio–is specific to each of the choreographic styles. In general,
how his character will be like and is the source of most jokes made in
If Tybalt would have solved the problem peacefully then he might not have died. Secondly, when Romeo is enraged because Tybalt kills Mercutio Romeo yells, “This shall determine that”(Shakespeare 3.4 134). After this Romeo ends up stabbing and killing Tybalt. Romeo tried to solve violence with more violence, and it didn’t end up working it just caused more problems because after this dreadful event Prince Escalus exiles Romeo from Verona.
Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try and emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is done through the renewal of props and costumes, the reconstruction of the prologue and the upgrading of the setting, whilst preserving the original Shakespearean language. Out of the two, it is Luhrmann who targets Romeo & Juliet to a younger audience to a much larger extent than Zeffirelli.
After catching Romeo at a party he was not supposed to be at, Tybalt had it out for Romeo. Just after Romeo and Juliet’s wedding, Tybalt comes looking for him wanting to fight. Romeo does not want to fight because he now loves Tybalt since he is family to him, but neither Tybalt or anyone else knows this reason. Quickly, Mercutio steps in and tells Tybalt that he will fight him in honour of Romeo. Sadly, this led to the death of Mercutio.
‘The difference between Franco Zeffirelli’s Romeo & Juliet (1968) and Baz Luhrmann’s version of Romeo & Juliet (1996) is simply a modernisation created by Luhrmann to attract a teenage audience.’