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Shakespeare settings plays
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The play up for discussion is the Kingsborough’s Community College spring production of Two Gentlemen of Verona The Musical. This is a musical adaptation of the original Shakespearean play The Two Gentlemen of Verona. In this essay the Kingsborough’s Community College spring production of Two Gentlemen of Verona The Musical, the original Shakespearean play and five former plays adaptations, themes, and characters will be evaluated. The first is Euripides 431 B.C. E. play Medea, the second is the 148 A.D. Latin play, The Menaechmi by Plautus, the third is the 1509 play Everyman by an anonymous playwright during the Tudor period, the fourth is the 1671 three-act comedy play The Impostures of Scapin by French playwright Moliere and the fifth is the 1604 Dr. Faustus by Christopher Marlowe. Even though there have been modern adaptations of these plays the theme and the recurring motif remains the same and it still probes into the life of humans.
Medea was written by the famous playwright Euripides in 431 B.C.E and was
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Scholars believe that Everyman is an English translation of a Dutch play known as Elckerlijc. Unlike William Shakespeare The Two Gentlemen of Verona the play Everyman is an allegory that examines the Christian idea of salvation during the Roman Catholicism era. This was a time of corruption and immoral actions. There have been many adaptations of this play. However, recent adaptions changed to make death more like a businessman and the main character like the common civilian of the time period. There are movies that were modified into a 21-century setting with distinctive characters. However, the most recognized adaptations of this play are the Elizabethan stage society by William Poel. The Everyman and Shakespeare plays are still symbolic of mankind flaws. The point of the plays remains the same. Both plays speak about morals, because it is the way to a happy
3 Dec. 2013. Kerschen, Lios. A. A “Critical Essay on ‘Romeo and Juliet’. ” Drama for Students. Ed.
As inconsequential as they may initially seem, the various types of abnormalities in William Shakespeare’s tragic drama Othello do impact upon the audience. Let us explore this subject of the deviant in this play.
Everyman is a model, a character who stands in for every other man or person like him. In essence, Everyman personifies the idea of what the average sinful man is like. In using this personification, the author allows individual characters to stand in for and represent broader themes and ideas. Everyman is a morality play devised to instruct its audience on a very specific topic: that we can only take our good deeds with us into the afterlife, and nothing more. As I stated earlier, at the end of the play, a character called the Doctor comes on-stage to deliver this exact message to the audience, further reinforcing the lesson that Everyman learned during the course of the play. “And do not forget to do good and to share with others, for
When many people decided to sit down and read a book or a play it is because the title or summary entices them. As the story comes to an end it is decided whether or not the person related to or understood the point of the literature. Great authors and playwrights know this and set in place concepts. Many different concepts, to catch different audiences attention and to deepen the understanding of the literature. In order to understand Shakespeare’s play Othello, it is necessary to examine the emotions of jealousy, manipulation, being consumed by something, and gender.
Othello is one of Shakespeare’s four pillars of great tragedies. Othello is unique in comparison to the others in that it focuses on the private lives of its primary characters. When researching the subject of Othello being an Aristotelian tragedy, there is debate among some critics and readers. Some claim that Shakespeare did not hold true to Aristotle’s model of tragedy, according to his definition in “Poetics,” which categorized Othello as a classic tragedy as opposed to traditional tragedy. Readers in the twenty-first century would regard Othello a psychological thriller; it definitely keeps you on the edge of your seat creating the emotions of terror, heart break, and sympathy. This paper will focus on what Shakespeare actually intended regarding “Othello” and its Aristotelian influences.
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
Snyder, Susan. "Beyond the Comedy: Othello" Modern Critical Interpretations, Othello Ed. Harold Bloom, Pub. Chelsea House New Haven CT 1987.
This article provided valuable information that assisted me in the making of my essay. It helped me to form paragraphs 2 and 3, and provided enough background information of the plays being talked about for me to produce those paragraphs. For paragraph 2, i read and used information on the pages 64-70 (these pages sometimes do not work). Within those pages was the idea of the all knowing audience, and the unaware othello, creating suspense within the audience about the future event of othello's life. For paragraph 3 i read and used pages 102. On these pages was the aspect of how modern novelist elicit empathy towards their character and the way shakespeare elicited empathy from his audience to character within the play. Overall this article was extremely useful
Snyder, Susan. "Beyond the Comedy: Othello" Modern Critical Interpretations, Othello Ed. Harold Bloom, Pub. Chelsea House New Haven CT 1987.
Barton, Anne. Introduction to Twelfth Night. The Riverside Shakespeare. Boston: Houghton Mifflin Company, 1974. 403-407.
The theatre life of these times is called Elizabethan. In the sixteenth century the most powerful form of literature or drama was non-religious and more concerned with the inner workings of the human personality. Shakespeare's writings were tragedies that focused on human actions without thought to the consequences of these actions. There are two examples in this movie that come to mind illustrating this humanistic approach. First, Shakespeare falls in love with Viola, his muse, and follows his heart knowing that she has already been promised to marry someone else. Second, is the theatrical representation of Romeo and Julie and the tragic love story it entails.
William Shakespeare has provided some of the most brilliant plays to ever be performed on the stage. He is also the author of numerous sonnets and poems, but he is best known for his plays such as Hamlet, Macbeth, A Midsummer Night's Dream, and Romeo and Juliet. In this essay I would like to discuss the play and movie, "Romeo and Juliet", and also the movie, Shakespeare in Love. The play Romeo and Juliet by William Shakespeare is set in the fictional city of Verona. Within the city lives two families, the Capulets and the Montegues, who have been feuding for generations.
Snyder, Susan. "Beyond the Comedy: Othello" Modern Critical Interpretations, Othello Ed. Harold Bloom, Pub. Chelsea House New Haven CT 1987.
Everyman is English morality play written by an anonymous author in late fifteenth century. The play’s represent the values that Everyman holds on to by its characterization. The spiritual life of Everyman was neglected by him, but he is quickly repents of his sins as the play develops. After realizing Everyman is summoned by Death, he doesn’t want to die and die alone for that matter. Everyman soon realizes that when he is seeking for a companion to go on a journey that he wants to go but there is no one available. He soon comes to terms that everyone will soon abandon him who accompanied him on earth. The play is in allegorical characters that represents variety of concepts such as (Knowledge, Good Deeds etc.)
Compared to plays written for public playhouses, The Tempest offers a unique emphasis on music. Hiring extra musicians, along with the time constraints usually resulted in small attention given to this area (Long 95). Given the large degree of detail allotted to music in the play, it is believed the audience to have been upper class, however, music of The Tempest serves a variety of functions beyond that of mere entertainment. By exploring the evidence provided in The Tempest, we can reveal some of these functions that music serves in the play.