A man can become a monster by doing horrible things that he knows is wrong, but still decides to carry it out anyway. Today we usually see a monster as a fictional character or creature that is harmful or mean in nature. Frankenstein, published in 1818, by Mary Shelley, is about a selfish man named Victor Frankenstein who creates a monster, and ends up realizing that he himself is actually the monster. The Picture of Dorian Gray, published in 1890, by Oscar Wilde, is about a painter, named Basil, who draws a portrait of Dorian Gray, and the painting grows older while Dorian himself stays the same age. Dorian is so caught up with himself, and being young that he kills people because he is selfish. Victor gets caught up with his skill in science …show more content…
Hamlet is mad at the King and his mom, because they both did not care about his father’s death. They are being selfish to Hamlet and that is what set him off. King Hamlet’s ghost now appears to Hamlet’s friends, and call on him to come look. When “Hamlet grapples with what type of ghost he has seen – good or evil. He alludes to this internal struggle on more than one occasion,” because he is still weary of the ghost. The ghost does not come, but the second time they look for it, it comes and Hamlet ends up speaking to it. Since the ghost of old Hamlet has told Hamlet who has killed him”The ghost’s disclosures should have left no doubt in Hamlet’s mind that Claudius must be killed”, Hamlet, is going to make sure that he does whatever it takes to avenge his father's death(Frank N. Magill). The Ghost tells Hamlet that he is in purgatory and that he wants his son to avenge his death, but by doing that Hamlet would end up going to hell as well as King Hamlet himself. He would be putting his own son in hell for revenge on King Claudius, which would not do any good for old Hamlet and young
Hamlet was not sure if the ghost was really his father or if it was the devil trying to trick him to commit a crime. He needed to prove to himself that what the ghost said was true or not. Therefore he is going to stage a play that will reenact the killing of his father to see if the King is guilty.
...that had to become evil in order to get what he wants. It was Frankenstein and the society’s fault that the monster actually turned into a monster, they didn’t reach out to him, and instead they froze him out of the society because of his looks.
Hamlet is extremely proud of Old King and respects him.“He was a great human being. He was perfect in everything. I’ll never see the likes of him again” (I.ii.185-188). Hamlet loves his father and gives the greatest praise at the funeral. Grief driven by love tempts Hamlet to think his father’s goodness, and more, the loss of such a favorable figure. Hamlet believes that the ghost that is said to look like the dead king is indeed his father.”He waxes desperate with imagination”(I.ii.92). The Prince, who is deep in sadness and does not think sufficiently, is convinced that the spirit is the Old Hamlet, he is the only person that can physically communicate with the ghost. Hamlet for the second time talks to the apparition in his mother’s chamber, where Gertrude does not see any. What Horatio and other witnesses encounter at the gate at night proves the possibility of the existence of the ghost, Hamlet later in the play is considered to be truly mad on the account of his unusual ability to see and talk to the spirit, which is obviously conjured up by his mind. Rising actions in both the book and the play are implied at the beginning of the stories: Amir’s memory of 1975 and Old Hamlet’s death. The journey of redemption or revenge takes actions of concealing their true emotions and implementing devised
The Mel Gibson version of Act I, scene 5 gives the most accurate representation of the ghost’s purpose to use Hamlet as a result the actors’ movements and manners of speaking. In this film clip, the ghost is calm and sure of himself, speaking softly, as ghosts do, yet with conviction of his own authority. He is also mobile in the scene, moving ever closer to a Hamlet who appears to be paralyzed with fear. This motion establishes an unequal power dynamic between the father and son, making it clear that the late King Hamlet is in control of the situation. Although the ghost still tells Hamlet to “taint not [his] mind, nor let [his] soul contrive against [his] mother aught,” the line is delivered as an ominous warning rather than fatherly advice.
The gothic novel Frankenstein by Mary Shelley highlights the idea that the real monsters of the world are humans and society, and that most traits that most humans despise are actually within all of us. Frankenstein shows that any human can be so corrupt as to be a “monster”, and that beings society considers repulsive and evil can be human at heart. Shelley exposes human faults such as hubris and irresponsibility through the main character of the novel Victor Frankenstein, who creates a living being and refuses to care for it, sending it into the unwelcoming hands of society. Victors irresponsible actions lead to many deaths and events. As the novel progresses, Dr. Victor Frankenstein and the Monster he creates become more and more similar
After the initial visitation of the ghost, hamlet begins to obsess about killing Claudius as part of a new plan to rid the royal court of his father’s murder. More so, he begins to despise his mother for marrying Claudius right after her husband’s death. Hamlet begins to hate his mother just as much as Claudius, which defines the expanded psychosis of the ghost’s message as part of a long term delusional state. This is one aspect of Hamlet’s deteriorating madness that dictates the paranoia that drives him to kill Claudius and shame his mother into
What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.
Hamlet, a young prince preparing to become King of Denmark, cannot understand or cope with the catastrophes in his life. After his father dies, Hamlet is filled with confusion. However, when his father's ghost appears, the ghost explains that his brother, Hamlet's Uncle Claudius, murdered him. In awe of the supposed truth, Hamlet decides he must seek revenge and kill his uncle. This becomes his goal and sole purpose in life. However, it is more awkward for Hamlet because his uncle has now become his stepfather. He is in shock by his mother's hurried remarriage and is very confused and hurt by these circumstances. Along with these familial dysfunctions, Hamlet's love life is diminishing. It is an "emotional overload" for Hamlet (Fallon 40). The encounter with the ghost also understandably causes Hamlet great distress. From then on, his behavior is extremely out of context (Fallon 39). In Hamlet's first scene of the play, he does not like his mother's remarriage and even mentions his loss of interest in l...
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
Monstrosity is not just defined by disfigurement, but also by the actions and obsessions of man. Most, if not all, tales of monsters often came about as exaggerations of sins and immoral actions. Others see men who become too obsessed with the idea of overstepping their own humanity and playing God as monsters in society. Frankenstein and The Picture of Dorian Gray reflect this idea. While the painting and the creation mirror the monstrous nature and the sin Gray and Frankenstein enact throughout the course of each novel, both Dorian Gray and Victor Frankenstein are the true monsters.
Hamlet is the son of Queen Gertrude, this type of parent and child conflicts are somewhat common in some of Shakespeare’s plays. The events surrounding these characters must be taken into account as we watch the attitudes and personalities of Gertrude and Hamlet change as the play progresses. They have their own unique places in the story but do not always mesh well together when thrown into a conflict. Throughout the play hamlet struggles to keep his sanity. This is especially apparent after his father’s ghost visits him. The ghost tells him that his father was murdered by his uncle Claudius, who is the curre...
Throughout the play Hamlet is in constant conflict with himself. An appearance of a ghost claiming to be his father, “I am thy father’s spirit”(I.v.14) aggravates his grief, nearly causing him to commit suicide and leaving him deeply disgusted and angered. Upon speaking with his ghost-father, Hamlet learns that his uncle-stepfather killed Hamlet the King. “The serpent that did sting thy father’s life Now wears his crown”(I.v.45-46) Hamlet is beside himself and becomes obsessed with plotting and planning revenge for the death of his father.
The core of the play then unfolds from the actions and words of this ghost. Hamlet's revenge against his uncle is certainly fueled by the ghost's words, but the ghost seems to serve a more subtle and internal part here. In the famous "To be or not to be" soliloquy (III.i.55-88), Hamlet makes it clear his is not only unsure of what action to take, but unsure of himself as well. It seems his father's aberration confuses Hamlet ...
At first, Hamlet sees the ghost of his dead father and vows to avenge his death. “Christianity forbids followers to seek out spirits for advice or communication” (Ja) Hamlet has his faith tested because he is unsure about what his father is telling him. If the truth is that Claudius is the one who murdered Hamlet’s father then Hamlet will need to commit murder himself in order to fulfill his promise to his father’s ghost. “Hamlet, after the shock of his discoveries, becomes virtually another person and re-evaluates the situation in accordance with his religious views. Perhaps the ghost is just an illusion or mental disorder making him imagine this tale, and the murder of his father is illusory because he is not able to accept this kind of marriage and he wants to justify his crimes.” (****) Hamlet wrestles with his feelings and decides he must arrange for Claudius to admit to the murder instead of murdering Claudius himself. He is aware of the moral dilemma he finds himself in, if he kills Claudius then he, Hamlet may go to hell. If he refuses to kill Claudius then his father may be sent to hell. Hamlet knows from his religious background that murd...
The conversation between the ghost and hamlet serves as a catalyst for Hamlet's last actions and provides us with insights into Hamlet's character. The information the ghost reveals insights Hamlet into action against a situation he is already uncomfortable with. It must be noted, that hamlet is not quick to believe the ghost. He states that maybe he saw a devil that abuses him due to his meloncaully. We are thus subjected to an aspect of Hamlet's character. Hamlet next encounters the ghost in his mother's room. The ghost wets hamlets appetite. Hamlet is now convinced of the ghost and listens to it. The question many ask is did the ghost mislead hamlet?