More handpicked essays just for you.
Character of Victor in Frankenstein
Nature of the monster in Frankenstein
Character of monster in Frankenstein
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Character of Victor in Frankenstein
In the novel Frankenstein by Mary Shelley, Shelley portrays Victor Frankenstein as an ashamed, selfish, and weak creator; when compared to the other creation stories of “Genesis” and the “Myth of Prometheus” these flaws are even more apparent. In the stories of “Genesis” and “Myth of Prometheus” God, and Prometheus provided for their creation by giving them the means to survive whether it be giving them fire or a perfect Garden they could live in (Genesis 1:1 - 3:24 [King James Bible]); however, the story of Frankenstein and his monster is unlike them because when Frankenstein's’ monster (creation) comes to life he abandons it saying “.. Breathless horror, and disgust..” (Shelley 35) talking about his shame to create such a horrid, ugly abomination. …show more content…
When Frankenstein sees the body, he knows immediately that the Monster killed him, but keeps this to himself even as a good, and innocent friend of his is condemned for the crime that she did not commit and may have been saved “..If I disclosed the object of my suspicions..” (Shelley 59). Prometheus in his story is said to have been punished for helping his creations (Humans) survive, by giving them fire, and was chained to a rock and tortured by a harpy, every day and night, only to be released if an immortal would give their life for his. Many times in the timeline of Frankenstein, Victor gets severely sick and is out of commission for several months, and refuses to confront his monster or even speak of its creation because he’s weak and refuses to do what needs to be done till it’s too late, “I shall be there on your wedding night.” (Shelley 123) knowing that the monster intended to harm Frankenstein, he choices, not to pursue the monster, and lets his friend, and wife dies as a consequence of his
Although humans have the tendency to set idealistic goals to better future generations, often the results can prove disastrous, even deadly. The tale of Frankenstein, by Mary Shelley, focuses on the outcome of one man's idealistic motives and desires of dabbling with nature, which result in the creation of horrific creature. Victor Frankenstein was not doomed to failure from his initial desire to overstep the natural bounds of human knowledge. Rather, it was his poor parenting of his progeny that lead to his creation's thirst for the vindication of his unjust life. In his idealism, Victor is blinded, and so the creation accuses him for delivering him into a world where he could not ever be entirely received by the people who inhabit it. Not only failing to foresee his faulty idealism, nearing the end of the tale, he embarks upon a final journey, consciously choosing to pursue his creation in vengeance, while admitting he himself that it may result in his own doom. The creation of an unloved being and the quest for the elixir of life holds Victor Frankenstein more accountable for his own death than the creation himself.
The theme of creation in "Frankenstein" touches on the notion of how modern science plays God. This is illustrated through the attempt of replicating a human by means of science, using the main character Victor as the god-figure. Unfortunately, Victor Frankenstein did not consider the effect his creation would have on the outside world and, more importantly, his internal self and his creation.
Mary Shelley’s Frankenstein originated as a ghost story told among her close friends. "It was a dreary night of November that I beheld the accomplishment of my toils" (Shelley 34) is the first line Shelley conceived when she began composing her famous novel. In this sentence, the "accomplishment" to which Victor Frankenstein refers is the creation, which receives animation on this "dreary night." By calling the creation his "accomplishment," Victor unintentionally names the creation. However, by the end of this "dreary night," Victor names the creation no less than six times, each time getting progressively more derogatory, and more insulting. This evolution of Victor’s attitude about the creation occurs during the time immediately following the creation. In these few hours, Victor’s imagination creates an increasingly grotesque image of the creation. This developed condemnation that Victor imposes onto the creation is similar to all of the creation’s other encounters with human beings. This repeated rejection causes the creation to realize that "All men hate the wretched; how then must I be hated, who am miserable beyond all living things" (Shelley 65). Eventually, therefore, the creation accepts its role as a monster based solely on the reactions it receives from other human beings. However, these spiteful reactions are inspired by irrational fears that result from the human nature of the characters to form preconceptions about the creation based on their prior experiences.
The wise Uncle Ben once told Peter Parker, “remember, with great power. Comes great responsibility.” There is no greater power than that acquired by the infamous Victor Frankenstein in Mary Shelley’s Frankenstein when he discovers the secret to creating life. Shelley’s Frankenstein is a tale of creation that depicts acts of human conception and discovery. The Oxford English Dictionary defines creation as “the action or process of bringing something into existence from nothing by divine or natural agency; the fact of being so created.” It defies the natural order of things and creates a world of its own. The multiple acts of creation and discovery bring upon a certain set of responsibilities and implications as depicted by David Collings who analyzes the responsibilities that come as a result of these acts in his essay “The Monster and the Maternal Thing: Mary Shelley’s Critique of Ideology”. The main act of creation is evident through Victor Frankenstein’s creation of the Being which is depicted most prominently in the novel. However, there are multiple other acts of creation and discovery that may not be apparent at first sight. One of the most important being, Victor’s discovery of the knowledge required to create life. Apart from initially creating the Being, Victor also plays a critical role in the Being’s evolution into a raging and vengeful creature. Perhaps above all other acts of creation and discovery is Victor’s personal creation of himself into a monster. As stated by Collings most of these acts of creation on Victor’s part are subconsciously brought upon because of their lack of a maternal figure but also in part because of his desire for fame and glory. However, he is blinded by his motives and forgets that with his...
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Frankenstein’s entire family and his best friend are murdered by his creation. The monster is abandoned by Frankenstein the moment he was created. Frankenstein’s creation feels that Frankenstein did not do him justice, seeing as he was rejected from society, and therefore vows to get revenge on him. The monster is successful in making Frankenstein suffer throughout the novel by murdering his wife, father, best friend, servant and brother. At one point, Frankenstein admits that he has “turned loose into the world a depraved wretch whose delight was in carnage and misery” (Shelley 63). Prometheus’ creation, humans, also caused Prometheus to suffer. One of the creations, Pandora opened a box which unleashed evil and suffering upon humans. Prometheus was punished by his creation just like Frankenstein is punished by the monster. Due to the similarities between their punishments, it is evident that Frankenstein portrays a modern
In the Bible, the book of Genesis 1:27 states that "God created humankind in his image, in the image of God he created them; male and female he created them." Creating both men and women in His image, God is the only person who can do this successfully, giving us unconditional love and never abandoning us throughout our journey in life. On the other hand, Victor Frankenstein, a young scientist creates a life form due to his love of natural sciences. His desire to create this life form only for an experimental purpose unknowingly leads to disastrous outcomes for both Victor Frankenstein and his creation, the monster. In Mary Shelley's novel, Frankenstein, the protagonist, Victor Frankenstein uses his knowledge where he violates ethical principles by playing God and creating a life form that he is ultimately ashamed of.
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think.
Shelley’s character Victor Frankenstein’s motivation for creation is purely based around selfish intentions. He wants to be a god complex, so he plans to create the monster in order to be the creator of a master race. A race that is greater than that of humans. He plans on building his monsters larger, stronger and physically flawless. When Frankenstein discovers he beholds the power of reanimation Victor Frankenstein says,”...but my imagination was too much exalted by my first success to permit me to doubt my ability to give life to an animal as complex and wonderful as man”(54). He is confident in his ability to play the role of a higher being, even though he should know he is in fact not god, and should not pursue as if he is one. The character from Victor Frankenstein shows he has a very different form of motivation which stems from the death of his oldest brother, Henry. Henry died in a snowstorm saving Victor Frankenstein’s life. Ever since that fateful night Frankenstein has felt the need to “create life to repay the balance”(Victor Frankenstein). His conscious feels heavy with guilt as Henry’s death sits on his shoulders. He is hoping that the creation of life will repay the balance of life and relieve his conscious. While the Frankensteins have different motivations they also have different outcomes. Mary Shelley's Frankenstein ends up
Mary Shelley's Frankenstein explores the downfall of certain human characteristics, set to the backdrop of creation, destruction, and preservation. The subtitle denoted by Shelly herself supports this idea, by relating the fact that the title can be viewed as either Frankenstein or The Modern Prometheus. One scholar, Marilyn Butler, also maintains this by noting, "It can be a late version of the Faust Myth"(302). Shelly uses the story of the main character, Victor Frankenstein, to produce the concept of a dooming human characteristic of which Frankenstein states, "I have . . . been blasted in these hopes"(Shelley, 152). The reader finds, as a result of his thirst for knowledge and infatuation with science, Victor creates a living being by whom he has "suffered great and unparalleled misfortunes"(Shelley, 17). Eventually, Victor realizes this self-destructive trait, but he is not able to save himself stating, "I have lost everything, and cannot begin life anew"(Shelley, 16). Although everything in his life that is dear has been lost, Victor is able to convince one in his same position--Robert Walton--to not "lead [his crew] unwillingly to danger"(Shelley, 151). While addressing the concept of characteristic and self-discovery, it is possible to realize that the monster also possesses the characteristics held by both Victor and Walton; except in his learning, the monster is driven to continue to cause destruction. Most important about the thirst for knowledge is that, as a form of human characteristic or downfall, it leads to large, critical pieces of self-discovery. In obtaining these critical pieces, Frankenstein finds satisfaction in j...
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Mary Shelley’s novel Frankenstein is also known by its alternative name; The Modern Prometheus. Victor Frankenstein’s punishment for bestowing fire (life) upon the lifeless is torment and life long suffering. In the end, more lives were lost due to his impure manufacture of life (Lutrell 17). Prometheus is known for stealing a flame from the gods and giving it to mankind. Frankenstein is seen as a modern image of the ancient myth. Prometheus, the Greek God, and Victor Frankenstein, the creator of the monster, have contrasting qualities and behaviors that allowed them to go against their gods, to create life, then to be punished by the hands of their creations.
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.