In Aristotle's definition of a tragic hero, a character who is of noble stature, falls through the components of their own misfortune. With this fall, a severe punishment may not be wholly deserved, but results to enlightenment gained. In the plays, Antigone by Sophocles and Death of a Salesman by Arthur Miller, both authors stress the use of power in characters that result to their losses. Creon from Antigone, is not the most understandable ruler, but did have reasons for his laws and punishments. While Willy Loman from Death of a Salesman, had his reasons as well, though not entirely portrayed in the play, yet understood by the audience. Despite uncommon characteristics of both characters, each of their individual paths were conveyed as tragic …show more content…
But throughout the play, his decisions are truly of why he is pertained as a tragic hero. One of which, is his tragic flaw, being his arrogance in the face of the gods, and pertaining his pride to overrule other things more important. For example, “Whatever you say, you will not change my will.”(Creon), this conveys his self-righteousness and his ways of wants. In Creon’s definition as king, he is the only one to have a say, while the people cannot and do not have the chance to speak out their opinion. Creon upholds the laws of the city that when Antigone tries to rebel against, he becomes stubborn. He never wants to believe that he could be wrong, especially to someone younger, especially to a woman. This pride illustrated to the gods, resulted to having himself face the deaths of his son and wife. Creon, then, may have the realisation of his pride taking over him to what he did wrong, “My own blind heart has brought me from darkness to final darkness.”(Creon), but his fate was already decided because of his own self, and failure to recognize his own wrong doings, even when he was …show more content…
As a husband, he fails to be loyal to his wife, and fails to be an inspiration for his sons because of the tension between himself and Biff, with the discovery of him cheating on his wife. With his perfect dream destroyed, his delusions of lies to himself and family become his disguise, because he does not want to face reality. Willy’s delusional self and interpretation of sustaining success of the American Dream, is completely opposite of reality. “I’m the New England man. I am vital in New England.”(Willy). In actuality, he is not and despite his efforts, it is clear that he is not very well-liked. Not willing to accept truths, the people around him try to support and guide him, though he does not entirely accept it. His stubbornness to get things done on his own, torture of his failures, and lack of reality coils him downward into causing his own death, without truly acknowledging his
Creon's pride is that of a tyrant. He is inflexible and unyielding, unwilling throughout the play to listen to advice or Antigone. Creon’s love for the city-state cause him to abandon all other beliefs. He tries to enforce this upon the people of Thebes. He wants them to think that his laws should be followed before any other personal, moral, or religious belief. This is where the conflict of character occurs between Antigone and Creon. Antigone knows that the sacred laws held by heaven are far more important...
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In Antigone Creon reveals his obstinate nature and how even someone as important as a king is not invulnerable to the problems such a character flaw causes. In the beginning of Antigone the townspeople of Thebes rejoice in their new leader, “Creon,” they call, “the new man for the new day” (174). The repetition of ‘new’ shows how the city is ready to welcome Creon with open arms; this outright praise of Creon shows how highly he is regarded by his people. “You cannot know a man completely…his sense of judgment, not till he’s shown his colors…making laws” (194-197). Here Sophocles is showing the reader not to trust Creon absolutely because even if it seems that it is a new age is dawning, Creon may not be a good leader. In this passage Creon seems determined to prove that he is as strong as Oedipus and Laius to whom Thebes was extremely loyal even through tough times, he is so desperate to prove himself that soon after he sentences Antigone to death. Later, after Antigone has been captured, Creon’s own son, Haemon, comes to him saying, “don’t please, be quite so single-minded” (789). At this point Creon is being directly told of what he is doing. Haemon is someone Creon shou...
Jodi Picoult once said “Some lessons can’t be taught. They simply have to be learned.”; in life what defines a person is what they become after they go through a series of trials and tribulations. Oedipus The King tells the story of a king who tries to outrun his fate and in the end self-banishes himself out of guilt leaving the kingdom of Thebes to Creon. The play starts with King Laius, who appoints Creon to rule in his kingdom while he consults the oracle at Delphi. Enraged by the death of King Laius, the gods cast a plague upon Thebes, which is the Sphinx, who starts to destroy the city. Terrified by the destruction of the kingdom, Creon states that anyone who might solve this riddle,
If Creon is not so narcissistic, he could escape his downfall by listening to Teiresias’s advice. Instead, Creon decides to ignore the warning signs because he feels that the “prophecy is for sale” (v 60) In disregarding Teiresias, Creon forces the Gods to act by punishing him for his wrongdoings. Creon’s punishment is one of much peril that forces him to rethink his views and the views of the Gods. “Fortunate is the man who has never tasted God’s vengeance! Where once the anger of the heavens has struck, the house is shaken forever” (Ode 2 1-3). This is foreshadowing to Creon’s situation and is giving insight that him and his family will be cursed. While he is always one to critique others, Creon can never seem to take his own advice. While talking to Antigone, he criticizes her by saying “and yet you dared defy the law” (ii 56). The irony is very prevalent in this statement because Creon defies the laws of the God’s, which are of much more importance than his own laws. Creon’s arrogance inability to take his own advice leads him to anger the Gods and set himself up for
Creon’s actions were movtivated by his attempts to rally the people behind his grand, extravant displays of power. An example of this was in his condemning of Antigone to death by imprisonment. Antigone openly flouted Thebes’ laws, making Creon’s worst fear almost a reality. Creon believed that without taking action he would be seen as a fradulent, powerless ruler. The people would want another Oedipus, a hero, not a lawmaker. He feared that tolerating lawlessness would show that : “[He, Creon] is not the man, not now: she is the man if this victory goes to her and she goes free” (83). This
In the story “Antigone”, Sophocles shows that Creon’s attitude is very angry, making everyone sees him as a tyrant more than as a king. His regard for the laws of the town causes him to abandon most viewpoints, like the laws of the gods, or the rights of the people. He believes that his subjects should obey the laws he has set in place, even if moral or religious beliefs contradict his laws and beliefs. Creon’s idea of a good leader is one who maintains order through violence and fear. More over his arrogant, power-seeking personality prevented him from seeking out advice or listening to his own people.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
The views of Antigone and Creon are opposed, and they both possess the same stubborn belief in their own righteousness. This ultimately brings them both to their tragic fate. At first we believe that Creon acts from sincere, patriotic and unselfish motives, and that he is acting out of a sincere belief that his decision is best for the state. This is shown in the first episode (lines 163 - 331), where Creon hopes to be a wise and good ruler. Later on we learn that he is too inflexible and narrow to heed criticism or admit fault, and that this causes all the misery in his life. The same is true of Antigone. She appears to be a very compassionate individual in the prologue; however, later on we learn that she is also stubborn and unwilling to bend in her beliefs, which ultimately leads her to her tragic fate.
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
Antigone is a Greek tragic piece that stresses the use of power and morality versus the law written by Sophocles. Both Antigone and Creon, the main characters in the play, could represent the tragic hero. A tragic hero is a character who is known for being dignified and has a flaw that assists to his or her downfall. In my opinion, Creon best qualifies for being the tragic hero and fitting the definition read in the previous sentence. The things he said, did, and the comments that were made by those around him show how a man with everything could lose it all due to his own behavior.
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
According to Aristotle, tragedy requires an admirable hero with power and in a high state, but more importantly, he or she possesses a tragic flaw that leads to their downfall. This tragic flaw most closely relates to a character’s hubris, excessive pride in themselves or their judgment. But sometimes a character cannot be categorized as tragic, and one can argue whether or not the tragic character violates the requirements. In Sophocles’ Antigone Creon and Antigone serve as tragic characters in the play; however, Creon’s character exemplifies Aristotle’s theory of tragedy.
Choosing to follow authority and the law is admirable and important in order to have a stable society; however, prioritizing family over all is imbedded in humanity. Family is part of one’s identity and greatly affects one's morals and opinions. If a person solely lives a rigid life, following authority over family, then compassion and the ability to be flexible is lost. Sophocles poses if authority or family is superior through the characters Antigone and Creon as their actions and opinions drastically contrast. Creon puts more importance on his rule and the law, while Antigone emphasizes the devotion to her bloodline and the gods. Antigone, although depicting that authority and the king’s rule is important, puts more importance
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.