Both Virginia Woolf and Annie Dillard are extremely gifted writers. Virginia Woolf in 1942 wrote an essay called The Death of the Moth. Annie Dillard later on in 1976 wrote an essay that was similar in the name called The Death of a Moth and even had similar context. The two authors wrote powerful texts expressing their perspectives on the topic of life and death. They both had similar techniques but used them to develop completely different views. Each of the two authors incorporate in their text a unique way of adding their personal experience in their essay as they describe a specific occasion, time, and memory of their lives. Woolf’s personal experience begins with “it was a pleasant morning, mid-September, mild, benignant, yet with a keener breath than that of the summer months” (Woolf, 1). Annie Dillard personal experience begins with “two summers ago, I was camping alone in the blue Ridge Mountains of Virginia” (Dillard, 1). Including personal experience allowed Virginia Woolf to give her own enjoyable, fulfilling and understandable perception of life and death. Likewise, Annie Dillard used the personal narrative to focus on life but specifically on the life of death. To explore the power of life and death Virginia Woolf uses literary tools such as metaphors and imagery, along with a specific style and structure of writing in a conversational way to create an emotional tone and connect with her reader the value of life, but ultimately accepting death through the relationship of a moth and a human. While Annie Dillard on the other hand uses the same exact literary tools along with a specific style and similar structure to create a completely different perspective on just death, expressing that death is how it comes. ...
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In conclusion, in the two texts you can easily see the similarity in the theme. The two texts also have many of the same literary techniques. Virginia Woolf’s reason for writing about life and death through a moth is to stress the significance to value life but ultimately being able to accept death. The relationship between the insignificant life of a moth is being compared to the majorly important life of a human. She structured her text in a way that was easy to follow and often switched up the style of the text to create a different mood. Annie Dillard’s text was more descriptive. She used great figurative language to help the reader paint visuals. She structured her text to link the end to the beginning. Annie Dillard’s reason for re-writing this text was to express death not the value of life but that death will come, and it is what it is.
In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives. “Although Emily Dickinson is known as one of America’s best and most beloved poets, her extraordinary talent was not recognized until after her death” (Kort 1).
Throughout history, the unique human capacity and social construction, has pondered the dynamic system of death, in a perverse moral order. Composite English modernism pioneered an intricately developed account of contemporary literature, summoning both the self-conscious and unrelenting experimenters. Virginia Woolf’s literary standings in Mrs Dalloway, marked her own sense of artistic independence and maturity. The novel explores a radical disruption of linear flow, whilst deploying ambiguous juxtapositions to call into question the philosophical realms of reality. On the other hand, Stephen Daldry’s postmodernist film, The Hours, measures the inter-textual connection, as it seamlessly intersects the lives of three different women, whose
John Audubon and Annie Dillard are similar in how observing the flight of the birds affects them, although Dillard feels a more personal connection while Audubon has a scientific response, but they differ in their utilization of diction and tone. Audubon describes the pigeons he saw in flight as a scientific observation whereas Dillard describes the starlings she observed in an artful manner. There are two kinds of people; ones who think of “what could be” (an idealist) and others who see things as “what it actually is” (a realist), in these two passages this idea is brought to life through Dillard and Audubon’s voices in their writing.
In Dillard’s essay, she writes of her life alone and then skips over to a moth that she saw fly into a flame on her own free will. The way that Dillard describes the moth is almost like the way someone would describe a dream or a fantasy. She depicts the moth as “golden” and her wings like the wings of angels. These depictions draw a vivid image of the moth and how she looks while she is being burned alive. As compared to Dillard’s descriptions, Woolf paints a strong picture for the reader but does it in a different fashion. The way that Woolf describes the moth she encounters is much more precise. She uses a form of concrete imagery that excites the logical part of the brain. Sh...
Emily Dickinson became legendary for her preoccupation with death. All her poems contain stanzas focusing on loss or loneliness, but the most striking ones talk particularly about death, specifically her own death and her own afterlife. Her fascination with the morose gives her poems a rare quality, and gives us insight into a mind we know very little about. What we do know is that Dickinson’s father left her a small amount of money when she was young. This allowed her to spend her time writing and lamenting, instead of seeking out a husband or a profession. Eventually, she limited her outside activities to going to church. In her early twenties, she began prayed and worshipped on her own. This final step to total seclusion clearly fueled her obsession with death, and with investigating the idea of an afterlife. In “Because I could not stop for Death”, Dickinson rides in a carriage with the personification of Death, showing the constant presence of death in her life. Because it has become so familiar, death is no longer a frightening presence, but a comforting companion. Despite this, Dickinson is still not above fear, showing that nothing is static and even the most resolute person is truly sure of anything. This point is further proven in “I heard a Fly buzz”, where a fly disrupts the last moment of Dickinson’s life. The fly is a symbol of death, and of uncertainty, because though it represents something certain—her impending death—it flies around unsure with a “stumbling buzz”. This again illustrates the changing nature of life, and even death. “This World is not Conclusion” is Dickinson’s swan song on the subject of afterlife. She confirms all her previous statements, but in a more r...
The similarities and differences between Poe and Hawthorne both show a dynamic and intriguing method that has lasted through the times. They both show an inner personal look through their writing about their loved ones. The dynamic writing between both writers depict the idea that no matter how morbid the writing love can shine through any view. With both writers there is a vision of morbid curiosity along with a romantic nature for the audience; by depicting death of a loved one to show a sense of connection with the audience. Although both are gothic romantic writers you can easily see that both have a different sense of life and death, and to which one holds more value.
Love, which is defined as an intense feeling of deep affection, is commonly used as a theme by writers from around the world. English writer Virginia Woolf, for example, has written several literary works on human nature. Her free-form prose style earned her credits for which her creations published in the 1920s were most distinguished. Love is not love without memories, both the novel Mrs. Dalloway and the short story “A Haunted House” are elaborately written by Virginia Woolf about love; however, the character Clarissa from Mrs. Dalloway, at her age of fifty two, is lonely questioning her loss of true love, whereas the ghostly couple from “A Haunted House” happily reminisces on
Throughout Edgar Allan Poe’s life, death was a frequent visitor to those he loved around him. When Poe was only 3 years old, his loving mother died of Tuberculosis. Because Poe’s father left when he was an infant, he was now an orphan and went to live with the Allan’s. His stepmother was very affectionate towards Edgar and was a very prominent figure in his life. However, years later she also died from Tuberculosis, leaving Poe lonely and forlorn. Also, later on, when Poe was 26, he married his cousin 13-year-old Virginia, whom he adored. But, his happiness did not last long, and Virginia also died of Tuberculosis, otherwise known as the Red Death, a few years later. After Virginia’s death, Poe turned to alcohol and became isolated and reckless. Due to Edgar Allan Poe’s loss of those he cared for throughout his life, Poe’s obsession with death is evident in his works of “The Tell-Tale Heart”, “The Black Cat”, and “The Fall of the House of Usher”, in which in all three death is used to produce guilt.
The extensive descriptions of Mrs. Dalloway’s inner thoughts and observations reveals Woolf’s “stream of consciousness” writing style, which emphasizes the complexity of Clarissa’s existential crisis. She also alludes to Shakespeare’s Cymbeline, further revealing her preoccupation with death as she quotes lines from a funeral song. She reads these lines while shopping in the commotion and joy of the streets of London, which juxtaposes with her internal conflicts regarding death. Shakespeare, a motif in the book, represents hope and solace for Mrs. Dalloway, as his lines form Cymbeline talk about the comforts found in death. From the beginning of the book, Mrs. Dalloway has shown a fear for death and experiences multiple existential crises, so her connection with Shakespeare is her way of dealing with the horrors of death. The multiple layers to this passage, including the irony, juxtaposition, and allusion, reveal Woolf’s complex writing style, which demonstrates that death is constantly present in people’s minds, affecting their everyday
Emily Dickinson and Robert Frost both think that individuality is very important to a person equally like Ralph Emerson. Although they may have a lot in common these poets are different in many ways. Both Frost and Dickinson were American poets and were both from New England. A big similarity between Frost and Dickinson both talk about death. Emily Dickinson and Robert Frost both talk about the power of nature in their poetry. Frost and Dickinson have a reasonable evidence on why human beings should live life to their own agenda but, what if that person cannot stop living somebody else dreams? How can these poems help people break away for society and become a strong confidence individual person?
In Cunnigham’s The Hours, Virginia Woolf, through Cunnigham’s interpretation, is a character that is fascinated by mortality. In each event she experiences in the novel, she evaluates how she feels about living, and constantly considers suicide as a way to escape her oppressive life. One of these moments occurs when she is attending a “funeral” for a dead bird with her sister’s children. Although the reader knows that Virginia will eventually commit suicide, the “funeral” scene is an important character revelation because it reveals that at this point in the novel, Virginia was not ready to take her own life; and unfortunately, the film misses this important aspect of her character by condensing this scene.
Emily Dickinson and Walt Whitman are both considered as the most original poets who has boldly revolutionized the subject and style of 20th-century American poetry. Both the poets come from vastly different backgrounds but they share common inspirations but in a distinctive way. They both lived polar opposite personal lives as Walt was friendly, outgoing and influential, while Emily was very simple, shy, isolate and content. A lot of poems written by them were based on nature, death, and immortality and they focused on the importance of individualism in the society like in “I Hear America Singing” by Walt and “Much Madness is most divine Sense” by Emily. Together, they both have huge hands to shape the American poetry, and their influences
Katherine Mansfield explores profoundly the world of death and its impact on a person in her short story, "The Garden Party."
Both poets, in these works and many others, display a fascination with the death of themselves as well as the death of peers, and loved ones. Both Frost and Dickinson experienced a great deal of death throughout each of their lives. Frost’s greatest loss was the death of his son, which is greatly depicted in his poem “Home Burial.” Dickinson suffered the loss of many friends and family. She spent a lot of her time in her room looking out upon the headstones of these people.
Throughout Emily Dickinson’s poetry there is a reoccurring theme of death and immortality. The theme of death is further separated into two major categories including the curiosity Dickinson held of the process of dying and the feelings accompanied with it and the reaction to the death of a loved one. Two of Dickinson’s many poems that contain a theme of death include: “Because I Could Not Stop For Death,” and “After great pain, a formal feeling comes.”