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Is apocalypse now better than heart of darkness
Compare and contrast the novel Heart of Darkness and Apocalypse
Comparison apocalypse now and heart of darkness
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Not the End
Francis Coppola’s Apocalypse Now and Joseph Conrad’s Heart of Darkness’s are two magnum opuses to quest the evil and virtuous human nature. They have some similar and different places among the story plots, characterizations, and environments. At the same time, they reflect the exploration of the human nature in a different era and the exploration is not the end. At the beginning, the two works have plentiful the same “story” (Dorall 303). Heart of Darkness tells a story about Marlow, a young captain. He reserves a commission to research Kurtz. Kurtz is an ivory trader, who works for a Belgian trading company and loses in the Congo jungles. Apocalypse Now’s background is Vietnam War. An American captain Willard gets a mission
Marlow and Willard seem like two epitomes of every people in the world. They are nobodies and have not strong power. However, they still have some difference. Marlow is a bystander but Willard is soldier. So he is both a bystander and a firsthand participator in the war. For Willard, “When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle” (IMDb 1). Hence, Willard has a double identity to have a profound reflection of inhumane war and frangible human nature. Meanwhile, the film also keeps Kurtz’s name in Heart of Darkness. The novella and the film all introduce Kurtz by other people’s talking or other materials to create mystery. Kurtz has different backgrounds in the two works but they all come from the traditional civilized society. In the novella, Kurtz has European descent “All Europe contributed to the making of Kurtz” (Conrad 4). In the film, Kurtz graduates from West Point and gains countless medals. Two Kurtz are convinced by people that they are civilized people, but the cruel realizations change them. Their behaviors are like wild animals and lose reason and morality. It is the decay of humanitarian in the realization because utterly false and hypocrisy social mores lead the evil human
Kurtz in both works is surprising very similar; in Apocalypse Now Walt Kurtz is a Colonel in the United States Army. Kurtz is a highly recognized and admired military officer, "Walt Kurtz was one of the most outstanding officers this country has ever produced. He was a brilliant and outstanding in every way…” and has a very successful career in the army (Coppola 1979). The Kurtz in Heart of Darkness is a successful business man, politician, and explorer. This Kurtz wears the mask of many faces but all the characters that mention Kurtz treat him like a god. It’s these traits that cultivate curiosity within Marlow and Captain Willard. Ma...
An example of this in the movie is when Willard faces his own personality of whether or not to complete his soldierly mission of killing Kurtz or to abort it. If he completes the mission he is still civil, if he does not, the Vietnam jungle has conquered him. The first soldier that is sent to kill Kurtz did not kill Kurtz, but in fact became one of his followers.
While there are differences between Francis Ford Coppola’s film, Apocalypse Now!, and Joseph Conrad novel, The Heart of Darkness, Kurtz and his influence on the main character remain very similar. Both the movie and novel depict a protagonist’s struggle to travel upstream in a ship in search of a man named Kurtz. While doing so, Marlow (The Heart of Darkness)/Willard (Apocalypse Now!) become progressively fascinated with Kurtz. Kurtz is claimed to have a profound influence on his followers and is becoming a huge influence on Marlow/Willard as well.
In Heart of Darkness, all of Joseph Conrad’s characters seem to have morally ambiguous tendencies. The most prominently morally ambiguous character is Kurtz, whose distance from society changes his principles, and leads him to lose all sense of decorum. Conrad takes a cynical tone when describing Marlow's journey. Marlow's voyage through the Congo gives him insight to the horrific, dehumanizing acts that his company and Kurtz conduct. Conrad creates a parallel with the tone of his writing and the misanthropic feelings that the main character experiences. Furthermore, Conrad creates a frame story between Kurtz and Marlow, adding to the symbolism and contrast between contextual themes of light and dark, moral and immoral, and civilization and wilderness. After being sent on a horrific journey into the Congo of Africa, as an agent for the Company to collect ivory, Marlow finds the infamous and mysterious Kurtz. Kurtz, who has totally withdrawn from society, and has withdrawn
Although one is a book and the other is a movie, both Apocalypse Now which is directed by Francis Ford Coppola and Heart of Darkness by Joseph Conrad portray very detailed scenes by using various elements in their respective works. A scene is particular that stands out is the death of the helmsman which contains many similarities but also many differences between the two works. Similarities like the iconic fog that appears serve to convey a message of the helpless that the characters feel because at the mystery of their surroundings and of the uncertainly of what their tasks.
The plots of these two works are parallel. In Apocalypse Now, Willard, like Marlow, is sent on a mission. However, he is sent to kill Col. Kurtz, whereas Marlow is asked to bring him back with him. Apocalypse Now presents Kurtz as a psych...
“Under an overcast sky — seemed to lead into the heart of an immense darkness.” This is the last line of the book Heart of Darkness and it summed up the setting and tone of the book. Apocalypse Now is an epic war film made in 1979 set in Vietnam directed by Francis Ford Coppola. It is based on the book Heart of Darkness. The settings of both the book and the movie are very different; they take place in completely different places. However, their effects are very similar to each other and shown in a variety of ways: in character development, cultural aspects, as well as thematically.
So why did he take what starts out looking like a fictionalized autobiographical account, and then half way through the story start being totally fictional? The important changes made seems to be that he is in charge of the boat, and thus is in control of his own journey to the heart of darkness. The other is the significance of the Kurtz character. Prof Abel mentioned Kurtz was loosely based on someone named Klein, but presumably the significance of Kurtz is much more symbolic than biographical. Perhaps Conrad creates Kurtz to embody the issues that he thought about during his trip on the Congo, but which never actually personified themselves so concretely.
In the opening scenes of the documentary film "Hearts of Darkness-A Filmmaker's Apocalypse," Eleanor Coppola describes her husband Francis's film, "Apocalypse Now," as being "loosely based" on Joseph Conrad's Heart of Darkness. Indeed, "loosely" is the word; the period, setting, and circumstances of the film are totally different from those of the novella. The question, therefore, is whether any of Conrad's classic story of savagery and madness is extant in its cinematic reworking. It is this question that I shall attempt to address in this brief monograph by looking more closely at various aspects of character, plot, and theme in each respective work.
As Marlow assists the reader in understanding the story he tells, many inversions and contrasts are utilized in order to increase apperception of the true meaning it holds. One of the most commonly occurring divergences is the un orthodox implications that light and dark embody. Conrad’s Heart of Darkness brims with paradoxes and symbolism throughout its entirety, with the intent of assisting the reader in comprehending the truth of not only human nature, but of the world.
Both Marlow and Captain Willard were fully warned and well aware of the evils each would encounter. However he chooses to ignore this aspect in hopes of satisfying his curiosity. His curiosity about the unknown realm drives him to cross the line between civilized human behavior and enters a nightmarish world. In this nightmare world he realizes the horror of human nature as he sees over the edge of sanity and discovers what he could become, Kurtz.
Both Conrad’s, “Heart of Darkness”, and Coppola’s, “Apocalypse Now”, profoundly illustrate the journey of man into their inner self and man’s encounters with their insanity, fears and demise. The novella and film are comprised of numerous pivotal themes that facilitate the understanding of the deeper meaning of both works. Fundamentally, theme is an extensive message or idea expressed by an author and is a crucial element of literature since it sheds light on universal concepts. The most striking parallels that can be formulated when comparing themes in both the novella and the film are associated with human nature. Specifically, Conrad and Coppola incorporate theme of hypocrisy in order to portray man’s incredible potential for evil.
When writers write, it is often to convey a deeper meaning or truth to it readers. With this in mind, we should first take the book at face value then analysis the story to see the point that the writer revels. In The Heart of Darkness, Joseph Conrad does this very well. The story goes from what we originally thought as just a story of a journey into Africa to a story of indeed a journey to the hearts of men. Conrad’s truth in The Heart of Darkness is multi-layered in dealing with imperialism and colonialism, but leads us to a critique of humanity as a whole. The biggest issue that Conrad shows in this book, is his philosophy of the dark nature of man. This paper will explore the evidence for the nature of man theory and then look at the proposed solution subtlety given by Conrad.
The main characters in both have the same general personalities but have different names. Of course, Kurtz is Kurtz, Willard parallels Marlow, and the American photojournalist corresponds to the Russian Harlequin. Willard is a lieutenant for the US Army and Marlow is a captain of a steamboat of an ivory company. The first images of Willard and Marlow differ to some degree. The movie begins with Willard lying in an apartment room lost from reality with the song ‘The End’ playing by The Doors. He is haunted by his earlier deeds and he is getting very drunk. Willard smashes the mirror while fighting himself and cuts his hand. Marlow is portrayed as a wanderer of the sea. The narrator described him to somewhat of a hero. Their mission is to find Kurtz and take him down at all costs. In both stories Kurtz is a psychotic rebel, worshipped as a god, who threatens the stability of his original unit, but in one it is an ivory trading company and in the other it is the US Army. Kurtz, who had begun his assignment a man of great idealism and the highest morals, had become strangely savage. Tribes of natives worship the man who lives in a hut surrounded by fence posts topped with recently acquired human skulls.
The main character in Conrad's novel, Heart of Darkness, isKurtz. Kurtz no longer obeys the authority of his superiors who believe that he has become too extreme and has come to employ "unsound methods" (Coppola, 1979; Longman, 2000). Marlow is sent to retrieve Kurtz from the evil influences in the Congo, and a wild journey on a tainted river ensues. Along the way, Marlow learns about the real Kurtz and finds himself identifying with and becoming dangerously fond of the man.