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Emotional effects on children with low self esteem
Challenges being a single parent
Challenges being a single parent
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Development of the plot:
When finalising what our play would be about, we focused on the reasons why Kaylie had her imaginary friends. Our research showed that children invented imaginary friends when experiencing traumatising events in their life and divorce is common in today's society and can negatively affect children at an early age. Divorce can be confusing and a lonely time for young children which is why Kaylie made these friends. The imaginary friends are supposed to be a replacement for Kaylie’s parents; two people in her life who are there to support her and be with her all the time. Therefore, we had two imaginary friends rather than one.
Choral speech:
Choral speech is a key part of our devised piece. We use it to tell the audience
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In the choral scenes, we use our voice to convey emotions. For example, when the line “Be Normal!” is repeated the volume increases each time we say it. The line refers to how Kaylie’s mother wants her to ‘be normal’ and the volume increases to show the audience how fed up she’s getting and how desperate she is for Kaylie to get over this fantasy she is living in. Another example is when the line “It swallows you up” is said by Kaylie. She whispers this line to show the audience that she is scared by the emptiness she feels and she feels as though she can’t talk about these feelings to anyone but her imaginary friends. It also changes the pace of the scene and shows a contrast between Kaylie’s mother’s feelings which are loudly vocalised to Kaylie on a daily basis compared to Kaylie’s feelings which are kept secretive and …show more content…
A doll and a makeup pallet. The doll is given to her by her father which she gladly accepts. This represents to the audience how she’s childlike and how she’s stuck in a childhood fantasy. The makeup pallet, given to her by her mother which she accepts without enthusiasm or interest, represents to the audience how her mother is desperate for her to grow up.
Music:
When piecing our initial idea together we came across a piece of music called “To Build A Home” by The Cinematic Orchestra. The title of this music caught our eye as it represented what we wanted to have our piece about. We used this music as a stimulus. It starts off slow and peaceful which represents the relationship between Kaylie and her imaginary friends at the beginning of their friendship. As the music progresses, it becomes more intense which shows the rocky path it takes as the play continues. It also became the name for our piece.
On November 16th, 2013, I attended a concert choir, fall choral concert. This event took place on the Wheaton College Campus, in the Edman Chapel at 7:30 pm. The chapel was well-lit, with long pews for the audience to be seated. The concert began with the audience looking up into a balcony, where the ensemble stood in neat rows. They watched the conductor, who stood on a stage in front of the audience, waiting for their cue.
...through and seen as a child, she really overcame the battles of the community as an artist gathering bits and pieces of memories from the trash just to make something out of it. But, to Saar it meant the world to her to have that doll that was repaired for her on Christmas. She really didn’t see it trash but as treasure in her eyes.
She shows the true culture of her family’s life and how they act. Artistically, this frame includes lots of detail and is realistic. Behind the doors and windows is a blank, only shaded area. The conversation between the two sides shows the ignorance of her parents. While the child looks angry and seems to have looked everywhere (with the draws being opened already). This shows that the family does have transparency and doesn’t constantly cover-up the truth.
At the age of ten, most children are dependent on their parents for everything in their lives needing a great deal of attention and care. However, Ellen, the main character and protagonist of the novel Ellen Foster, exemplifies a substantial amount of independence and mature, rational thought as a ten-year-old girl. The recent death of her mother sends her on a quest for the ideal family, or anywhere her father, who had shown apathy to both she and her fragile mother, was not. Kaye Gibbons’ use of simple diction, unmarked dialogue, and a unique story structure in her first novel, Ellen Foster, allows the reader to explore the emotions and thoughts of this heroic, ten-year-old girl modeled after Gibbons’ own experiences as a young girl.
Jordan’s overall “take” on choral conducting is relying on thy inner self, focusing on mutual agreement within an ensemble, teaching the way of singing, and passing along the passion of music.
The Voices also build a relationship with the listener, they seem to be trustworthy and to have a sense of humour, and this helps the listener to learn about the characters and to understand the town. An example of this could be found in the prologue when the First Voice addresses the listener personally by saying “Only your eyes are unclosed” and again when it says “And you alone can hear the invisible starfall”. The effect of this makes the listener feel like the Voices are talking to them alone.
The words of the call and response describe the situation the community is in – it has lost one of its members and the others feel the pain of loss – but what really allows the reader to feel pain with the community is the chant itself. By putting the words in the form of a chant, the author has given them authority and made them personal to the characters singing them. Through his description of air swinging to the rhythm and of the swaying burden (which has a connotation much different from that of “refrain”), Heyward creates an image of ...
Lefebvre, Eliza. "Choir gives voice to kids’ confidence." Buffalo News 14 March 2013, n. pag.
The main piece of symbolism that carried itself through the music video was a teddy bear that was once only a little girl’s stuffed animal, but later turns into a meaningful and sentimental piece of hope and a sort of light at the end of the tunnel. The teddy bear was first stolen, taunted, and teased with, in the beginning of the video. Fighting back, the little girl was punished and restrained by the teacher. Building up to the second time the teddy bear is shown in the music video, the girl goes through many traumatic situations. When she is looking outside a window to the neighbors house where there are kids playing inside a castle, she immediately ducks down as she is spotted. She doesn’t know she is being alienated and isolated from the kids next door. All she feels is that she is on her own. So as she grows up, she decides to become “herself”, dressed in dark, grim and Goth looking clothes, but is stopped immediately by her mother. She is being influenced that she can’t be her self without the world not accepting her as she is. The excuse for parents when they see their kids going through sudden changes that are actually a sign of depression is that they are kids or teens acting like regular “their age”. Yet, there are many ways depression and other social problems could be treated but there is no one there to notice the problems itself, “Many parents don 't recognize when adolescents are depressed…” (Hosansky para.
The girls feel that people need to mask their imperfections and true selves to uphold the image of how they are supposed to be. These dolls were found in a less than desirable place, such as “Lying on the street next to some tool bits ,and platform shoes with the heels all squashed, and a florescent green wicker wastebasket, and aluminum foil, and hubcaps, and a pink shag rug, and windshield wiper blades, and dusty mason jars, and a coffee can full of rusty nails”. They find another Barbie with heals in the depths of junk. They cover up the physical flaws of the burnt barbies with pretty outfits such as the “Prom Pinks” dress. One of the girls state “as long as you don't lift her dress, right? - who’s to know.” This attempt to cover up where the dolls came from and their imperfections seem to parallel their feelings about themselves and where they come from. The girls have an image of how their dolls would be if they were new. This could be the role society plays on the image of how women are supposed to be and look
On Wednesday, May 23rd, I attended the College Choir concert in the Reamer Campus Center. The choir performed a variety of songs, ranging from pieces in Latin to traditional American folksongs. Two of the pieces featured solos, and one even featured percussion instruments. Mrs. Elinore Farnum provided piano accompaniment for each of the songs, and performed beautifully. I was extremely impressed by the talented choir members and their ability to sing such a varied range of songs.
Divorce has grown conventional in today's society. First marriages stand a 50% chance of breaking up and second marriages stand a 67% chance of doing the same thing (issue 8 pg 146). It seems as if instead of working out problems and believing in love, people are giving up and throwing away all they worked on together for so long, thinking that their next marriage will be much different. By doing this they are hurting not only themselves but also their children and could cause them to have negative side effects later on into their adult lives according to clinical psychologist Judith S. Wallerstein. Erikson's theory of personality development can help calculate which and how stages are affected when parents get divorce. Stages 3, 4, 5 and 6 seem to be the most affected by the divorce because the main conflicts the child is confronting at the time are necessary to go through them calmly for a healthy development.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
The poems “Barbie Doll” and “A Work of Artifice” use diction in subtle ways to influence the way readers views the types of treatment women go through. In “Barbie Doll,” Piercy uses unsophisticated words to describe the treatment the girl underwent as a child. In line two, the poem says, “And presented dolls that did pee-pee” (). The use of the phrase “pee-pee” instead of “urinate” suggests that the author is projecting a pretentious and superficial light onto the person giving the doll to the girl. It gives the poem a condescending tone towards the person, assumably the mother, who gave her the doll. It also suggests that the mother sees her daughter as trivial and therefore undermines her intelligence. Such language is also used in the sixth line of “Barbie Doll,” that says, “You have a great big nose and ...
Additionally, Kezia’s disposition is also symbolized by the traits that the lamp itself possesses. The warmth of the lamp correlates to Kezia’s acceptance of others, regardless of their social status. Finally, the lamp symbolizes the theme of belonging that is present in the story. By being invited to see the doll’s house and its furnishings, including the lamp, children in the story feel as though they are valued within a group of their peers. The lamp is a significant, recurring image in “The Doll’s House” as it symbolizes the separation between the rich and poor social classes, the compassionate personality of the main character, Kezia, and the theme of belonging that is seen in the story.