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Billie Holiday was a famous Harlem Renaissance jazz and blues singer. Her voice took on the emotion of the song, which was a quality not many singers had. Those strong emotions might have come from her cruel and misfortunate past. Holiday recorded many songs, but there was one song that made a huge impact. That song was Strange Fruit, a poem by Abel Meeropol that was set to music. The title came from the analogy that compared the lynched bodies of two men to fruit that hung on trees. Though Holiday was negatively affected by the song, Strange Fruit mostly impacted people’s lives positively. Even today, people are still being affected by Strange Fruit. Billie Holiday’s performances of Strange Fruit sparked a revolution that would later result …show more content…
Holiday happened to perform at Cafe Society, where she first heard and performed the song, “Strange Fruit” (Josephson, Trilling-Josephson). Barney Josephson, the owner of Cafe Society, suggested “Strange Fruit” as one of Holiday’s performances after Abel Meeropol asked Josephson if one of Josephson’s performers could sing Meeropol’s song. After hearing Josephson’s suggestion, Holiday shrugged and told Josephson that she would sing whatever he wanted her to sing. The first time Holiday sang Strange Fruit, the audience was very reluctant about clapping (Kliment). They were obviously shocked. After a moment of awkwardness, the club burst into loud clapping and cheering. That moment of awkwardness seemed to disappear in her next performances of Strange Fruit. Every time Holiday would sing Strange Fruit, the owner would have it be as dramatic as possible (Josephson, Trilling-Josephson). Holiday would be the last performer of the night and Strange Fruit would be her last song. The whole club would go still, silent, and dark, with the light only illuminating Holiday to make her the absolute focus of the room. Josephson wanted to have the song drilled into his customer’s minds for the rest of their …show more content…
Because of that single song, Holiday lived in comfort, although that comfort only lasted for a few years. Strange Fruit made Billie Holiday and Cafe Society famous (Josephson, Trilling-Josephson). Columnists and magazines wrote about her often, which boosted her popularity even more. Times magazine featured a photograph of Holiday in their music column. “With that picture of Billie, it seemed to me that Times magazine had broken down the color barrier.” Barney Josephson wrote in his book, “Cafe Society: The Wrong Place for the Right People”. “Photographs of black artists started to appear in all the fine publications. There was no longer a restriction. That’s what the song did in that regard.” (49) Though, Strange Fruit may have also been the cause of Holiday’s career coming to an end so quickly (Kliment). After all, Strange Fruit was a song that spoke of the elephant in the room, racism. The ideas of the brutality of racism were being spread through that song and that could have angered the federal government. Perhaps they tried to stop it from spreading. Perhaps the reason Holiday had been jailed so many times was because the federal government wanted to stop, or at least stall, the spread of those ideas. “I’ve made a lot of enemies, too,” Holiday said in 1947 to Down Beat, an American magazine. “Singing that [Strange Fruit] hasn’t helped me
“Strange Fruit” by Billie Holiday conveys the inhumane, gory lynchings of African-Americans in the American South, and how this highly unnatural act had entrenched itself into the society and culture of the South, almost as if it were an agricultural crop. Although the song did not originate from Holiday, her first performance of it in 1939 in New York City and successive recording of the song became highly popular for their emotional power (“Strange fruit,” 2017). The lyrics in the song highlight the contrast between the natural beauty and apparent sophistication of the agricultural South with the brutal violence of lynchings. Holiday communicates these rather disturbing lyrics through a peculiarly serene vocal delivery, accompanied by a hymn-like
‘Nanberry’ is a novel written by Jackie French, based on true events surrounding the European Colonisation via the First Fleet and the impact that this had on the local Aboriginal tribes. The characters in the book are based on real identities from the colonisation, such as Governor Arthur Phillip, Surgeon White and Bennelong. The title is derived from an Aboriginal boy named Nanberry from Warrane, Sydney Cove, if the Cadigal tribe. He was able to survive the smallpox epidemic and was taken in by Surgeon White because the sympathy the Surgeon felt for Nanberry when the rest of his family hadn't survived the terrible disease. Nanberry was taught English by his foster father, Surgeon White and how Europeans live. As an Aboriginal by blood, from the moment he was adopted, he became caught between two cultures, but later on successful adopts the parts of each culture that appealed to him the most and learned to live in both worlds peacefully.
Eleanora Fagan (April 7, 1915 – July 17, 1959), professionally known as Billie Holiday, was an American jazz artist and artist musician with a vocation traversing almost thirty years. Nicknamed "Woman Day" by her companion and music accomplice Lester Young, Holiday affected jazz music and pop singing. Her vocal style, firmly propelled by jazz instrumentalists, spearheaded another method for controlling stating and rhythm. She was known for her vocal conveyance and improvisational aptitudes, which compensated for her restricted range and absence of formal music instruction. There were other jazz vocalists with equivalent ability, however Holiday had a voice that caught the consideration of her crowd.
In 1933 Billie audition as a dancer when she was 18, but the judges said she was not good enough so they asked her if she could sing-she could. In 1939 Billy sang at a café called Café Society and the song was “Strange Fruit”. Holiday wanted the song to be recorded but it was forbidden because it was “too inflammatory” Strange Fruit is a song about racism. She did not want to sing it on many radio stations because they banned all the intense words in the song. She could have been killed by the Koo Klucks Klan if she sang that song. Promoters objected Billie Holiday because of her race. The style of her voice-often tries to sound like a horn instrument because she likes the sliding sound. She refused to sing like other singers. Billie slyly said on a radio interview,”I always wanted to sound like an instrument.” She changed her name to Billie Holiday because her favorite film star, Billie Dove. In 1944 Billie Holiday received the Esquire Magazine Gold Award for Best Leading Female Vocalist. She would then receive some more awards in the following years to come. She got the nickname “Lady Day”. She was discovered by John Hammond, a young producer at Monette’s, a Harlem night club. When he heard Billie’s voice he was
Josephine Baker was an exceptional woman who never depended on a man. She never hesitated to leave a man when she felt good and ready. In her lifetime she accomplished many great things. She adopted 12 children, served France during World War II, and was an honorable correspondent for the French Resistance. She fought against fascism in Europe during World War II and racism in the United States. She grew up poor and left home at an early age and worked her way onto the stage. Baker was more popular in France than in the states. Audiences in America were racist towards Baker and that’s when she vowed she wouldn’t perform in a place that wasn’t integrated.
This song is connected to this historical event because Gil Scott-Heron also included into this song of how African Americans are not given any credit. Furthermore, many treat them as even if they do not exist, especially the government and the media. Nevertheless, Scoot-Heron showed the world thru this song how African Americans were not even notice, or received an accomplishment for anything by the media or the government. Therefore, throughout this song it can be seen how Scott-Heron includes the historical event of the Black Power
Liar, deceiving, opinionated, mischievous. These are all characteristics of an unreliable narrator. Strawberry Spring by Stephen King which was about a mysterious fog and a man who starts to kill women on a college campus along with the occurrence of the fog. The Tell-Tale Heart by Edgar Allan Poe was about a person who drove himself crazy of guilt for killing a man known to have a “vulture eye”. Lastly, The Yellow Wallpaper by Charlotte Perkins Gilman this was about a woman who believes she is ill, but her husband does not believe her. She claims to see figures in the wallpaper of her bedroom and becomes insane. These stories provide examples of unreliable narrators. While these stories portray unreliability through lying, sneaking around,
For this assignment I’ve picked Georgia O’Keeffe “Banana Flower” to utilize. The artist Georgia O’Keeffe used charcoal and black chalk for this drawing. She uses a style named metal point in the drawing which is a mode of drawing that is with a descriptive representation of a thing. It is seen through outline or contour drawing which with charcoal makes it much easier to give a sense of volumetric to the drawing. They was using natural chalk which derived from red ocher hematite, white soapstone, and black carbonaceous shale. They were fitted into holders and shaved to a point for drawing. The charcoal were made into charcoal sticks which were burnt wood that comes from hardwood especially vines. They could be either hard or soft, sharpened
The granny smith apple is a repeated image throughout Stranger Than Fiction, symbolising Harold’s rigorously structured life and his mortality. For most of the film, as a part of his meticulous daily routine, Harold eats an apple. This acts as a reminder to the audience that his strict schedule remains in his life. Consequently, at the end of the film when he doesn’t eat his daily apple, it symbolises that he no longer lives according to his intense daily schedule, but has begun to live a more relaxed, carefree life. Furthermore, when Karen walks out onto the street, some apples fall from their stand and one tumbles onto the road.
Some of Foster’s songs used lyrics that described life in the antebellum south. The text uses racist language that was common during the time of slavery. In one of his songs, “Lou’siana Belle” (1847) Foster writes lyrics that describe a slaves feelings after his love is sold on the slave market. “My masa took my lub one day, He put her up to sell, I thought I’s pine my life away, for de Lousiana belle.” Lyrics like these support the argument that Foster was writing songs that influenced race and place in
(Singer 216) With minstrel shows being popular at the time along with going “black face” on stage to make fun of colored people, its no surprise this song was intended to be humorous. The original idea for the song came from Dutch Shultz, the “financial angel” for Connie’s Inn where Hot Chocolates was playing. (Singer 216) He came up with the idea of the “funny number” and directed writer Andy Razaf to come up with the Lyrics. Razaf didn’t like the idea of the song but since he was essentially forced to write it, he did it his own way. He made the song about intraracial prejudice between blacks of lighter and darker skin and in doing that went behind Shultz back who just wanted the song for its comic appeal. The song was received well though, by people of all color, and Razaf unknowingly wrote America’s “first racial prejudice song”. (Singer 219) The song ended up being a hit and in 1929 Louis Armstrong recorded his own version of the song; however, in Armstrong’s version he “…dropped the verse and turned the chorus into a threnody for blacks of all shades.” (Teachout 139) Louis took the original songs hidden meaning and highlighted it in a way that made it more noticeable but still subtle. He turned it into a song that, as Ralph Ellington put it, “demanded action, the kind of which I was incapable of” in
Schoettler, Carl. "Tinged with Sorrow but Sung with Love; Blues: `Strange Fruit,' the Mournful Dirge about Lynching, is Forever Linked with Billie Holiday. A New Book about the Singer from Baltimore Recalls the Moment She Introduced it." The Baltimore Sun Jun 13 2000: 1.F. ProQuest Central. 16 Nov. 2011
Ella Fitzgerald and Billie Holiday were both prominent jazz singer-songwriters during the same time and masters in their own right, but their worlds could not have been further apart. In 1939, while they were both in the midst of experiencing mainstream success, Ella was touring with Ella and her Famous Orchestra and showcasing her perfect pitch and tone to the world while singing songs that would soon become standards to fellow singers and musicians. Billie was singing solo, comfortable with her limited range, and gaining the adoration of audiences nationwide who loved her soulful voice. Both of these historic singers made contributions to the art of jazz, with vocalists and instrumentalists still using elements of their style today. Ella
The movie Lady Day: The Many Faces Of Billie Holiday paints an interesting, and thought provoking portrait of one of jazz and blues most charismatic, and influential artists. The incomparable talent of Billie Holiday, both truth and legend are immortalized in this one-hour documentary film. The film follows Holiday, also referred to as “Lady Day” or “Lady”, through the many triumphs and trials of her career, and does it’s very best to separate the facts from fiction. Her autobiography Lady Sings The Blues is used as a rough guide of how she desired her life story to be viewed by her public. Those who knew her, worked with her, and loved her paint a different picture than this popular, and mostly fictional autobiography.
Bessie Smith impacted Billie Holiday because Holiday learned a lot through Smith’s records by thinking that Smith was kind of a teacher. Even though Billie Holiday did not have a voice as powerful as Bessie Smith, Billie Holiday’s musical interpretations and phrasing were similar to Bessie Smith. Frank Sinatra was impacted by Bessie Smith because he believed that she was an early blues genius. Sinatra’s voice was more polished than Smith’s voice, but he did find inspiration in the emotions she sang with in the records. Bessie Smith was a highly influential artist that had the power to help people with their music even after her death proving that she truly is “The Empress of Blues” ("Bessie Smith"