Sidhanth Khatoria September 18, 2015
Mrs.Dipaolo
Beowulf/Grendel Essay In most books the author talks about a heroic adventure in which the hero kills the villain and the hero wins, similarly the world in Grendel by John Gardener and Beowulf by an anonymous author is talking about heroic feats and battles but there is a deeper meaning into it, the idea that the entire world is meaningless, everything is unplanned, unknown and is a huge accident in which nothing matters. This can be proven and denied in the books Beowulf by an anonymous author and Grendel by john gardener the dragon from Grendel by john gardener believes that existence is futile on the other hand where Beowulf believes life is given by god himself and seeks
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The dragon said” I know everything that’s what makes me so sick and old and tired”(Gardener 61) the dragon appears to understand everything and he doesn’t care of what happens, everything is meaningless for him. This shows the dragon has a much more complex and smarter mind than the humans for he doesn’t need to think, all of the information resides in his head. It can also be a sign of his dumbness because if someone can predict the future he should help the kingdom by telling the events that are to occur but what he does is that he would just sit on gold, sleep over there and do nothing. This impression can also be proven when the dragon concluded that “the essence of life is to be found in the frustration of established order. The universe refuses the deadening influence of complete conformity” (Gardener 67) the dragon keeps on talking and talking but this is the most coherent that he ever gets. It's clear that he believes in disorder—that the world is full of mishaps and anything can occur anywhere, he believes that organisms will evolve over time which will take place with an ongoing series of events, he also knows when he is going to die. The reality is even though he knows everything he doesn’t care about it for him the neither the past, present nor the future
The philosophies expressed in the Beowulf epic complement the exploration of existentialism throughout the modern work, Grendel, by John Gardner. Both works portray different perspectives of the same story, involving the same characters; Beowulf, the ancient Anglo-Saxon hero who destroys Grendel, and Grendel, the monster who terrorizes Hrothgar’s hall. Beowulf and Grendel act as archetypes that explore humanity’s perception of the world. In the Anglo-Saxon epic, Beowulf and his companions represent good, and the monsters, including Grendel, represent evil. When Beowulf kills Grendel, the world is less evil, but since Beowulf’s companions die in the struggle, the world is also less good. Ultimately, the two forces of good and evil will destroy each other, but the story maintains that God will interfere and save mankind from destruction. In Gardner’s story, the progression of society begins when mankind creates a monster and then creates a hero to fight the monster. Once the greater power of the hero had been established, once the conflict’s resolution strengthened society’s power, than a greater monster developed ...
In both works, Beowulf and Grendel, Grendel himself is generally given the same connotations. He is given kennings, called names, referred to as the evil spawn of Cain, and even viewed as a monster; but why? Why in both books is he a wicked, horrible, person who is harshly excluded from everyone? After stumbling upon John Gardner's book, it was halfway expected that some excuse would be made for Grendel; that he wasn't really the inexorable monster the thanes in Beowulf portrayed him as. But all it really did was make him worse. What is the message we are being sent about Grendel?
Beowulf is steeped in a pagan tradition that depicts nature as hostile and forces of death as uncontrollable. Blind fate picks random victims; man is never reconciled with the world. Beowulf ends a failure. There is some truth in this conclusion, but for the most part, someone who didn’t have a well-lived life has most likely portrayed it.
One night, as Grendel was sleeping soundly in his home in the swamplands, he was suddenly awakened by the sound of music. The music angered Grendel because he had been up late the night before entertaining his monster friends and was in need of his beauty rest. So he headed out the front door and headed to see what the commotion is all about.
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
Grendel in the novel Grendel by John Gardner, and Grendel in the poem Beowulf, which has an unknown author, presents two different views of the same character due to the perception differences of Gardner and the unknown author. Grendel in Beowulf and the story of his namesake both have notable similarities and differences that make each distinctive from one another.
He does not act like the blood hungry beast he is seen as in Beowulf. In
A building is ablaze and a crowd of people stare helplessly from the streets, listening to screams coming from within. A single person runs in to rescues whomever he or she can find. Whether or not that person emerges with a child in their arms, empty handed, or not at all, does nothing to alter our society’s perception of their heroism. Today’s society would classify such an action as heroic, regardless of outcome, for one reason: intentions. During Anglo-Saxton times the interpretation of such an act, based on the tale Beowulf, would not be so understanding of what was intended, but rather of the outcome. If one perished and failed in an attempt of such a heroic act words like weakness might arise. It is here that the clash of what a hero is occurs between the Anglo-Saxton tale Beowulf and John Gardner’s Grendel. Beowulf in Beowulf is a hero for he defeats evil and restores order to and for the common people. Unferth in Grendel however is unsuccessful in his campaign against evil, but like the man who emerges empty handed he is by no means any less of a hero. For heroism, as demonstrated in the Anglo-Saxton tale Beowulf, is altered in Gardner’s Grendel to convey the idea that intentions define a hero as opposed to actions.
“Staring at his grotesquely muscled shoulders--stooped, naked despite the cold, sleek as the belly of a shark and as rippled with power as the shoulders of a horse--I found my mind wandering...He was dangerous” (155). Even from the first day Beowulf showed up at Hrothgar’s kingdom, Grendel knew he was dealing with something worse than a hero. Once they finally start to battle, the monster in Beowulf is fully revealed to Grendel and Grendel sees again the stupidity and meaninglessness in the human’s definition of a hero.“Grendel, Grendel! You make the world by whispers, second by second. Are you blind to that? Whether you make it a grave or a garden of roses is not the point. Feel the wall: is it not hard?...Hard, yes! Observe the hardness, write it down in careful runes. Now sing of walls! Sing!” (171). Beowulf forces Grendel to make a fool of himself and unlike Unferth who longs for a heroic death, Beowulf knows he is going to win and has no desire to die. His mindset of victory, groups him with monsters who have one goal, to kill and never be killed. This shatters the Anglo-Saxon ideals of heroism and in Grendel’s death, when he is surrounded by oblivious creatures who don’t have a purpose, the meaninglessness of it all, including the meaninglessness of heroic deeds becomes evident to the
In contrast, Beowulf is seen as a hero, even when exemplifying the violent and dangerous qualities the dragon is feared for. Anglo-Saxon society prized loyalty, personal valor, and fame. In order to be a hero, one must recognize the need to act, and not shy away from it. The dragon, based on that definition, embodies the Anglo-Saxon idea of a hero: it is loyal to its cause, it is a good warrior, and it recognizes the need to act. It even has a sense of justice and a sense of wrong, shown by the way it reacted to the theft of the chalice. The dragon becomes vengeful and defensive, using cruelty as a means to correct the wrong. Described as “the guardian of the mound” (2302), the dragon’s intent is identical to Beowulf’s. Beowulf is seen as a hero not only because of his actions, but because he is human. The only thing that makes the dragon different is its inhuman qualities, and therefore it is a monster, a “ground-burner” (2713). Heroism in Anglo-Saxon society is a concept embodied by warriors and guardians, who would vie to be the most well-known. Heroism, to the Anglo-Saxons, is an excuse to use cruelty as a way to further one’s fame. It is a social crutch of sorts, leaned on for the vain chance to be immortal. When Beowulf agrees to fight the dragon, it is to have a heroic death, so he may be remembered. In the battle, just as with Grendel and Grendel’s mother,
In the epic poem Beowulf, the protagonist Beowulf is shown as a hero with extrodinary strength. This is not what makes him a hero. By definition, a hero is a man of exceptional quality. However this term does not do Beowulf justice. His self-imposed purpose in life is to help others, and eventually sacrifices his own life in doing so. Beowulf’s battle with the dragon serves as a critique of the notion that Beowulf is a hero. The Dragon section displays many of Beowulf’s heoric characteristics. Beowulf establishes himself as a hero by fighting the dragon, exemplifing strength and courage when fighting the dragon, and sacrificing himself so that others can live.
The symbol chosen to be the subject of this analysis will be Grendel’s claw and head, the parts of the ogre that attacked Heorot. The claw, or arm, of Grendel was obtained by the hero Beowulf when he ripped it off the monster after the clash between the two. The head of Grendel was obtained by Grendel’s mother, who is only known by that alias, when she ripped it off the corpse of Grendel when Beowulf entered her lair due to his task of slaying her. The head was also used as a sort of trophy to show that Beowulf had slain both Grendel and Grendel’s mother.
as men. She has been sleeping down in her dark and dingy cave below the world
In both John Gardner’s Grendel, and the poem Beowulf, there are significant differences between characters, and the way they are portrayed in each of the tellings. The interpretation of a hero is usually altered in order to fit the audience, such as, Saddam Hussein in America is made out to be this monster whereas, in his home country Iraq, he is looked at as a hero and idolized by some. In each telling, Grendel and Beowulf have many similarities in how they are described in each writing, but each character is also shown in a different light in each of the writings.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.