Theme Of Cruelty In Beowulf

In society, cruelty often leads to dehumanization, but it can also be the reaction to dehumanization. Perpetrators are either idolized or villainized, while victims tend to be blamed for the actions committed against them. In Beowulf, cruelty is used as a social crutch, as well as a symbol of humanity, or the lack thereof. Barbarity, and the intent behind it, is what makes the heroes and the villains one and the same in Seamus Heaney’s translation of Beowulf.

Grendel’s alienation from society motivates his cruel behavior, but Beowulf’s idolization leads him to be revered for the same actions. In Anglo-Saxon culture, social standing was determined by family. There was an idea that a person’s place in society was predetermined by God, and fate

Grendel, the monster terrorizing Heorot, is introduced as being estranged from the rest of the world. He is described as an outsider, a descendant of “Cain’s clan” (107). Grendel’s outcast status leaves him living in darkness, his envy growing the more he hears the celebrations of the Danes. Envy and social status motivate Grendel’s cruelty, filling him with anger towards those who are human. When Beowulf and the Geats arrive, it is not solely out of honor that Beowulf vows to kill the beast. Beowulf’s father, Ecgtheow, had an unpaid debt at the time of his death. Beowulf’s pledge that he would kill Grendel was a repayment, as well as an honorable feat. However, as Beowulf is introduced, the boasts he makes of his heroic feats and his “awesome strength” (29), only prove his barbarity. He boasts that “they had seen me boltered in the blood of enemies when I battled and bound five beasts, raided a troll-nest and in the night-sea slaughtered sea brutes” (419-422). He goes on to blame the enemies for the vengeance that he wrought upon them. Beowulf dehumanizes his enemies, states that they were foul beasts who tainted the land, and he purified it. This is a sadistic view of life and battle, contrasting cruelty for the

In contrast, Beowulf is seen as a hero, even when exemplifying the violent and dangerous qualities the dragon is feared for. Anglo-Saxon society prized loyalty, personal valor, and fame. In order to be a hero, one must recognize the need to act, and not shy away from it. The dragon, based on that definition, embodies the Anglo-Saxon idea of a hero: it is loyal to its cause, it is a good warrior, and it recognizes the need to act. It even has a sense of justice and a sense of wrong, shown by the way it reacted to the theft of the chalice. The dragon becomes vengeful and defensive, using cruelty as a means to correct the wrong. Described as “the guardian of the mound” (2302), the dragon’s intent is identical to Beowulf’s. Beowulf is seen as a hero not only because of his actions, but because he is human. The only thing that makes the dragon different is its inhuman qualities, and therefore it is a monster, a “ground-burner” (2713). Heroism in Anglo-Saxon society is a concept embodied by warriors and guardians, who would vie to be the most well-known. Heroism, to the Anglo-Saxons, is an excuse to use cruelty as a way to further one’s fame. It is a social crutch of sorts, leaned on for the vain chance to be immortal. When Beowulf agrees to fight the dragon, it is to have a heroic death, so he may be remembered. In the battle, just as with Grendel and Grendel’s mother,