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Hemingway's use of symbolism in the old man and the sea
Hemingway's use of symbolism in the old man and the sea
Hemingway's use of symbols in a farewell to arms
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Nicole Holubec
5/21/2018
AP Literature
Larson
Philosophical Residue
The philosophical residue of Ernest Hemingway’s For Whom The Bell Tolls reveals the impact of love, duty, and relationships on the main character’s ideas about death.
For Whom The Bell Tolls begins in May 1937, in the time of the Spanish Civil War. The main character is an American man named Robert Jordan who left the United States to enlist on the Republican side in the war and is also assigned the dangerous mission of blowing up a Fascist controlled bridge. Robert Jordan meets a peasant named Anselmo who takes him to the guerrilla camp and it is there where he meets the rest of the characters. There’s Pablo who is the leader of the camp, Pilar a gypsy who also seems to pose
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as a leader, and also Rafael, Agustín, Fernando, Primitivo, and two brothers, Andrés and Eladio. He meets a young woman named Maria, who was raped by a group of Fascists just recently. Robert Jordan, a man who declares in the beginning that he does not believe in love and has no time for girls, is automatically drawn to Maria. During his time in the camp Robert Jordan does things to prepare for this mission by spying on the bridge, formulating a plan, and teaming up with other guerrilleros. He has a continuous conflict with Pablo because Pablo is not supportive of Robert Jordan’s plan to blow up the bridge. Pablo’s unacceptance leads to the other men in the camp to go against him. On the bright side, Robert Jordan falls deeply in love with Maria. They open their hearts and souls to each other, agreeing that they are one person and that they share the same body. One morning the camp that Robert Jordan joined forces with to aid in the mission gets attacked and he tries to write a dispatch to the Republican command saying that the bridge operation and the larger offensive must be canceled because now the Fascists are aware of the plan and the mission won’t be successful. His dispatch arrives too late and the time to fight comes. The fighters arm up and they take their positions. Robert Jordan set off the explosives and successfully gets the bridge to fall, but the blast from the strike kills Anselmo. As the rest of the group starts retreating, a bullet hit Robert Jordan’s horse which made him fall and break his leg. He knows he must be left behind so he says his goodbyes. When he’s alone he first thinks about committing suicide but decides to stay alive to hold off the Fascists. He now realizes he’s grateful for his life. The story ends with the Fascist lieutenant coming towards him, Robert Jordan taking his aim, and him feeling his heart beating against the ground. The impact of love changed Robert Jordan’s opinion greatly about dying.
His opinion of love at first was different too. In the beginning, when speaking to General Golz about the plan to blow up the bridge, Golz says, “You better not have any sometimes on this bridge. No, let us not talk anymore about this bridge. You understand enough now about the bridge. We are very serious so we can make very strong jokes. Look, do you have many girls on the other side of the lines?” Robert Jordan replies, “No, there is no time for girls.” Golz shakes his head and says, “I do not agree. The more irregular the service, the more irregular the life. You have very irregular service.” Robert Jordan doesn’t search out for love and in his time during the war he does not want to deal with the stress of having a woman in his life. Winning the war and completing his mission is his life now. In this conversation readers also view Golz’s opinion. He refers women as a distraction from the war. This opinion of Robert Jordan marks the beginning of what he thought about love at first, a meaningless construct. When Robert Jordan arrives to the guerrilla camp and is introduced to Maria he automatically felt drawn to her. When night came they all gathered to eat together. “She sat down opposite him and looked at him. He looked back at her and she smiled and folded her hands together over her knees. Her legs slanted long and clean from the open cuffs of the trousers as she sat with her hands across her knees and he could see the shape of her small uptilited breasts under the gray shirt. Everytime Robert Jordan looked at her he could feel a thickness in his throat.” Robert Jordan’s observing of Maria shows his attraction to her. He pays close attention the way her hands fold over her knees, how long her legs are, the shape of her breasts. This type of body language reveals to the readers that he feels something for her and based on her body language, she seems to be feeling something for him as
well. At nighttime Maria joins Robert Jordan and they give each other company. They start opening up to each other and they spontaneously make love. “Now as they lay all that before had been shielded was unshielded. Where there had been roughness of fabric all was smooth with a smoothness and firm rounded pressing and a long warm coolness, cool outside and warm within, long and light and closely holding, closely held, lonely, hollow-making with contours, happy-making, young and loving and now all warmly smooth with a hollowing, chest-aching, tight-held loneliness that was such that Robert Jordan felt he could not stand it and he said, "Hast thou loved others?" This is said after they make love and it reveals the moment where all of Robert Jordan’s emotional barriers have come down. He feels lonely and he feels a deep attachment to Maria which made him ask the question of if she had been with other men. Although she has not, the readers can identify how strong his emotions are and notice how his ideals of love are changing because he genuinely wants to know if Maria has been with anyone else. Is he serious to her, or a plaything. Having no time for girls is no longer a thought in Robert Jordan’s mind. Readers also see Robert Jordan falling into a predicament as he experiences the power of love for the first time. He thinks to himself, “You do not run onto something like that. Such things don't happen. Maybe it never did happen, he thought. Maybe you dreamed it or made it up and it never did happen.” It seems that he is trying to convince himself that this newfound love isn’t a dream. It is real and is just at his fingertips. After living a life that was all about his duty to serve he realizes his life means more than just fighting in the war and serving the Republican command. Love has brought meaning to his life and other lives. Maria and Robert Jordan’s relationship essentially helped heal them as individuals and allowed them to become one with each other. Robert Jordan found a light in his dull, dutiful world which gave his idea of living, a new meaning and Maria, abused in prison and just being just raped by a group of Fascists, finds hope in Robert Jordan for happiness and a true lasting love.
There are many short stories in literature that share a common theme presented in different ways. A theme that always keeps readers’ attention is that of death because it is something that no one wants to face in real life, but something that can be easily faced when reading. “Harrison Bergeron” by Kurt Vonnegut and “The Lottery” by Shirley Jackson both exemplify how two authors use a common theme of death to stand as a metaphor for dystopian societies.
From the beginning of his tale, the husband is quite bland on the subject of love. This is present when he tells the part about his wife's first husband, even going as far as to say the man doesn't deserve to be named because "he was the childhood sweetheart, and what more does he want" (348). When he tells of Beulah, Robert's wife, and her tragic death, he shows no compassion in mocking her for marrying a blind man. He even asks if the woman was a "Negro" because of her name. His materialistic views shine through when he feels actually pity for her because she could "never see herself as she was seen in the eyes of her loved one" (349). His lack of compassion for the tale of the blind man's marriage tells the reader that maybe the husband himself doesn't believe in love. When he refers to his wife's first husband as "this man who'd first enjoyed her favors" and "shrugs" when he thinks his wife is disappointed in his actions, it informs the reader he may look at relationships, even his own, as more of a business deal than a devotion of love (348, 350). His wry humor is major indication of his sarcastic character. He even makes a crack to his wife about the blind man befo...
Ernest Hemingway focuses on the theme of death I his short story “The Snows of Kilimanjaro” by using the devices of narration, attitude towards death and symbolism. With all these devices into account the reader can see Harry’s mental state and thoughts on death as well as what has led up to his spiritual and physical death.
As Laurell K Hamilton once said, “death is the last intimate thing we ever do”. It comes in different ways and at different times, but death comes for all of us. In Kate Chopin’s novel The Awakening, Edna is faced with enormous heartache and desperation that she feels she has no other choice but to take her own life. This is paralleled in The Tooth and The Lottery, two short stories by Shirley Jackson. Both stories feature a character who is met with their death at unexpected moments in their lives, but in very different situations. The event of death plays a central role in these three works.
In this poem, the speaker’s encounter with death is similar to a courtship. In the first stanza of the poem the character Death is introduced as playing the role of the speaker’s suitor. In this way, this poem about death takes on an unexpected light tone, giving the reader a sense that the speaker is content to die and able to approach it with a sense of calm. Death’s carriage is also introduced in this stanza serving as a metaphor for the way in which we make our final passage to death. The final line in this stanza introduces a third passenger in the carriage. Both the uses of Immortality, the third passenger, as well as the use of Death are examples of personification.
...is story, Hemingway brings the readers back the war and see what it caused to human as well as shows that how the war can change a man's life forever. We think that just people who have been exposed to the war can deeply understand the unfortunates, tolls, and devastates of the war. He also shared and deeply sympathized sorrows of who took part in the war; the soldiers because they were not only put aside the combat, the war also keeps them away from community; people hated them as known they are officers and often shouted " down with officers" as they passing. We have found any blue and mournful tone in this story but we feel something bitter, a bitter sarcasm. As the war passing, the soldiers would not themselves any more, they became another ones; hunting hawks, emotionless. They lost everything that a normal man can have in the life. the war rob all they have.
Ernest Hemingway in the book “For Whom the Bell Tolls” uses a short period of three days to convey a message about this very thought out book. With the persistent foreshadowing of never ending doom, it becomes eminent to the readers and the main character, Robert Jordan, that his life will be becoming to an end very soon. Ernest Hemingway installs a wavering idea that a lack of time can force a lifetime into what seems a really short time period and as human beings we may do things that we aren’t really accustom to. Jordan best explains this exuberating event in just the course of three days along with ideas about the elements of his life changing in ways he never even could fathom.
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
Hemingway uses certain repetitive themes and ideas in his book, For Whom the Bell Tolls, which relate to the grander dogma that he is trying to teach. By using these reoccurring ideas, he is able to make clear his views on certain issues and make the reader understand his thoughts. The most notable of this reoccurring theme is that of war. Hemingway uses the war concept as paradoxical irony in this book, to tell the reader what the thinks about war. It is even more interesting to note that rather than this theme being derived from this war theme, the book is derived from this main theme.
"Death is not the biggest fear we have; our biggest fear is taking the risk to be alive." Yet death is something that is inevitable, and for some shortcoming. In Ernest Hemingway's "The Short Happy Life of Francis Macomber," Francis Macomber deals with the humiliation of being a coward and the constant battle for a "little boy" to come of age. Hemingway explores the theme of death through metaphors and influential symbols, ironically portraying the struggle to live with fear and the hunt for a "happy" life.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
Death is depicted as an individual’s affair, in which, neither one’s closest friends or closest blood relatives can give a hand in. Upon receiving the tragic news Everyman first approaches his friend Fellowship. At first he is hesitant to reveal his sorrow to Fellowship for he considers it too tragic a plight. After cajoling and assurances by Fellowship to stand by him in whatever situation, Everyman finally pours out his sorrow to Fellowship. Upon realizing that Everyman has been summoned by death, fellowship turns his back on Everyman ...
Both Edgar Allen Poe’s poem “For Annie” and Robert Browning’s poem “Porphyrias Lover” create complex relations between sex and death. In “For Annie” the masochistic storyteller sees sexual excitement as a suffering to be endured and embraces the state that follows as an estimate to death. He is masochists, who takes pleasure in envisioning himself dead and resolves his own sexual worries by visualizing a situation in which he is motionless and immobile, while his lover takes on a maternal role. In Robert Browning’s “Porphyrias Lover,” on the other hand, the speaker is vicious, resolving his problems through murdering his lover and rationalizing his actions in terms of an imagined post-sexual state. Both speakers believe they are honorable figures and victims of their own desires, but both disclose in their diction and imagery the real sexual nature of their problems. In addition, In both poems, death becomes a metaphor for satisfaction whether forced on another or a state realized for oneself.
Part II The title For Whom the Bell Tolls symbolizes the uncertainty of life and destiny, where the main character in this story finds himself in a series of unpredictable situations that are beyond his control. The only certain event in life is death and knowing that this may happen to anyone at any time, renders the protagonist powerless against destiny, which he approaches with a fatalistic disposition. Part III For Whom the Bell Tolls takes place in Spain, during the bloody civil war, between the years of 1938 and 1942. It unravels among people who live in the rural mountain areas of Spain. They were forced to kill others in order to survive and to defend their country from fascist. The environment where the actions unfolds are the roughed mountains. A lot of killing takes place in this story. It certainly was a time of fear and desperation. Many heroic military deeds are depicted here: Robert Jordan and his group of internationalists sabotaged bridges, trains and building. Lots of peasants are starved, tortured and killed, and many children were left orphaned. Part IV 1 "He lay flat on the brown, pine-needle floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine tree"(p.1) 2 "He crosses the stream, picked a double handful, washed the muddy roots clean in the current and then sat down again beside his pack and ate the clean, cool green leaves and the crisp, peppery-tasting stalks"(p.12) 3 "Robert Jordan breathed deeply of the clear night air of the mountains that smelled of the pines and of the dew grass in the meadow by the stream. Dew had fallen heavily sin the wind had dropped."(p.64) 4 "Now the morning was late May, the sky was high and clear and the wind blew warm on Robert Jordan’s shoulders."(p.311) 5 "Then he heard the far-off, distant throbbing and, looking up, he saw the planes"(p.329) 6 " Sweeeish-crack-boom! It came, the swishing like the noise of a rocket and there was another up-pulsing of dirt and smoke farther up the hillside"(p.494) 7 "The others came behind him and Robert Jordan saw them crossing the road and slamming on up the green slope and heard the machine gun hammer at the bridge"(p.505) 8 "He looked very carefully around the withers of the dead horse and there was a quick hammering of firing from behind a boulder well down the slope and he heard the bullets from the submachine gun thud into the horse"(p.
Throughout time, death has been viewed in a negative light. In general, it is an event to be mourned and is seen by some as the end to existence. People do not usually seek death as an answer to their problems. In various pieces of literature, however, suicide is contemplated by the characters as the only solution to the pain and grief that they experience.