Autobiographies In William Earley's The Art Of Self

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[1] William Gass addresses the topic of uniqueness versus universality in relation to autobiographies in “The Art of Self.” Gass asks, “What makes me unique? No; what makes me universal; what serves my reputation; what does not embarrass the scrutinizing, the recollecting self” (Gass, 50). He argues that one distorts their story so that it appears more attractive and acceptable because their priority is who they are remembered as by the public. Therefore, he states that autobiographies are, in a sense, fiction, with their main purpose being to tell a unique story. He questions the believability of autobiographies early, arguing that many people have lives that are so dull and uninteresting they feel they must “perform some feat… in order to …show more content…

He continuously repeats that he lives in a “split-level ranch-style” (Earley, 5) house. Initially, it is unclear why he repeats this fact so often but after closer examination, it becomes obvious. In the same way, there is no unique drama found in Earley’s life on the surface, and no intimation of any sort of struggle until half way through the text. This enhances the belief that his life is completely ordinary. Yet, as the repetition of “split-level ranch-style” (Earley, 5) house is analyzed, it is clear that Earley is implying that something much deeper and dark lies within this home, hinting his universal life is also …show more content…

Watching the Brady family allows Earley to escape from the complexities within his reality. His desire to be a part of the Brady family is made evident as he intertwines his life with their fictional life. He says, “Shelly had a crush on Bobby Brady; I had a crush on Jan. Jan had braces, I had braces. Jan had glasses. I had glasses” (Earley, 9). He is trying to determine his compatibility with their family based on similarities between himself and members of the Brady Bunch. Next, he says, “Their daddy was an architect. Our daddy lived in a trailer in town with a poster of Wile E. Coyote and the Road Runner on the living room wall. The coyote held the Road Runner firmly by the neck. The caption on the poster said “Beep, Beep your ass.”” (Earley, 9). Here, the reader learns there is something less than desirable occurring within Earley’s real life. The fallacy within his ordinary family is shown by this comparison of Mr. Brady the architect, to his father, whose description gives off a bad connotation. In addition, the fact that his father lives in a trailer shows that Earley’s family is broken. He states, “I lay in bed at night and imagined being married to Jan Brady but having an affair with Marsha. I wondered how we would tell Jan, what Marsha and I would do then, where we would go. Greg Brady beat me up. I shook his hand and told him I deserved it. Alice

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