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The tale of Robin Hood
The tale of Robin Hood
The tale of Robin Hood
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The Robin Hood myth has been able to survive the test of time and is a myth in flux. In this essay I will analyze the film ‘Shooting Fish’, which is a modern Robin Hood- version. I will trace the factors in Paonessa’s (2013) paper to see how these factors has been translated in Shooting Fish. The movie ‘Shooting Fish’ starts off by introducing the audience to the main characters, who closely resemble the main archetypes of the Robin Hood story. The story's primary hero in the movie is Dylan who is portrayed as the outgoing leader of the twosome. Dylans role mirrors Robin Hoods in his story, with the exclusion of ending up with the Virgin Mary archetype. Although, there can not be a Robin Hood without Little John and that is where Jez comes
Flannery O’ Conner’s short story, “A good man is hard to find”, explains emotional reactions, betrayal, and violence. The misfit is an example of a devil figure. This character archetype is best seen when we see the misfit’s true colors shine as he murders the grandmother and her family. O’ Conner uses setting archetypes best when she uses a clear bright sky or an open dirt road, which can mean a variety of outcomes. This helps understand the many plot twists in the story. We best see symbolic archetypes as the three bandits including the misfit. They represent a mock of the holy trinity and represent evil. “The fall” is a good archetype that shows the misfit’s lack of innocence when he betrays the grandmother. This best explains the whole
Big Fish is like an incomprehensible film, which never ceases to stop surprising its viewers. The story is an amazing fantasy created by Tim Burton, which transports the viewer to another dimension by means of the main character’s experiences and adventures through the film. In the story the viewer finds a father, Edward Bloom, and a son, Will Bloom. The father is an extravagant storyteller, in which his son grew up hearing his tales and begins to doubt their credibility. Throughout the film the viewer can catch a glimpse of numerous acts of magical realism, but overall identifies the characteristic of mirror reversals which adds a special touch to the story when intertwined with the father and the son as they undergo a life changing journey.
The Middle Ages in Europe were scary times for most people. It was filled with violence, death, disease, inequality, and corruption of higher powers. Most people were left without any hope at all about life. Many thought no one cared about them, and that they were worthless. But the legend of Robin Hood gave many hope in a time of despair. The legends about Robin stealing from the rich and giving to the poor with his band of merry men brought hope into many people’s lives. That someone did care about them, and that maybe they’re plight isn’t so hopeless after all.
A cinematic experience offers a false projection of the world that people have the desire to indulge in. In Guy Vanderhaeghe’s novel, The Englishman’s Boy, the portrayal of the film as a whole is consistent with Chance’s vision to rewrite the story of the Cypress Hills Massacre of 1873 as a mythic history of the settling of the American west. Film has the power to access an aspect of reality somehow absent in other media. One could argue that film brainwashes people and alters reality when it is both projected and screened. Vanderhaeghe’s narrative oscillation and use of common literary techniques often foreshadow his film (Besieged) in many ways.
“Why? Why? The girl gasped, as they lunged down the old deer trail. Behind them they could hear shots, and glass breaking as the men came to the bogged car” (Hood 414). It is at this precise moment Hood’s writing shows the granddaughter’s depletion of her naïve nature, becoming aware of the brutality of the world around her and that it will influence her future. Continuing, Hood doesn’t stop with the men destroying the car; Hood elucidated the plight of the two women; describing how the man shot a fish and continued shooting the fish until it sank, outlining the malicious nature of the pair and their disregard for life and how the granddaughter was the fish had it not been for the grandmother’s past influencing how she lived her life. In that moment, the granddaughter becomes aware of the burden she will bear and how it has influenced her life.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Over the years, the legend of Robin Hood has endured great change. Through each generation, the story acquired new characters, tales, expanded themes, and some fresh historical contexts to adapt to the interests of the audience. The legend collected many fragments of other stories as time went on. Also as time passed, the character of Robin Hood underwent many changes. Originally, Robin Hood was portrayed as a yeoman, then transformed into a mistreated nobleman, later turned into an Englishman protesting the domination of the Normans, and finally, through modern adaptation he has came to be known as a social rebel who takes from the rich and gives to the poor. There is no way to ensure that a certain historical figure was in fact the basis for Robin Hood, however there exists many possible candidates. In order to find a possible identity that fits the persona of Robin Hood, one must look at the earliest works of literature that mention his name.
Robin Hood and his band of Merry Men are facing a crisis within their organization. The resources of the forest are beginning to dwindle and men are beginning to go hungry. The band of Merry Men is not able to feed their families or themselves. Along with the resources of the forest declining, the amount of well-to-do travelers through the Sherwood Forest is following rapidly ensue. With the band growing larger every minute, Robin needs to address if the use for more men is necessary. Robin himself said, “I don’t know half of the men I run into these days.” If Robin decides to accept more allies into the band there should be a recruitment process in order to keep the organization safe and protected from potential threats. Robin advocated the notion of “strength in numbers” and has had nothing but difficulty from the growing organization. Robin is losing sight of his initial vision and becoming disconnected with his employees. He is now trying to convince his band members that the only way to succeed is to now take from the poor. This is creating growing concerns within organizational employees. The band assembled to liberate the poor, not to harm them even further. The farmers and townspeople of Nottingham have been Robin Hood’s allies and backbone from the beginning. The issue of taking from the poor should be addressed immediately in order to keep their support and ease their minds of future tragedy. Robin Hood needs to promptly reassess the goals and objectives of his crusade and look upon the rapid changes of his surroundings. The Sheriff is now growing larger and becoming better organized. The band is constantly being harassed and the money they once had is...
Many time in our lives, we have seen the transformation of novels into movies. Some of them are equal to the novel, few are superior, and most are inferior. Why is this? Why is it that a story that was surely to be one of the best written stories ever, could turn out to be Hollywood flops? One reason is that in many transformations, the main characters are changed, some the way they look, others the way they act. On top of this, scenes are cut out and plot is even changed. In this essay, I will discuss some of the changes made to the characters of the Maltese Falcon as they make their transformation to the ?big screen.?
In the article “The Thematic Paradigm” exerted from his book, A Certain Tendency of the Hollywood Cinema, Robert Ray provides a description of the two types of heroes depicted in American film: the outlaw hero and the official hero. Although the outlaw hero is more risky and lonely, he cherishes liberty and sovereignty. The official hero on the other hand, generally poses the role of an average ordinary person, claiming an image of a “civilized person.” While the outlaw hero creates an image of a rough-cut person likely to commit a crime, the official hero has a legend perception. In this essay, I will reflect on Ray’s work, along with demonstrating where I observe ideologies and themes.
The Maze Runner is a 2014 mystery/science fiction film that can be viewed from an archetypal perspective. An archetype can be described as a pattern that can and is copied and recurring symbols or characters. The concept of archetypes came from Carl Jung a psychiatrist who believed that all cultures use archetypes to build stories without communicating to each other about them. Two groups of archetypes are the character and symbolic archetypes. The film The Maze Runner should be analyzed through an archetypal perspective because it has character and symbolic archetypes.
The narrator speaks about the fish in terms of commercial, where every part of the fish can be sale for different purposes, but as the speaker look in the fish eyes, starts to compare the human life through the existence of the fish. What the speaker found beautiful about the fish is that as the speaker looks into the fish eyes and start looking in a different way to the creature, she starts to identify a living creature instead of a creature that will die imminently. The speaker starts seeing the beauty of the fish when she start to compare the fish to a soldier, when she sees through the eyes of the fish the victories over death that this creature has won, and I believe that the speaker compares her own battles and victories to the one of this creature in order to survive. I believe that the “ personality” of the fish is humble, brave and that this fish have been battling for a long time for his life, that he has been involved in some sort of violence many times in order to exist. I also feel that this fish is tired of fighting and that he is venerable to the speaker
Robin Hood, the famous outlaw, hero, and idol whose influence spanned centuries into the modern age. There are many speculations on who exactly Robin Hood is or what he did, but one thing that is certain is that his legend of being a hero who helped the poor by stealing from the government and the rich has evolved in different manners throughout time, whether it be through small or large changes. Robin Hood is most known for stealing from the government and the rich to give to the poor which stems from his original incarnation during the 14th century which marks his beginning, then in the 16th century the image of Robin hood began to become tainted, later in the 1940’s he was depicted as a hero
Robin has seemingly appeared in all aspects of medieval England.Medieval chroniclers like Andrew of Wyntoun and Walter Bower accepted Robin’s existence, and his wide appeal led to brief mentions in various texts (Jones 271). Robin Hood, a noble outlaw in Sherwood Forest, fights the oppressive evil of Prince (or King) John by robbing from the rich and giving to the poor. The earliest appearances of Robin are at odds with this romantic notion, as Robin is a violent yeoman who steals from the dishonest and helps those whom he pleases (Dean 243). One of the oldest existing ballads of Robin Hood is “Robin Hood and the Monk.” Although many ballads were sung, this particular ballad was recited (Marcangelo 179). The ballad begins at St. Mary’s Church in Nottingham. A monk, who Robin had previously stolen from, sees Robin praying alone and tells the sheriff (Simone “The Mythical Robin Hood). Robin is captured and his Merry Men must rescue him. Little John, a character which is interweaved in many of the stories, kills the monk for his treachery. After killing the monk, two of the men go to the jail and escape with Robin. The king is enraged that the men managed to fool him, but admits that Little John is the most loyal man in England (Simone “The Historic Robin Hood”). Robin Hood and the Monk tale does not provide any truth to the legend of Robin Hood, but it does show how the people who Robin Hood stole
Robin Hood a legend that lived in Sherwood Forest and was a known thief, bandit, and an outlaw. He was the leader of the Merry Men and one of the most influential figures at that time (Wright, 2004). Although it was not always like this, he was once a simple man who did not defile the king. It did not last long though, because he decided to go against the king after experiencing his corrupt rule first handed. His actions against the king led to a change in how many of the people thought, by influencing the actions of others.