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In "To His Coy Mistress
Representation of love in poetry
Representation of love in poetry
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In the beginning of Sharon Olds’ Last Night the speaker is in passionate lust, nevertheless, the opposite transpires when the speaker becomes aware that she fell in love. In Andrew Marvell’s To His Coy Mistress, the speaker initiates with the impression that he is in passionate love with his mistress; however, it is quickly perceived that the speaker is only interested in passionate lust. While these poems equally signify carpe diem, they connote it in different ways. Both poems have unique views of what love and passion mean. These two poems use effects of irony and nature imagery to convey their passions.
Passionate love has a sexual theme to it in Sharon Olds’ poem Last Night. The poem takes different twists and turns while the speaker is living through this passionate sexual experience. In the first line the speaker declares: “I am almost afraid” (1). The speaker is implying that they are afraid of this experience and love. The second line of Last
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No kiss / no tenderness—more like killing, death-grip” (12-13). The speakers journey, moreover, invokes violent imagery: “holding to life, genitals / like violent hands clasped tight” (14-15). The speaker doesn’t know what is going on, she is holding on for dear life, and she is afraid. The paradoxical irony in the next line, “barley moving, more like being closed / in a great jaw and eaten, and the screaming” (16-17), showcases the violent imagery and the fact that the speaker is closed and has not fully come out of the chrysalis or the experience. The raw sexual experience is coming to a close in the next lines: “I groan to remember it, and when we started / to die, then I refuse to remember / the way a drunkard forgets” (18-20). The speaker’s use of started to die is distinctly winding up to the end of the passionate experience. This moment is a build up to the climax, it’s a moment that cannot be described nor
In contrast to Macbeth’s love for his wife, in Browning’s ‘My Last Duchess’ there is an absence of the romanticised emotion of love. The Duke refers to his wife as ‘My Last Duchess. Here the use of the possessive pronoun ‘my’ gives us the idea from the outset that the Duke saw his wife as merely a possession. The iambic pentameter of ten syllables per line used in the poem also emphasises possession by stressing ‘my’ further in the pattern. Browning’s portrayal of love is one that is absent of emotional attachment, but instead something by which he could possess and have power over her. It could be argued that there are similarities in the way that Lady Macbeth also uses the emotion of love. Being in the form of a dramatic monologue, use
Sex is more than just a physical act. It's a beautiful way to express love. When people have sex just to fulfill a physical need, as the poet believes sex outside of love-based relationship only harms and cheapens sex. In the beginning of the poem, Olds brilliantly describe the beauty of sex, and then in the second half of the poem, she continues reference to the cold and aloneness which clearly shows her opinions about causal sex. Through this poem, Sharon Olds, has expressed her complete disrespect for those who would participate in casual sex.
Comparing The Passionate Shepherd to His Love and Nymph's Reply to the Shepherd. and the stark contrast of the treatment of an identical theme, that of love within the framework of pastoral life. I intend to look at each poem separately to give my interpretation of the poet's intentions and then discuss their techniques and how the chosen techniques affect the portal of an identical theme. The poem The Passionate Shepherd to His Love appears to be about the Elizabethan courtly ideal of living with the barest necessities, like.
Within this poem there are many references or allusions to sex. Most women are considered to have entered womanhood when they have their first sexual experience with a man. Anderson plays up this aspect of becoming a woman in the poem to symbolize the girl's losing her innocence and youth to work in the sweatshop. In essence, she is losing her virginity to that same sweatshop. The first of these allusions to sex is in the opening lines of the poem; "she slides over/the hot upholstery" (1,2). The young girl is described as sliding over hot upholstery, like girls sometimes do to snuggle up next to their boyfriends when driving a car. This verse can also be seen as a metaphor for the hot young skin of a beautiful young girl. Another example of these references is when Anderson describes the girl as "loves humming & swaying to the music" (5). This can be seen as the act of sexual intercourse itself. The rhythmic swaying of bodies can be seen as little else especially when paired with line 25, "rocking back and forth"(25). This is further emphasized by Anderson by her use of the ampersand signs (&) which she only uses in these two lines.
Love and hate are powerful and contradicting emotions. Love and hate are also the subjects under examination for several centuries yet even to the present day; it remains to be a mystery. For the past centuries, writers and poets have written about love showing that the stories of love can never fade way. For this essay, I will discuss three English literature sources that talk about the theme of love and hate. These are the poem Olds "Sex without Love”, the poem Kennel "After Making Love We Hear Footsteps and the story by Hemingway "Hills like White Elephants. I will use the poems to compare the traditional stance of sex that are within the parameters of marriage and love versus the belief that love is in itself an act of pleasure
In the first stanza line 2 the author states how lovers “gaze on bodies naked and ablaze” this suggests how lovers see their loved one’s body as being ablaze, or on fire or attractive. This is a positive word in a way that it states how they see
Both poems, “Last Night” by Sharon Olds and “Home-Baked Bread” by Sally Croft implicitly direct a theme of lust. Lust is a very strong sexual desire towards someone. The poets of these two poems demonstrate a common theme within the two by using certain strategies. In the poem “Last Night”, Olds uses figurative language, imagery and repetition to revel lust as a theme. Croft’s poem “Home-Baked Bread” uses figurative language, imagery and diction/word choice to display lust.
In the poem “To His Coy Mistress”, the speaker is trying to seduce his wife. In the assumption the mistress is his wife; she is being bashful towards losing her virginity. The speaker, which is the mistress’s husband, develops a carefully constructed argument where the speaker seeks to persuade his lady to surrender her virginity to him.
There is a lot of sensual imagery in this poem. Mainly we hear and see
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
Andrew Marvell's "To His Coy Mistress is a sieze the moment kind of poem in which an anonomyous young man tries to woo the hand of his mistress. This kind of poem gives the reader the idea that time is not only precious, but scarce. The speaker uses many smooth tatics to persuade the young girl, starting with compliments and ending with a more forceful, morbid appraoch. "To His Coy Mistress" is not only witty but imgagistic, full of wordplay, and percieved differently by both males and females.
Is she scared by some of his remarks? With the many mentions of her dying and insects enjoying her body could have easily spooked her into running into bed with him, but unfortunately that was not the case, “My echoing song: then worms shall try that long-preserved virginity,” (Ln 27-28) meaning that he is telling the mistress that, in the grave, worms will have sex with her dead body. A couples lines below the man tries to tell us that his love for her is all that he has, “And into ashes all my lust:” (Ln 30) basically telling her that if they die without having sex, all of his lust, will burn into ashes. After examining what he said on line thirty, he is implying that, if he can’t have sex with her, he won’t have sex period, possibly dying a virgin. Which is his motive in consistently trying to persuade his coy mistress into having sex with him. He is so infatuated with one woman that if he cannot perform making love to the woman of he is so passionately obsessed with, he will not have sex with any other woman. The thought in the process of his seemingly “desperate act of romance.” Brings to mind if he is only trying to convince himself that he may possibly die a virgin and he only wants the woman of his dreams, he is trying to hurry and convince to make love with him because it may not ever happen. Here’s food for thought, is the man trying to find love or is he trying to beat the death
In Andrew Marvell's poem "To His Coy Mistress," he's arguing for affection. The object of the speaker's desire wants to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one and it's foolish for two lovers to postpone a physical relationship.
The first words that came to mind while reading this piece were sexual and confusing. When I say sexual I mean a different kind of sexual. The speaker finds abnormal things sensual and pleasing. The speaker finds pleasure in dark and twisted activity. There were several words/phrases that brought me to this conclusion. My first example is “While, like a snake on coals, she twinged and/ twired … let fall those words impregnated with musk,” (2-6). Judging by how the poem ends, I am guessing she is experiencing pain, and her pain is being enjoyed by the speaker. Another
The poem, To His Coy Mistress, by Andrew Marvell, brings out some actions that some of us have experienced or even thought about in this concise poem. This poem is very appealing to the male senses and what some make. Some women could be thought of when this is read. Andrew Marvell puts it in words that make it seem as if it was very acceptable. The first twenty lines of the poem start to talk about how much this girl means to this particular man.