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How art plays in religion
Psychodynamic dream theory
Pablo Picasso contribution to art
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Recommended: How art plays in religion
What seems to lead Jung to these strange beliefs of the spiritual forces that are produced because of the psyche and the transcendent is difficult to explain in psychological terms. As Jung states in the Modern Man in Search of the Soul, the spontaneous activity produced by the psyche often become so intense that vivid pictures are seen and voices are heard. Jung believed that our dreams are integrating our conscious and unconscious lives in which guidance takes place. The source of the symbols that take place in dreams, cannot be shown in our consciousness. Some of the images that are produced in our dreams stem from outside of the images of our life. Not all of the images from our dreams are things created from the “I”. Some images present …show more content…
Jung believes that artist are elevated in a significant way such as through the divine. Jung states in Modern Man in Search of a Soul, artist do not possess free will but allow art to realize its purpose through them. Humans may have will but artist on the other hand possess a higher sense. Artist are collective individuals that hold and manipulate their unconscious to create art. To Jung, artist posses the ability to express themselves in a manner that transcends beyond particularities of personal experiences. Jung claims that there is a “deep creativity”, where certain people are able to somehow submerge themselves in the art and create something that is new. Some artist are not the best technically but are able to tap into external forces that help create that is intrinsically beautiful. Jung simply is a “mystic” that wants to believe that artist and potentially humans have a direct link to the divine. I feel as if Jung 's beliefs undermine the true skill that is needed to create exceptional art. Pablo Picasso is one of the greatest artist of all time and the artwork that he produced were not because of external spiritual or divine forces but his skill. Starting at early age 7, Picasso was learning and refining his craft of painting from his father who was a professor of fine arts. I believe that Picasso did not tap into the divine to produce his artwork but as a result of conditioning he is able to create these masterpieces. Picasso was able to think in such a unique way to create revolutionary art movements such as cubism because his experience shaped his skill and thought. Picasso artistry could be explained by how he grew up which was in an extremely creative
When reading about the institution of slavery in the United States, it is easy to focus on life for the slaves on the plantations—the places where the millions of people purchased to serve as slaves in the United States lived, made families, and eventually died. Most of the information we seek is about what daily life was like for these people, and what went “wrong” in our country’s collective psyche that allowed us to normalize the practice of keeping human beings as property, no more or less valuable than the machines in the factories which bolstered industrialized economies at the time. Many of us want to find information that assuages our own personal feelings of discomfort or even guilt over the practice which kept Southern life moving
In Richard Selzer’s piece on the Exact Location of the Soul, he makes several important points that highlight the way that many surgeons may feel. He introduces the piece by posing the question about why would a surgeon write and giving the most common answers that most “outsiders”, people who aren’t surgeons may see. Eventually he settles on the fact that it is to “search for something meaningful” in surgery which he describes as “murderous, painful, healing, and full of love”. I found that this phrase was interesting because it seemed to imply that surgeons see writing as an escape, a way to justify the horrors or other feelings that they may experience when they perform surgeries. On the other hand the phrase itself of being murderous but also healing and full of love seems very obscure in the sense that generally events that are described as murderous aren’t healing at the same time. Selzer’s use of these phrases emphasizes the complex nature of surgeries.
Jung, Carl Gustav. Abstracts of the Collected Works of Carl G. Jung. Rockville, Maryland. 1976.
Primarily, one of the dominant and fundamental theoretical variances concerning Freud and Jung’s personality theories was that relating to their opposing notions regarding the unconscious human mind. Firstly, Freud understood that the centre of ones inhibited beliefs and distressing recollections was found in the unconscious mind. Freud stated that the human mind focuses on three constructs: namely the id, the ego and the super ego. He claimed that the id shaped ones unconscious energy. Freud said that it is not limited by ethics and morals, but as an alternative simply aims to fulfil ones desires. The id strives to keep with the “pleasure principle, which can be understood as a demand to take care of needs immediately.” (Boere) The next unconscious
These theoretical concepts developed by Dr. Jung are what caused the hypothesis and negativity of my original consideration of him to be replaced by a deep respect and, in fact, an almost gleeful fascination with his work. I am discovering that quite a few people find that Jung has a great deal to say to them. This tends to include writers, artists, musicians, film makers, theologians, clergy of all denominations, students of mythology, and of course, and many psychologists
What if I told you that you’d be able to relive the fondest moments of your life as many times as you want in a dream world reality, would you believe me? This may seem far-fetched for some people, but if you take the time to read "The Soul Survives and Functions After Death” by H.H. Price, you’ll start to question your own beliefs about your soul and where it goes once death strikes. Price questions the nature of souls once the inevitable happens and states that the soul goes to another world, a Next World. The idea of the dream world I previously mentioned will make you question your very own beliefs about where your soul will go once life’s inevitable happens to you. So, is Price’s afterlife theory of the Next World really something to
"The Archetypes and the Collected Unconscious."The Collected Works of C.G. Jung. 2nd ed. Ed. Carl G. Jung. London: Routledge, 1990. 393-417.
...plains what Jung meant by the collective unconscious it makes sense. It is our ancestors, culture, and previous experiences that make up our schemas, and if one of the “important” values is suppressed the unconscious tries to bring it out through our dreams.
Jung agrees with Freud and his thought process of the structural constructs, he disagrees with there only being three parts of the unconscious mind. Jung’s structural construct of the psyche is more in-depth than Freud’s. Jung uses the similar basic construct of Freud and agreeing with the differences in the types of consciousness in the mind. Jung uses the ‘shadow’ instead of the id which is the unknown concepts of one’s personality and the unknown choices that we make based upon good and evil side of everyone. In other words, our shadow which resides in our unconscious mind are the ‘skeletons in our closet’ which can be described as the unwanted and the rejected thoughts that we have by our ego and our
Carl Jung was a Swiss psychologist and psychiatrist who developed many theories concerning the unconscious mind. Jung’s theories state that the unconscious part of a human’s psyche has two different layers, the personal unconscious and the collective unconscious. The personal unconscious is unique to every individual; however, the collective unconscious “is inborn.” (Carl Jung, Four Archetypes, 3) The collective unconscious is present in everyone’s psyche, and it contains archetypes which are “those psychic contents which have not yet been submitted to conscious elaboration” (Jung, Archetypes, 5); they are templates of thought that have been inherited through the collective unconscious. Jung has defined many different archetypes such as the archetype of the mother, the archetype of the hero, the archetype of the shadow, etc. These Jungian archetypes are often projected by the collective unconscious onto others. If the novel A Prayer for Owen Meany by John Irving is examined through a Jungian archetypal lens it is possible to discern different archetypes projected by the protagonist’s unconscious self to illustrate the effects of the collective unconscious on character and plot analysis.
A doppelganger by definition is a double or counterpart of a person or an alter ego of a person (Dictionary.com). Everyone has a doppelganger that influences their lives every day in their decisions they make. Their doppelgangers are their suppressed selves and, if uncovered, will reveal to the world the kind of people they genuinely are. What one may show on the outside could be completely different from what they truly feel. One can really know a person only once he fully knows the person that he is on the inside. Mr. Hyde represents the inner evil of Dr. Jekyll in Dr. Jekyll and Mr. Hyde while the painting in The Picture of Dorian Gray resembles his own inner evil as well. In each of these novels, the suppressed sides of the characters are present and influence their every action thus slowly reveal the true identities of the men. The nature of man is composed of inner sinfulness that is masked by outer composure set by society, but once the suppressed half is exposed, only then will the public fully know a man.
Discovering the meaning and significance of the archetypes in one’s dreams and the dreams themselves were a sort of process that helped lead the individual towards a God. The suffering and process of analyzing the dreams and manifestations of the archetypes was crucial to resolving one’s entire unconscious and thus being at peace with oneself. When this peace was achieved, it allowed the individual to further their religious experience. Jung believed that all humans had a natural religious function and the expression of their unconscious through archetypes and dreams was crucial.
A few days ago I was listening to Taylor John Williams’ song, “The Mates of Soul” in the shower. As I took carried out the exhilarating tasks of lathering and rinsing, I listened to the perplexed artist as he sung of the absurdities people who believe in soulmates fill both their minds and waking hours with. In his pragmatic testimony, Williams paints his verses with a voice of reason, questioning why so many individuals insist on maintaining a strong belief in the permanence of soulmates despite our human nature to inevitably change over time. Yet after my shower, even my quick-dry towel couldn’t quite soak up the droplets of Williams’ words from my skin: “they say to stay together and promise to [love each other] forever, even if forever never really wanted to stay.” Throughout the remainder of my day, I found myself wondering whether Williams was being prudent and wise in his beliefs, or simply illogical and cynical.
In order to understand Jung's theory of archetypes, the reader must first have an understanding of the reasoning behind them. Carl G. Jung explains the conscious mind by dividing it into three different psyches: the ego, the personal unconscious, and the collective unconscious. The ego is simply Jung's interpretation of the conscious mind. The personal unconscious is anything that is not presently conscious, but can be. The collective unconscious is a reservoir of human experiences that is passed from generation to generation. It includes the archetypes of self, which are archetypes for different kinds of people or characters in literature (Jung 67). They can be described as things such as déjà vu, or love at first sight. It is the feeling that what is being felt or experienced has been felt or experienced before.
Carl Jung referred to a person's dormant personality of perceptions, thoughts, feelings and memories as the personal unconscious. Similar to Freud, he believed that many of an individual's thoughts and experiences are repressed and forgotten. However, very often those thoughts and emotions seek to expel from the memory bank and may thus present through