"All within hearing immediately turned about, and beheld the semblance of Mr. Hooper, pacing slowly his meditative way towards the meeting-house. With one accord they started, expressing more wonder than if some strange minister were coming to dust the cushions of Mr. Hooper’s pulpit·" Working in the realm of the Gothic, Nathaniel Hawthorne hits upon psychological points that few of his readers are willing to explore. Of course, one may not be able to relate to an example involving such an "eccentric" display as Mr. Hooper’s. There is a sudden hush throughout the audience, followed by a rush of low whispering. He walks past them, oblivious to the goings-on and proceeds to the front. Something has changed, and everyone is aware. It is painfully obvious that he wanted everyone to know, for the wounds of the change were self-inflicted· Putting the scenario this way helps to give an anonymous and general view to the former example. This method is used to show how realistic, even common, this somewhat absurd event may actually be. In a psychological analysis, this is a necessary element in both de-personalizing a situation and giving it potential for universal application. In Hawthorne’s "The Minister’s Black Veil," many interpretations by way of psychological analysis are possible, and, once exposed, quite apparent. Once revealed, there are many routes for understanding the story in a psychoanalytical context. The main approaches this essay will take involve a "Jungian" analysis, that is, one involving the use of some of the theories and conclusions of German psychoanalyst and pioneer, Carl Gustav Jung, a former student and friend of Sigmund Freud, in interpreting the actions of the characters in the story. Jung’s discord with Fr...
... middle of paper ...
...Jung, whose assertions not only help in the clinical aspect, but in the search for the common message in all of human literary (this includes oral) tradition. Hawthorne’s Gothic shows, whether conscious or not, the underlying conflict that lies within the people of his time as well as the time in which each of his stories take place. It is with this that the key to understanding the self lies within the commonly untapped recesses of the unconscious, an uncomfortable and unnerving concept for everyone, particularly those that have many things to hide.
Works Cited
Jung, Carl Gustav. Abstracts of the Collected Works of Carl G. Jung. Rockville, Maryland. 1976.
Jung, Carl G. The Structure and Dynamics of the Psyche. Tr. R. F. C. Hull. New York, NY. 1960
Lauter, Paul, et al. The Heath Anthology of American Literature. New York, NY; Boston, Mass. 1998
Jung, C. G., and Marie-Luise Von Franz. Man and His Symbols. Garden City, NY: Doubleday, 1964.
Nathaniel Hawthorne's "The Minister's Black Veil" illustrates the dangers of secret sin. Allowing guilt from things done in the past, things that cannot be changed, can ruin lives. The life of the secret-carrier will be devastated, along with the lives of that person's most loved ones. Hawthorne uses various types of figurative language in his works to portray his message. "The Minister's Black Veil” is no exception; Hawthorne uses symbolism and suggestion to add depth and mystery.
Lang, H.J.. “How Ambiguous Is Hawthorne.” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Nathaniel Hawthorne wrote The Minister’s Black Veil: A Parable in 1836. Hawthorne was a man known for his grim view of life and society, and this point of view frequently colored his work as an author. His inspiration for this short tale about a minister who dons a black veil over his eyes and nose until his death may have been inspired by a real event. A clergyman named Joseph Moody, of York, Maine accidentally killed a friend as a young man and wore a veil over his face until his own death. There are many theories as to what message Hawthorne was attempting to convey in this story. Some think the main theme is secret sin, with the veil being used literally in order to reach out to his followers. Others, like Edgar Allan Poe, believe the veil was used to symbolize guilt over a terrible crime. While the veil is without a doubt symbolic, one is also drawn to believe in its use as a tool to symbolize isolation; however, secret sin and guilt are also underlying themes.
In Nathaniel Hawthorne’s The Minister’s Black Veil, the veil poses as a cover up for the sins that the minister has done in his life. For the minister, wearing the veil seems to be the right thing to do because he is ashamed of the sins that he have committed, and wants to let the world know that he has done a terrible deed. To the minister, everyone in the church should be wearing a black veil, but they don’t instead the put on a mask which covers up what they are hiding. The veil that Mr. Hooper is wearing frightens everyone and caused uneasiness. This could be a sign of guilty, and hypocrisy that kicks in on the congregation. They know they are doing something wrong, because if they were living righteous and holy as possibly the veil wouldn’t
In Nathaniel Hawthorne’s short story “The Minister’s Black Veil”, the reader is introduced to Parson Hooper, the reverend of a small Puritan village. One Sunday morning, Hooper arrived to mass with a black veil over his impassive face. The townspeople began to feel uneasy due to their minister’s unusual behavior. When Parson appeared, “Few could refrain from twisting their heads towards the door; many stood upright….” (Monteiro 2). Throughout the story Hooper does not take off the black veil and the townspeople, including Reverend Clark from a nearby village, treat him as if he were contagious disease. A veil typically is used to represent sorrow, but in this story it is used to represent hidden sins. No one exactly knows why he
“The Minister’s Black Veil” has received critical attention since its publication in 1832. Its ambiguity has given rise to heated debate over the religious and societal messages promoted in the story. Hawthorne’s veil has been seen as a symbol of shame, isolation, and even enlightenment by various scholars. Most of these readings contextualize the story in the time period of its writing and setting, but few look at its modern implications. We plan to reinterpret Hawthorne’s tale as a commentary on modern isolation as it relates to social media usage.
Alzheimer’s disease is a form of dementia which is a brain disorder that impairs mental functioning. Dementia attacks the part of the brain which controls memory, language, and thought. It makes everyday tasks like remembering to brushing your teeth, or to pay your bills next to impossible to do, which is why so many people who are diagnosed with this disease are in complete care. This disease has different phases, the first being slight forgetfulness and then the persons emotions may heighten as well as language impairment, violent outbursts, loss of bladder control and from there it keeps getting worse until complete dysfunction of the brain occurs and eventually death, which most of the time is the result of infection.
"The Minister's Black Veil" by Nathaniel Hawthorne is a story about one clergyman's alienation due to his outward dressing. Reverend Hooper was a well-respected preacher who got along well with the townspeople until one day when he appeared wearing a black veil over his face that consisted "of two folds of crape, which entirely concealed his features, except the mouth and chin" (Hawthorne 253). From that day onward, he was alienated both socially and physically from his community and from himself due to his inability to remove the veil.
Scientists know that Alzheimer disease is characterized by a gradual spread of sticky plaques and clumps of tangled fibers that disrupt the organization of nerve cells in the brain. However , a definite cause, prevention, or cause has not been found.
The disease called Alzheimer’s is the fourth leading cause of death in the United States (Weiner, 1987). It is estimated that the elderly population will double between now and 2030. During this period, the number of elderly will grow by an average of 2.8% annually (U.S. Census Bureau, 2001). By 2050, the number of people with Alzheimer’s is estimated to range from 11.3 million to 16 million (Alzheimer’s Association, 2005). These startling numbers should prompt an examination into one of the leading causes of death among this group of people. Understanding what Alzheimer’s is and the known causes of the disease are a good starting point. For those who have aging family members, knowing the risk factors and warning signs of Alzheimer’s can be beneficial to both the patient and his family. Finally, once the patient has been diagnosed as having Alzheimer’s, a plan for treatment as well as providing the family and caregivers with a support system can help ease those involved through a very challenging, heartbreaking time.
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
Baym, Nina et al. Ed. The Norton Anthology of American Literature. Shorter 8th ed. New York:
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.