Analysis Of Remarque's All Quiet On The Western Front

730 Words2 Pages

Many of Remarque’s ideas expressed in All Quiet on the Western Front were not completely new. Remarque emphasized things that portrayed the magnitude of issues soldiers face, and how the physical body and senses affects their emotional well-being. The ideas in All Quiet in the Western Front of not knowing the difference between sleep and death, seeing gruesome sights of people, and frustration towards people who cannot sympathize with soldiers, are also shown in Siegfried Sassoon’s “The Dug-Out”, Giuseppe Ungaretti’s “Vigil”, and Sassoon's’ “Suicide in the Trenches”. All Quiet on the Western Front has many details that provoke thought of death. The image of death is apparent in The Dug-Out when Sassoon asks “Why do you lie with your legs …show more content…

In “Vigil”, a man is lying by another dying man’s side and describing the appalling sights he senses. While he is pinned down “facing the full moon / his bloated hands / permeating / my silence /”, the narrator feels has has never “been / so / attached to life” (Ungaretti 7-10, 12-14). This is extremely disturbing as when one feels closer to life ‘s system as a whole, it means they are ready to take drastic measures to either forget, or undo the experience. Nevertheless, the situation is no less frightful in All Quiet on the Western Front. The imagery Erich Maria Remarque provides is extremely haunting, as it is an accurate representation of the horrors seen at war. When Paul Baumer sees people lying dead, he says “Their sharp, downy, dead faces have the awful expressionlessness of dead children” (Remarque 130). Baumer can envision the expression of dead children without seeing them, and relate them to what he is currently experiencing, which is a true indication of a sense uncontrollable by human …show more content…

When soldiers think about commoners after a traumatic experience, they often get frustrated that no one will ever understand their plight. Siegfried Sassoon portrays this in “Suicide in the Trenches” by showing anger at the happiness of other people. Saying “You smug-faced crowds with kindling eye / Who cheer when soldier lads march by, / Sneak home and pray you’ll never know / The hell where youth and laughter go.” (Sassoon 9-12), he effectively pours his unsolvable frustrations onto other people although they are not to blame. The men he is describing are people not only who don’t care, but never had the opportunity to care because they never thought about putting themselves in the same position as these soldiers. Remarque portrays the same message, but in a different tone as he brings it to a sad end because he has no energy to fuel any more anger. He is trying to reason with himself, but then thinks aloud “And men will not understand us-for the generation that grew up before us, though it has passed these years with us already had a home…, and the war will be forgotten” (Remarque 294). The men who may be ‘remembered for their service’ will merely be remembered within their family as another human being, but not a person of strong willpower. Along with the soldier, the war itself will be forgotten

Open Document