Background (316)
Rafael Lozano-Hemmer born in Mexico City in 1967 which was the beginning of financial decline for Mexico. His parents were owners of a nightclub and most interested in the cultural environment of Mexico. Rafael says this is why he has interest in audio, it stems from his parents. His grandfather who Rafael describes as a failed chemist intrigued Rafael enough to go to school at Concordia University in Canada where he studied Physical Chemistry. Although he has a degree in Chemistry, he later realized that his interest is in the creative part of Chemistry which needs much more training than he received. Rafael has stated that he has great interest in Philosophy the study of the mind, reality, existence and values. His interest
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He explains, “Technology is inevitable. We live in a globalised society where technology is the language of globalisation. If your public watches eight hours of screen time a day, whether in Brazil or in Canada, it is the same. If you watch TV, are on the internet or on a mobile phone many hours a day, even if you are a painter, you can’t help it but your experience is already technological.” (Menezes) Most of his art is heavily technology based, many are large installations and he does have displays in museums as well. His website starts recording his art in the early 90’s and he is actively creating art today in 2015. We will examine three pieces of Rafael Lozano-Hemmer’s art. They are “Displaced Emperors” (1997), “Vectorial Elevation” (1999) and “Amodal Suspension” (2003). All three classified as Relational Architecture by Lozano-Hemmer. Relational Architecture by Rafael is intimate, relies on people to share a social experience within a public space, attracted by the spectacle, many methods to access and encouragement for …show more content…
It consists of projected images displayed on the castle surface which change with a moving projected hand. Participants move the image of the hand by pointing to the castle. 3D sensors collect this data and use it to move a robotic projector. As the projected hand passes certain locations on the castle façade, interior images from Habsburg home in Mexico City from unveil. There was also a “Moctezuma button” in the castle gift shop, when pushed it uncovered an Aztec headdress on the castle, a symbol for Mexico with music from a Mexican singer, Toña la Negra, then revealed are Austrian-Hungarian treasures.
The matriarchal structure of Juan and Lupe’s families are key factor in the molding of each of them into each a unique person that just so happen to fit with each other perfectly.
Art has always been considered the effervescent universal tool of communication. Art does not require a concrete directive . One sculpture,drawing or written creative piece, can evoke a myriad of emotions and meaning . Artistic pieces can sometimes be considered the regurgitation of the artist's internal sanctum. In Richard Hooks graphic painting,Adoption of the Human Race, the effect of the imagery,symbols ,color and emotional content projects a profound unification of a spiritual edict.
Art is trapped in the cage of society, constantly being judged and interpreted regardless of the artist’s intent. There is no escaping it, however, there are ways to manage and manipulate the cage. Two such examples are Kandinsky 's Little Pleasures, and Marcel Duchamp’s Fountain. Both pieces were very controversial and judged for being so different in their time, but they also had very specific ways of handling the criticism and even used it to their advantage. We will be looking at the motivations for each artwork, what made the art so outrageous, and the public’s reaction to the pieces.
Valle’s most significant contribution to the Spanish theatre is his invention of the literary style of esperpento, which is best represented in one of his most famous plays, Luces de Bohemia. Valle created esperpento with the aim of representing the harsh realities of Spanish twentieth century society through the concave lens of grotesque deformation, so that he could present the lives of the Spaniards in the light of mockery and absurdity. During his writing of Luces de Bohemia, the Spanish society has been brought to a halt, along with the lack of political progress and social improvement, therefore this concerning political situation has influenced and steered Valle towards his literary evolution, the exaggerated grotesque, which he though was the only suitable way to represent the shocking reality and problems of Spain. In this way, he could alarm the people to terminate their complacent acceptance of this reality and he could also produce a distancing effect which renders the reader immune to the play’s purpose, thus making the artistic experience more tolerable. His experience in the killing fields was what made him t...
Most people awake to a daily routine, in which they keep eyes dazed staring at the pavement they walk on yet so easily ignore. Usually, these same people go about their business with no more than a passing glance towards their fellow man. However, there is an enigmatic few that are more than mere pawns in the game of existence. They are passionate spectators who take in their surroundings with every sense. They rejoice in the vastness of the electric crowd and become one with it. By all means, these few can be called ‘idle city men’ or, according to Charles Baudelaire’s 1863 essay “The Painter of Modern Life”, they are flâneurs. I believe a worthy example of a man such as this, is the persona in Walt Whitman’s “Song of Myself”. He is a flâneur in all ways but one.
In this letter, Eugenio Maria de Hostos explained how he felt about people knowing they are not right plus don’t accept others with abuse of the right. Moreover, he also showed a lot of anger because the government from Puerto Rico didn’t have any representative in the Cortes. Eugenio Maria de Hostos, made emphasis that the only one to attend to the Constitutional Assembly were those executives officers of the revolution that had taken to insure that only Peninsulas who support the regime were eligible to come. In this last paragraph Eugenio Maria de Hostos, showed unhappiness when he said that they are totally able to withdraw themselves from public life. Even he said that they don’t need to have any relationships with those that for three
In the performance of life, one cultural representation that captivates and entrances people more fluently and describes the human experience more eloquently is that of artistic expression. It imposes itself unto the face of society through the individual who creates it as a reflection of any one or combination of personal, emotional, or physiological effects society or one’s own environment has inflicted onto them to compel them convey their feelings to the public. The essential argument, is whether graffiti has a place in the grand context of society. One end of the spectrum paints it as a nuisance to property owners and city officials allow for a criminal perspective of the practice. While at another end you can view it as the artist in a sense blessing others with the fruits of their inner consciousness. An artistic expression no matter what the viewpoint of society, in an anthropological context graffiti is essential to modern society and its impact is one that cannot be forgotten or lived without.
Human beings have been “posting” information about themselves and their lives to an audience of their peers long before the advent of Computer Mediated Communication (CMC) and Social Media. Used colloquially, the verb “post” describes the act of displaying or submitting information through a digital medium (Random House Kernerman Webster 's College Dictionary, 2010). However, within the context of this paper, I will be using the term in a much broader sense, as in “to affix (a public notice or bulletin) to a post, wall, or the like’ or ‘to bring to public notice by means of a poster or bill’ as in ‘the notice was posted on the wall’ (Random House Kernerman Webster 's College Dictionary, 2010).” First, I will establish that the use of symbols
Throughout this essay I will analyse Thomas Herzog’s House at Regensburg and explain the themes and principles behind different aspects of the houses in comparison to two other houses in extruded form.
You transport the labyrinthine qualities of the Lewitt text within visual transformation, boggling the mind with density of expression; I felt drawn to investigate further. At first, I sought to understand, to find the transfer of information, and then this search led to the question of whether a point even exists, a question, in certain schools of art, that cannot be fully answered. And yet, your experiment reminds me of ancient pictographs, ancient systems of writing used by ancient Egyptian, Sumerian and Chinese civilizations, and therefore have decipherable meaning.
William Blake’s poetry is known for its unique form called “illuminated printing.” This is where the poems are eng...
Through his “choreographed” letters, Massoudy gives physical form to emotions and ideas. For example, in his work “I love a flower that is slow to blossom,” (See Figure 2) he shapes the word “flower” with curves that resemble petals. The word “flower” is repeatedly written in green ink to form a leaf, or a garden speckled with red and yellow flowers. The quote written out in a straight line evokes the image of a stem.
Lorca and the Spanish Avant-Garde: Autonomous and Elitist art, F. Bonaddio, Harris, Derreck, ed, changing times in Hispanic Culture (Aberdeen: Centre for the study of the Hispanic Avant-Garde, University of Aberdeen, 1996), page 97-109.
“In a decaying society, art, if it is truthful, must also reflect decay. Moreover, unless it wants to break faith with its social function, art must show the world as changeable. And help to change it.” This quote by Ernst Fischer, a German composer, means that truth in art exposes the parts of society, and of life, that no one wants to see. In order for art to change society, it must first reflect the fears and failures of its people. The artist can change how people think of themselves and the world by using less conventional methods of creating art. The artist, in doing this, introduces new ideas of human placement in time and space, new frontiers of thought, that are furthered by the disciplines of science and philosophy. The artist works to introduces unique- and sometimes offensive- ideas so that society will be exposed to new ways of thinking and understanding the world. The artist does this through experimentation with color, style, and form. Therefore, the purpose of the artist should be to challenge how individuals perceive themselves and the offensive aspects of society reflected in art to bring about innovations in the greater society.
Art triggers emotions, and all human beings share the same hormones, which is why they have identical emotions. This creates a medium of communication that everyone can use and understand. No language, culture, age, or gender is a barrier. As part of my community-service experience, I visited Zanzibar with a volunteer group. My favorite project from that trip was painting a school wall with a diverse group of impoverished Africans. Throughout the entire experience, that was the first time I felt connected to them. We would usually read simple stories to African children, teach them simple math, or play simple sports with them. The gap between us and the African children was always there; we always felt different and it was extremely difficult to conduct conversation, because only a small portion of them would understand what we were trying to say. With painting the wall, however, no one found any difficulty with communicating. When we were done, I stood back to contemplate the art and noticed Sefu standing next to me, we both gave each other a look of satisfaction without saying anything. Mette Holme Ingeberg, Britt-Maj Wikstrøm, and Arild Berg (2012) studied the effect of art on communication in a hospital setting. Their study focused on how the use of art stimulated conversations between the nurses and the patients. They found out that “art can reveal stories from patients’ lives that staff otherwise may not have been able to access,”