Analysis Of Hip-Hop Music

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For centuries, music has been a powerful form of art that has influenced many people, social policies, and cultures. Music often mirrors the milieu from which it is created. The genre of hip-hop music, also known as rap music, developed among African-American and Latinx youth in the Bronx in the 1970s. Ever since then, it has evolved and spread to all parts of the world. However, hip hop is not just a music category – it is also a form of culture that conveys the marginalization and oppression suffered by individuals of minority populations. Because a culture often involves sharing of customs and values, sampling has been a method of building a tradition and heritage between modern hip-hop and older pieces of the same or different genres. Sampling alludes to the borrowing of musical elements from the recordings of other performers and the incorporation of these sonic* elements into contemporary hip-hop pieces. Sampling can involve borrowing just the rhythm and beat of a piece, but it often integrates parts of the lyrics as well. While it is true While it is true that Minaj used a lot of Sir Mix-A-Lot’s words, it wouldn’t be entirely accurate* to automatically assume that she was expressing the exact same sentiment*. After all, Minaj does rap about sleeping with Troy and Michael * (cite), which seems to feed into the “Jezebel concept” * (cite, ad 948 – represented as a ho, characterized by sleeping around with men) and makes it appear that Minaj is willingly offering herself up for objectification. However, one must also consider the possibility that Minaj utilizes this objectification as an empowerment tool for women. While Sir Mix-A-Lot’s song* was projecting the message “I am a man and I am standing up for curvaceous women”, Minaj’s song declares “I’m a curvaceous woman and not only can I stand up for my body, but I can also do whatever I want with

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