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Globalization to music
Music in cultural identity
Globalization of music
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The first thing to note about this performance by Guayo Cedeño and the Coco Band is the venue. The Brookfield Place is located downtown, but feels much more like an upscale mall than anything else. The stage itself was in what could be considered a food court, open to anyone passing by. This is not to say that was a bad. Quite the contrary, it proved to be an ideal place for such a performance. The openness allowed for a diverse audience, and also allowed for the speakers to echo the music everywhere. But most importantly, the performance felt very much in the moment. It was a very unique experience, partly for the act itself. While open performances in these venues are common, they are very rarely from acts that would be categorized as “World …show more content…
Their instruments are a guitar, a bass, and a drum set, which would suggest a rock genre. However, they do not seem interested in staying to one specific genre. One song that I specifically recall being called a bolero was performed on these instruments. One song (Black and White) they even stated during the performance took inspirations from discos in Honduras. The closest genre I been able to see them categorized as is “World Music” (Virtual Womex). A group that does not attach itself to a musical genre is admirable enough on its own. A group that decides to cover both modern and traditional genres in their country makes for a truly original …show more content…
Playing instruments might not seem like rigorous exercise, but like any other art form, it’s all in the passion the artist puts into it. Between every song, when Guayo Cedeño announced the next song, there was always at least some slight panting. Since there were no vocals, this was the only time we heard him and therefore heard the slight shortness of breath. Despite the lack of vocals, it reminded me of the Flamenco genre and how slight voice cracks were seen as deep concentration and passion being put into the performance. In a way, that’s what this shortness of breath came to signify. It showed both the Coco Band’s concentration in their performance and the passion they put into their performance. It’s what helped endeared them to the audience, or at least to me. They went into the music with all they had, giving the performance a kind of passion and energy that just cannot be duplicated. It made the group one of a kind and
The five members that are in the band as of now are younger than the main singer because the original member were “recycled” and when they left the band, new people were added in. When “Josecito Leon y Su Internacional Banda Roja” perform they have their own uniform that they wear. Their type of clothing represents the traditional way of how Mexican people dress, but with more exaggerated colors that stand out. The main singer wears a “sombrero,” and they all wear boots, buckle belts, and their “Grupero” outfits that are embroidered with their band’s name and have vivid
Try to name a band that's been around since 1938. Keeping that tradition alive for so long is no easy task for Banda El Recodo. It takes dedication from generations of musicians who want to fight for a cause. On the exterior, this cause looks like music but there could be something more
Throughout the years Latin music has slowly made an impact in the music industry in the United States, from the traditional mariachi to the vibrant Rock en Español. But it is the controversial folk-music genre called narcocorridos that has made a major impact in the last few years in the United States, mainly the southwestern states that border with Mexico. Also called drug ballads, this subgenre of the traditional corrido has emerged since the 1990’s as the principal instrument to chronicle the odyssey of Mexicans across the Rio Grande in a drug-infested universe (Stavans). Played by the tuba, an accordion, drums and a guitar, narcocorridos are about violent confrontations between cartels and the luxury lives of powerful drug lords. With the violent drug wars in the last ten years in Mexico, narcocorridos have been the music trend to many, mainly the young generation. People get influence by this music and want to live the expensive and exotic life these drug lords live by. In this research paper I am going to explain how the emergence of narcocorridos has influenced the young generation and societies in the United States and Mexico.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
Originally, Mexican music incorporated rattles, flues, drums and shell horns. Over time however, the people of Mexico altered the Spanish theatrical orchestra and made it their own. In addition to what was already being used by the Spanish, the Mexican people included trumpets, guitars, and even violins. The mariachis – or singers of the rancheras – also incorporated ‘gritos’ or shouts into their songs. Sociocultural analysts have theorized that The ranchera was always used as a form of communication by the mariachis, especially to the opposite sex. It was also meant to be the ‘music of the people’ since it had rural roots, so it appealed to lower class commoners. It was not only song however, it also incorporated dance. The dance style was known as Zapateado, this was a style that originated from Spain where performers would dig the heels of their shoes into the dance floor while pounding out rhythms that aligned with the mariachi musical instruments. Mariachis covered the exuberant highs, muted lows, and personal growth of all the people through these energetic styles. Today, Mariachis can be found performing rancheras to celebrate important events of all Latino people – not just
This is the festival of the general population living in the Cuban field, where the agriculturists tunes sound with the connivance of run of the mill instruments as the tres, the laúd, the güiro and the guitar.
The never-ending conflict of Mexico’s drug war has led to the rise of this pop culture narcocorridos. The horrifying news of the cartel war reflected in a controversial music genre of narcocorridos. The lyrics are glorifying the violent crimes and drugs. Narcocorridos differ from the rap because it does not only focus on drugs and money. Narcocorridos talk about family in depth, they also talk about the role they play in this type of life, but the difference here is that these Narcos use other artists to have them create the music for
Music is like food; it is part of everyday life. As I said before, there are a mix of both traditional and modern genres. The most popular genre as we hear today is banda or band. It usually consists between 10 and
In conclusion, the concert was really interesting and I enjoyed myself. In my opinion the two pieces that I really like in this concert, are Sounden Horn and Polonaise from Engine Onegin, the shift between the melodic lines and the element of beauty is what made me like it. In the future I would recommend it to my friends and I will not mind to go with them at all. This kind of music is the best to me by far.
Coca is a plant coming from South America that for thousands of years been cultivated in Peru, Bolivia, and Colombia. The coca leaves have played, and still play, key social, medicinal, and ritual purposes for millions of indigenous people living in the Central and North Andes and Amazonia. Coca is a mild stimulant, however, it has been criminalized and equated with cocaine. It was not until 1855, when a German scientist fabricated cocaine, the laboratory-produced alkaloid separated from coca leaves. This formerly licit commodity was transformed into an illicit drug, due to the influence of Western morals and behavior. In Bolivia, the transformation of coca has drastically affected the peasantry in the region, altering social discourses, local and national economies, as well as traditional, indigenous practices. Today, coca cocaine as a commodity employs billions of people, this is an economy of its own, but the lines of legal and illegal cross and blur.
During the course of this semester, the several musical styles that have been discussed and analyzed have displayed various similarities and differences. These differences in certain musical elements have accounted for the distinctiveness and uniqueness of each style of music. The culture behind these countries’ music adds even more to their individualism. Cultural aspects such as religion play a huge role in the music of each country as well. Styles of music in Africa might be more upbeat than certain styles in India, for example. Some cultures use music in religion, while others may not. Aspects such as dance are important factors in all three types of music. Despite the differences and similarities, however, without music, these cultures would perhaps not be as fascinating and unique as they are now.
Flamenco is an individualistic folk art, a genuine Southern art form, which was mainly originated by Andalusian gypsies. It exists in 3 forms: El cante, song, el baile, dance and guitarrra, guitar playing. Its roots also are with Arabs, Spanish Jews and socially outcasted Christians. The flamenco essence is song, which is usually accompanied by guitar and improvised dance. Complex rhythmic patterns and sophisticated footwork differs from other European dance forms.
The small setting and the crowd he was able to project his sound without having to use a huge amount of energy. What was really impressive to me was the fact every musician gave it all they had with their performances. I really enjoyed the energy of the musicians and the audience during the Christmas show. As stated before the lights and acoustical sound from the cathedral; made it that much more of a special event. I would definitely recommend this show to family and friends and I would change a thing in the
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.