Analysis Of Brozel's Adaption Of Macbeth

914 Words2 Pages

Brozel’s adaption of Macbeth was very successful in keeping the core components of the play’s themes intact. One of the most important themes that is present throughout the entire of the Macbeth play is ambition. This theme is demonstrated best through the two main characters; Macbeth and Lady Macbeth. Macbeth is a courageous general who was naturally wanting to commit evil deeds, however he deeply wants power. Macbeth murders Duncan, which goes against his initial thoughts. After this he spirals into guilt and anxiety, “How is't with me, when every noise appals me?”. Towards the end of the play he further becomes engulfed with boastful madness. However, Lady Macbeth has her own ambition and pursues her own goals with complete determination; …show more content…

However an observation made from the play version is that many of the murders are described later on and not directly at the times they were committed. This can be scene in the opening scene where the captain describes the blood of the battlefield to Macbeth, “Disdaining fortune, with his brandish'd steel, Which smoked with bloody execution, Like valor's minion carved out his passage Till he faced the slave; Which ne'er shook hands, nor bade farewell to him”. This is similarly demonstrated at the start of the retold version of Macbeth in the scene where we see him brutally cut apart the head of a pig. We see this motif of violence appear throughout the story in the murders of Duncan, Banquo, Lady Macduff and Macduff’s son. A common factor between both mediums that Brozel kept is the presentation of these murders. While there process may have been altered, ultimately you did not see the murders and instead saw and heard the reactions of other characters. This is relevant to a modern audience as it is about the emotional response of the audience and characters. As we see in the following scene after Banquo’s murder, the dialogue of the play and television show are similar, “You are the best of the cutthroats. But whoever did the same to Fleance must also be good. If you cut both their throats, then you are the absolute best.” as opposed to “Did you get him?... His boy was with him?”, this is because it is relevant in both mediums as a style of adding some suspense for the audience. Some scenes are exaggerated in the remade version such as when Macbeth is cut with a knife, this is to prolong the intensity and extend the action as it fits better for a film-type

Open Document