Every year, more than two million new works of literature are issued in the world. This number is, of course, no surprise, as literature has been, for many centuries, an extremely efficient way of communicating and telling stories. It is quite a challenge, however, to write an interesting, beautiful, and powerful piece of literature, yet analyzing it can be even harder. One piece of literature that, I believe, demonstrates these qualities is Magus Magnus’s poem, “An Old Soldier Cleans His Rifle for the Last Time.” The poem’s movement, for instance, is an important aspect to this work. Moreover, to emphasize some important instances and clarify the message, Magnus delicately and predominantly also uses repetition. In fact, he also uses a poetic …show more content…
For instance, “smell of gunpowder” (Magnus, 6), which is repeated multiple times, is a demonstration of how much the soldier values his war memories, for the solder describes the smell as “stimulating” (Magnus, 8) and “life-giving” (Magnus, 7). At the same time, as the soldier describes war in an enumeration towards the end of the poem, the audience learns his sadness and regret in face to the fact that “No one comprehends a soldier’s work anymore” (Magnus, 28). This enumeration, however, is used to recreate the images that the soldier experienced during his service so that the audience would feel the intensity of war. In addition, the assonance in “knobby bones” (Magnus, 4), on top of emphasizing the bold character of the soldier despite his age, evokes an image of an old, forceless man, which fits well with the beginning of the poem, in which the soldier is portrayed as weak and unenthusiastic. Nevertheless, one of the most important imageries is the fact the rifle itself represents war; thus, the soldier takes so much care of the rifle because the rifle, or the war, once took great care of him by shaping him into the man he is today and, most importantly, by keeping him alive. Imagery, therefore, proves how Magnus delicately transmits information so that an appropriate characterization could take place, which informs the audience about the soldier’s character and, ultimately, the importance of war to the
Guy Sajer’s The Forgotten Soldier is a work notable not only for its vivid and uncompromising account of his experience as a member of the Wehrmacht in World War II, but also for its subtle and incisive commentary about the very nature of war itself. What is perhaps most intriguing about Sajer’s novel is his treatment of the supposedly “universal” virtues present within war such as professionalism, patriotism, camaraderie, and self-sacrifice. Sajer introduces a break between how war is thought about in the abstract and how it has actually been conducted historically.
This art analysis will define the theme of the universality of 20th century modern warfare in the context of modern works of art by David Levinthal and Roger de la Fresnaye. David Levinthal’s “Untitled” (1972) is commentary on the mass killing of modern warfare in the 20th century, which killed many millions of men during Hitler’s invasion of Europe. Levinthal’s childhood imagery of tanks, soldiers, and homes visualize the mass killing of war as a “universal” concept in the depiction of the modern psyche. Roger de la Fresnaye’s “Artillery” (1911) is also a commentary on cubist imagery that projects a military
Jarrell concludes his poem and his metaphor with an impactful line five and six. “I woke to black flak and the nightmare of fighters When I died they washed me out of the turret with a hose.” The literal imagery in line five depicts the final moments of the gunners life. In describing them as “black” and “nightmare” he conveys the horror of this particular end. Jarrell concludes his poem and his metaphor with an impactful line five and six. “I woke to black flak and the nightmare of fighters When I died they washed me out of the turret with a hose.” The literal imagery in line five depicts the final moments of the gunners life. In describing them as “black” and “nightmare” he conveys the horror of this particular end. This sense of horror extends into his impactful final line describing being washed out of the turret with a
In “The Things They Carried” Tim O’Brien uses this story as a coping mechanism; to tell part of his stories and others that are fiction from the Vietnamese War. This is shown by using a fictions character’s voice, deeper meaning in what soldier’s carried, motivation in decision making, telling a war story, becoming a new person and the outcome of a war in one person. Tim O’ Brien uses a psychological approach to tell his sorrows, and some happiness from his stories from the war. Each part, each story is supposed to represent a deeper meaning on how O’Brien dealt, and will deal with his past. In war, a way to discover and to invent new ways to release oneself from the pressure of it, O’ Brien’s writing is all about it; this stories will makes the reader understand his burden.
On the very surface The Death of a Ball Turret Gunner is a poem about just that. A soldier who goes into battle and dies. Jarrell paints a gruesome picture about being awakened by flack cannons and being killed shortly thereafter by the same things. In all his works Jarrell never glamorizes the war and never attempts to make sense of or find meaning in it. Instead he simply uses the horrors of battle to fuel his works by drawing comparisons from the grand scale of world war to the mundane aspects of everyday life.
By allowing the reader the "[privilege of] the soldiers experience" (Chattarji) it shows how difficult it is to get rid of the weight as begins to define you and the more it becomes a part of a person the harder it is to remove an aspect of yourself. In his repetition, O'Brien wants to give readers a deeper meaning into the everyday struggles of soldiers. He portrays the ways that soldiers were effected in the war and focused on the burdens that developed. O'Brien highlights how war changes those involved as "[the individual dreams of soldiers rise and fall and] their hopes riddled by disillusionment, their fantasies broken by shrapnel edged realities" (Timmeran). Wartime altered soldier’s perception and caused them to develop these emotional and physical weights that followed them for years. When many solider returned they were now stuck with daily burdens that had started since the day they landed in Vietnam. Constantly, these soldiers endured the long lasting results of participating in the war and unable to escape or forget the weight that they endure. "The Things They Carried" serves as a constant reminder to readers about the true realities of soldiers and the impact of war. How soldiers are not stable as they return home because of these weights that have become a part of them and how simple acts such as carrying around a weapon has now manifested itself into an emotional burden that will not leave. Often the realities of being a soldier are not portrayed accurately but O'Brien attempts to put into perspective what it really is like to go through warfare by drawing on his own experiences as a foot
The Roman philosopher Seneca the Younger once said “Perjor est bello timor ipse belli”, which translates to: “the dread of war is worse than war itself”. With this quote, Seneca identifies that war has both its physical and mental tolls on its participants. The psychological and emotional scars of war do much more damage to a solider than the actual physical battles. Tim O’ Brien repeats this idea many years later in his novel “The Things They Carried”, by describing how emotional burdens outweigh the physical loads that those in war must endure. What keeps them alive is the hope that they may one day return home to their loved ones. Yet, the weight of these intangible “items” such as “grief, terror, love, longing” overshadow the physical load they must endure since they are not easily cast away.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
The narrator in “The Things They Carried” deals with the subjective conditions of war. Throughout the story, straining emotions often brought O’Brien’s teams emotions, especially after a death, causes a “crying jag” with a “heavy-duty hurt” (O’Brien 1185). The fury of emotion associated with death begins to erode the sharp minds of the soldiers and become mentally effective. After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might dies” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taken place in the psyche of the narrator is repressed directly by the war. The protagonist in “The Yellow Wallpaper” is also faced with the task of coping with mental
Vivid imagery is one way with which writers protest war. Crane uses imagery to glorify, and shortly thereafter demean and undercut war, through the use of imagery, by placing positive and negative images of war close to eachother. “Blazing flag of the regiment,” and “the great battle God,” are placed before “A field where a thousand corpses lie.” (A) These lines’ purposes are to put images into the reader’s head, of how great war may appear, and then displaying that there are too many casualties involved with it. In Dulce Et Decorum Est, a man is described dyin...
This is about the bullets that puncture the air and the image of ‘smacking’ refers to the winded feelings the solider has as he runs for his life across the field. His ‘numb’ rifle and ‘smashed arm’ have a the same meaning: he could feel numb to the pain he has to cause with the rifle. He could have smashed his rifle into his arm in his panic. This highlights both the soldier’s inexperience and trauma at what he has had to do in the war. This poem highlights the reality of conflicts and the fear and terror that soldiers feel.
Randall Jarrell surfaced as an influential World War II poet in 1945. He primarily focused on the psychological and emotional struggles that a young soldier must endure to ensure discipline, adherence, and unshaken loyalty in the demanding and gruesome atmosphere of war. He joined the Army Air Corps in 1942, but soon flunked out and became a control tower operator for the Army (Burt). While in this position he gained most of his insight for his works allowing his wartime experience to augment the veracity of his poems. Randall Jarrell’s early works; “Death of the Ball Turret Gunner”, “Losses”, and “Gunner” focus on the overwhelming entities that war has on a human being specifically focusing on a maternal figure, an innocent youth, psychological
Randall Jarrell’s “The Death of the Ball Turret Gunner” exposes the grim nightmares and wastes of war, and the bitter resentment towards the exposure and experience of combat that transgresses the death of a soldier’s innocence. The title distinctly acknowledges a collective group versus a single gunner to emphasize the universal remorse, and creates a stark scene of war and death. Despite the blunt scene, the reader is left with a surreal location and time reiterating the focus of an extensive setting, further representing the unending message that death has no specific time or place. The speaker immediately evokes compassion through alliteration by creating an image of a youthful adolescence in, “From my mother’s sleep I fell into the State” (1).
In the beginning of the short story, the young boy is already imprinted with the ideas of war from his father. His father was a former soldier who “had fought against naked savages and followed the flag of his country..” (Bierce 41). The image of war that is imprinted on the young boy from his father is that of nobility and righteous that comes from war.
One of the worst things about war is the severity of carnage that it bestows upon mankind. Men are killed by the millions in the worst ways imaginable. Bodies are blown apart, limbs are cracked and torn and flesh is melted away from the bone. Dying eyes watch as internal organs are spilled of empty cavities, naked torso are hung in trees and men are forced to run on stumps when their feet are blown off. Along with the horrific deaths that accompany war, the injuries often outnumber dead men. As Paul Baumer witnessed in the hospital, the injuries were terrifying and often led to death. His turmoil is expressed in the lines, “Day after day goes by with pain and fear, groans and death gurgles. Even the death room I no use anymore; it is too small.” The men who make it through the war take with them mental and physical scarification from their experiences.