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American cultural identity essay
American cultural identity essay
American cultural identity essay
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American culture in Parodies: A Look into Vampires Suck (2010) and Starving Games (2013) by Nadine Magsalin Parodies introduces its audiences to the ideas of the frontier, harsh life, violence, outlawed gun fights, but especially the symbolic landscape (Cawelti 1978: 193) and the inventory of characters such as gunslingers, villains, beautiful ladies and prostitutes that have not only formed specific aspects of the genre of the western, but also of a myth of American cultural identity. According to many critics (Poirier 1968; Bradbury 1980) parody is one of the most important forms and tropes of the twentieth-century literature. Not only parody, but also irony used in popular genres point out, on the one hand, the exhaustion of traditional …show more content…
Kantmiss is tracking wildlife and sees a chicken on a tree branch. She pulls back and as she is about to release the arrow a friend of hers jumps up and surprises her, the arrow goes way off its mark, towards a man in a balloon gondola, hits him in the chest and he falls dead to the ground. Maiara Walsh is Kantmiss Evershot which I could accept as a clever character name. Maira Walsh also has nice comic timing of her own. In addition, another lead caught my attention, Diedrich Bader, plays an amusing President Snowball (Hunger Games' President Snow). Some other good points about the movie are as follows: flow from scene to scene is good, use of an actual forest, the announcers, the blue guys and the pink lady. One setback for the movie would be the scene wherein the two main parody characters having sex behind a picture of the president's face (only to have Gandalf and Hagrid from Lord of the Rings and Harry Potter show up like perverts), people getting kicked in the crotch and a girl hallucinating about being a character from Avatar (another popular movie) and having sex. In addition, a majority of the movie was spent with scenes such as cheerleaders dancing around wearing plastic funnels in their shirts. This parody might not make you laugh, but it will make you (at least) …show more content…
Say in Twilight, it was known to be a movie who was popularized by hormonal teenagers longing for the same love Bella has with Edward. The more with a love triangle with a gorgeous wolf, Jacob. Or basically, the stereotype of young love. There are loads of unhealthy stereotypes out there – and you should know that you don’t even have to date, and focusing on finding a guy probably won’t end well. If you’re young, one has to focus on building solid friendships and not on how gorgeous your future man will be. In Starving Games, however, the focus is more on unusual sex (say in very unusual instances) and the very notable stereotyping of cheerleaders. The parody delivered the expected stereotype for a cheerleader - one who is popular, drama making, and makes fun of other "non-popular" people. The movie also made use of plastic funnel underneath these cheerleaders shirts so as to objectify the breast of these
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
My analysis begins, as it will end, where most cowboy movies begin and end, with the landscape.Western heroes are essentially synedoches for that landscape, and are identifiable by three primary traits: first, they represent one side of an opposition between the supposed purity of the frontier and the degeneracy of the city, and so are separated even alienated from civilization; second, they insist on conducting themselves according to a personal code, to which they stubbornly cling despite all opposition or hardship to themselves or others; and third, they seek to shape their psyches and even their bodies in imitation of the leanness, sparseness, hardness, infinite calm and merciless majesty of the western landscape in which their narratives unfold.All of these three traits are present in the figures of Rob Roy and William Wallace--especially their insistence on conducting themselves according to a purely personal definition of honor--which would seem to suggest that the films built around them and their exploits could be read as transplanted westerns.However, the transplantation is the problem for, while the protagonists of these films want to be figures from a classic western, the landscape with which they are surrounded is so demonstrably not western that it forces their narratives into shapes which in fact resist and finally contradict key heroic tropes of the classic western.
While the tone may range from playful to angry, satire generally criticizes in order to make a change. Exaggeration, parody, reversal, and incongruity are satirical devices. Author’s use satirical devices to strengthen their central idea.
Wright, Will. (2001). The Wild West: The Mythical Cowboy & Social Theory. New Delhi, London: Sage Publications.
Satirical writing allows the author to express his or her opinion about a problem in society. A writing must follow three rules in order for it to be classified as satirical. First, a continuous focus on one’s subject’s faults. Secondly, instead of telling the reader directly, information must be given indirectly. Thirdly, the writing must have a variety of satirical techniques in general (Festa). With these simple guidelines, an author can demonstrate his beliefs of what he thinks needs to be changed in society.
Lyon, Peter. The wild, Wild West; for the discriminating reader. New York, Funk and Wagnalls, 1969.
...arody is the imitation if a work of literature, art, or music for amusement or instruction. Parody usually uses exaggeration or inappropriate subject matter to make a serious style seem ridiculous.
The films Young Frankenstein and One Flew over the Cuckoo’s Nest can be viewed as a critical analysis of society’s issues and dysfunctions in the form of satire and parody using humor. While Young Frankenstein, Mel Brooks cinematic version of the gothic novel, Mary Shelley’s Frankenstein, uses parody in the form of Horatian satire, which is achieved through gentle ridicule and using a tone that is indulgent, tolerant, amused and witty. The film One Flew over the Cuckoo’s Nest, the adaptation of the Ken Kesey novel, uses a form of satire called Juvenalian satire which is demonstrated in the form of attacks on vice and error with contempt and indignation. Horatian satire will produce a humor response from the reader instead of anger or indignation as Juvenalian satire. Juvenalian satire, in its realism and its harshness, is in strong contrast to Horatian satire (Kent and Drury).
The image of the cowboy as Jennifer Moskowitz notes in her article “The Cultural Myth of the Cowboy, or, How the West was Won” is “uniquely
The story is an Eastern take on the Hollywood western with a dash of satire,
Thoughtful laughter is a technique used frequently in satirical pieces in literature. It allows for the audience to enjoy the wittiness of a work, later ponder on the meaning, and then apply the message to reality. Thoughtful laughter is often an inner experience that can only be achieved by authors who write meticulously. Two examples of satirical works in literature that display this concept explicitly are Voltaire’s Candide and C.S. Lewis’ The Screwtape Letters. Both authors explore the depths of satire and simultaneously deliver an important message to readers through skillful technique.
Satire is a great tool used by many writers and actors since ancient times. The earliest example that we know about is a script from 2nd millennium BC in Ancient Egypt (Definition: Satire) and since then has evolved into a great part of our society. Satire is used to point out the faults of human vice in order for change and reform in either of two ways. There is a very bitter Juvenalian or a mild and light Horatian. In order to fully understand these forms of satire, method, purpose, and applications will be addressed.
Primarily used in satire is the literary device, irony, which is often displayed in both Swift’s essay and Voltaire’s novella; it is used to convey the duplicity of certain ...
Many aspects of the time period are made a mockery through puns and witty remarks from the
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.