What do all cultures have in common? All cultures have some believe that after death the soul goes to an underworld. In the underworld there is a variety of different gods and creatures, beliefs of what happens to the soul, the settings in them, and the hero’s journey to and from the underworld. In ancient Greece they believed that a god by the name of Hades ruled everything beneath the earth. They also saw the importance in the length of ones life. This is why they had the three semi-goddesses who are responsible for the spinning of life and death is called the Moirae. The three Moirae consists of Clotho; who is responsible for spinning the string of life. The second is Lachesis, who is the measuring of the string of life. The third is Atropos who is the cutter of the string of life. Guarding the gates of the underworld there is a violent creature by the name of Cerberus. Cerberus is a three headed dog. At the beginning of the river of Styx there is a person named Charon. Charon, is responsible for the transportation of the living to the underworld across the river. Charon requires the dead to pay a coin for a right of passage to the underworld. If the dead are unable to pay they may wonder at the gates for hundreds of years. Because of Charon’s fee for the right of passage to the underworld; the Greeks had to develop a tradition to burry their dead with either two coins that go in each of the eyes or one coin that goes into the mouth so that their loved ones would not be required to wonder around for hundreds of years. Although the Greeks were not very specific in the locations of the three parts of the underworld they are specific about what they are and what they include. In the underworld there are the Elysian islands... ... middle of paper ... ...d God(Rudd 8-11). Keep in mind the punishments are still getting worse as they go down to the bottom of hell. These punishments are to stay in a river of blood or get shot, get souls trapped in trees and only talk when bleeding and having harpies eat them, very weird and the last one is burning sand and raining fire. Dante may have chosen to give the seventh layer these punishments because he saw it fit because since they harmed themselves god or others they will be harmed forever in hell. Not done. Will finish The underworld and hell are mystic places held home to many gods, beast, strange places, and stories. In the underworld Hades is the main god of it, he is the one who is the keeper of the dead as well. What about Dante, leading through his nine layers of hell and the weird yet immaculate structure of the punishment and layout of it all is just amazing.
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
The Greek Minoans believed the snakes in the Goddesses hands represented protection; and the "renewal of life" since snakes shed their skin every so often, to reveal newer skin.
A man dies. He winds his way down into the underworld to reach the banks of the river Acheron where he meets the ferryman Charon. He takes a coin from his mouth to pay the toll across. On the opposite bank he is greeted by a Maenad or perhaps Bacchus himself who offers him a kylix of wine. Drinking deep, the man is transformed and resurrected from death to a higher plane. Instead of living a miserable dream in the underworld he receives redemption from his god Dionysos, the Savior. In Roman imperial times there was a great resurgence of the "Mystery" cults of Greece fueled by the hope of a life after death. In funerary monuments there can be seen the tenets of the religion as well as how it views the afterlife. Within the Los Angeles County Art Museum stands such a vessel created to facilitate this journey to eternal bliss.
In Dante’s Inferno, Dante narrates his descent and observation of hell through the various circles and pouches. One part of this depiction is his descriptions of the various punishments that each of the different sinners has received. The various punishments that Dante envisions the sinners receiving are broken down into two types. The first type he borrows from various gruesome and cruel forms of torture and the second type, though often less physically agonizing, is Dante’s creative and imaginative punishment for sins. The borrowed torturous forms of punishments create a physical pain for the shades, whereas the creative punishments are used to inflict a mental and psychological suffering. However, it is possible for the creative punishments to inflict both a mental and physical pain upon the sinner.
The underworld is a place of departed souls, imagined as being under the earth. This means that Hades has to
In ancient times, the Greeks had absolute and undeniable respect for their gods. They demonstrated their admiration by putting in place many rituals and celebrations to reverence the gods that they loved and feared in order to ensure harmony with them. In particular, the focus will be on the religious beliefs of the Greeks, including prayer and sacrifice, as well as on festivals and the arts, such as the ancient Olympic games and theatre. These aspects of their culture made a significant contribution to their quality of life. Moreover, these topics will be examined in relation to the twelve Olympian gods and their associates.
Hades, the God of the Underworld and Death, also the God of the Riches. Most of Hades and his four siblings life was spent in the stomachs of Cronus his father. Cronus was the Titan God of time and the ages. He was afraid if he had not eaten his children he would be overthrown by one of his sons. If not for Zeus later on Forcing the Cronus to disgorge them Hades would not have had a life at all. Together Zeus and Hades Drove the Titan Gods from the heaven down to a pit and locked them away. Hades gaining control of the Underworld realized he was missing something. A wife, he demanded for his brother Zeus to give away one of his daughters to him. Zeus chose Persephone now the Goddess and queen of the Underworld. Although this did not happen so easily, Zeus knowing his daughter would not accept to marry such a man like Hades he quickly had his own daughter abducted just to please the God of the underworld, but her mother Demeter the Goddess of Agriculture, grain and bread was not happy about this and demanded her daughter back. When she was not given her daughter she put a great dearth upon the earth until she was handed back her child. Hades did send her back from the Underworld only because she had tasted the pomegranate seed and had to return to him a portion of each year. People thought of Hades to be a regal god who was dark haired and held an bird-tipped sceptre ("HADES : Greek King of the Underworld, God of the Dead ; mythology ; pictures : HADES, PLUTO”).
The relationship between justice and punishment has been an essential fabric of society for centuries. It’s important to note the significance of justice in this equation. Justice to Dante is whatever you do in this life will haunt you in the next one. Whatever sins you commit will be your punishment. The circles of hell Dante creates is a just punishment for sinners. Those who commit incontinent crimes, violent crimes, fraudulent crimes, and worse crime against the perfect city deserve to be in the inferno. This punishment is just and supports the claim that Dante presents an image of a just God.
Aeneis's first contact with a soul in the purgatory of the Underworld is Palinurus, who died after falling from one of Aeneis's ships. Aeneis is at the mouth of the river that flows through hell with his guide the goddess Diephobe and Charon the ferryman. Palinurus is waiting to be ferried to his place in the Underworld, so he can begin his thousand-year purge. He pleads with Aeneis's party to take him along, but Deiphobe scolds him: "Shalt thou, unburied, see the Stygian flood, / The Furies stream, or reach the bank unbid?" (107). In Vergil's Underworld one must have had a proper burial to gain a position. This serves as a warning to Romans to give their deceased a proper funeral, less they remain in hell longer.
Dante is undoubtedly biased in his punishments and rankings of his sins as a result of his personal thoughts and experiences. Although some of his punishments are fairly reasonably and match the crime, there are also some circles that are in the wrong order and have unjustified punishments. A few of the circles that are the most disagreeable include limbo, the lustful, violence against self, and complex fraud. These specific circles are disagreeable because Dante ranks them based on his own experiences and thoughts. Hell could also be redesigned in a completely different way to make it more reasonable. Dante’s divine comedy has some major biased within it, making the sins and punishments arrangements arguable, and able to be completely redesigned.
"Hades (Greek Mythology)." Encyclopedia Britannica Online. Ed. Kathleen Kuiper. Encyclopedia Britannica, 18 July 2013. Web. 31 Oct. 2013.
Despite the obvious flaws of Dante himself, he does give a clear vision of how punishments will be taken forth in the afterlife. He gives reason to fear and respect the law of God lest eternal punishment be your only promise in the afterlife. These punishments are as relevant as can be, so he offers a very vivid picture of hell. The men that he puts in hell give it a realistic twist, enhancing the fear that is felt upon reading this work
When one would die, the family would place one obol, or a coin, under the deceased's tongue. This coin would pay as fare to Charon who would ferry the dead over the Acheron River. Charon is the ferryman who is often depicted as an old sulky man, or as a winged demon carrying a double hammer. Those who cannot afford to pay Charon were doomed to wonder the banks of the Acheron River for one hundred years. Guarding the Underworld was the three-headed dog Cerberus. He permitted new spirits to enter, but never one to leave.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
“Inferno” by Dante Alighieri, written in the fourteenth century, is the first part of Dante’s epic poem, “Divine Comedy.” “Purgatorio” and “Paradiso” followed it. “Inferno” was an allegorical account of Dante as he descends through the nine levels of Hell with his guide, Roman poet Virgil. As Dante travels through the levels, or concentric rings of Hell, he begins to have a new understanding of religion and begins also to question his own morals and ethics. In the first few rings, Dante feels a large amount of pity for the tortured souls he sees. However, as he reaches the inner rings, he is less inclined to feel pity for the sinner souls, and eventually realizes that to feel pity for those in Hell is to demonstrate a lack of understanding. This is because divine justice is infinitely perfect and sinners receive punishment in proportion to their sins. The Sullen choke on mud, the Wrathful attack each other, the Gluttonous are forced to eat excrement, and so on. Dante refused to believe that every sinner is destined to suffer in the same Hell regardless of the severity of their sins. This highlights one of the major themes of “Inferno”: the idea that God’s justice is perfect. As harsh as it may seem, this punishment is completely deserved by the sinners.