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Act 1 Scene 1 as an Effective Opening to Othello
The play begins in a dark street in Venice and the audience is thrown
into a heated debate between Iago, a soldier and Roderigo, a wealthy
Venetian. Roderigo is rejecting, 'Tush, Never tell me', what Iago has
just said and is angry as Iago has not informed him that Desdemona has
eloped with Othello, a black general hired by the city of Venice to
protect it from the Turks. Iago has been apparently helping Roderigo
win Desdemona's, daughter of the rich merchant Brabantio, heart, in
return for money 'Iago, who hast had my purse As if the strings were
thine'.
The audience is already taken by surprise as Othello, the protagonist
who they are expecting to see is not on stage. This dramatic device
used by Shakespeare shocks the audience, creating intrigue to see when
he will appear. Further tension is created, in just the first few
lines, by opening the scene with interrupted discourse. The audience
wants to know what has happened to cause such an argument and as it
seems to be a question of money and love; suspense increases.
Roderigo continues with 'Thou told'st me thou didst hold him in thy
hate', aggressiveness is represented in this line with the
onomatopoeic repetition of 'dst' which creates a spitting sound when
spoken. The first signs of Iago's deceiving character are shown here
as he has already stated he hates Othello and though there is no
apparent reason to not believe Iago's claims he knew nothing of the
love, secrecy (with no introduction of Othello yet) shadows the
situation. Iago's confident character is displayed when saying
'Despise me if I do not', not caring what Ro...
... middle of paper ...
...ting others fascinates
the audience. The contradictory views of Othello intrigues the
audience as he has been frequently insulted but they are also told
that the moor is a highly regarded soldier by the Venetian senate.
Othello's "oddness" is established through references to him as 'the
moor' or 'the thicklips' introduces the theme of deception as well as
Roderigo initially believing Iago had deceived him; Desdemona
deceiving her father by mrrying secretly; and Iago's intentions to
deceive Othello in form of revenge. Trust and jealousy interlace with
this key theme with Iago jealous of Cassio, Roderigo jealous of
Othello, Brabantio eventually trusting Roderigo, who trusts Iago etc…
Finally, references to a greater conflict, the invasion of Cyprus,
accompany the different opening and ending disputes of Act 1 Scene 1.
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
This means very black people, which in Elizabethan times were believed to be evil. Nowadays of course, we know that this is not true. Other quotes highlighting the blackness and mystery of Othello include 'What a full fortune does the thicklips owe,'[1] quoted by Roderigo early on in the Act referring to his lips. Another quote that he says is 'to the gross clasps of a lascivious moor:'[2] again speaking negatively about Othello. Shakespeare intentionally made Othello a black character to create an impact on the audience, although it was more effective when it was acted out in Elizabethan times because they were so critical of coloured people.
Act 1 Scene 1 opens with an expression of jealousy and hatred: Roderigo is upbraiding Iago because of the elopement of the object of his affections –Desdemona -- with the Moor: “Thou told’st me thou didst hold him in thy hate.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
In the play Othello by William Shakespeare, we see a black man marrying a wealthy young white woman named Desdemona. The black man named Othello serves the Italian government, as a general, this man is a very a loyal and trusting person. Othello is easily persuaded as stated by Iago, his ancient, who wrights this passage about him ““The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. (Act 1, 3,405.)“ This shows us the kind of man Othello is a trusting man, and thinks that everyone is telling the truth. This opens Othello, to believe on the lies that Iago, is telling him. However, Othello is not a stupid man, he is a general after all, and must be shown proof when people put up arguments especially against his own wife, cheating on him. Now the question is why did Othello not look for his own proof of the acquisition laid up against his wife cheating. He surly is not stupid, considering that he has such a high position. In this essay, I will explain why, Othello does not look for more proof, of his wife’s affairs and merely believes Iago.
The crucial moment in the play is the scene where Iago deceives Othello and induces him to fall. He does this by expanding the tactics used in prior scenes. Iago plants the seed of doubt in the Moor’s mind when he says, “Ha! I like that not “ (III, iii) as they came upon Cassio and Desdemona talking. He then retreats into a guise as “honest Iago” as he did in the brawl (II, ii). When he was the reluctant truth teller who must have unpleasant news dragged from him by a determined Othello.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare’s Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.
Through studying Shakespeare’s and Cinthio’s Othello, I explored the concept of ‘The Moor’. ‘The Moor’ is a disrespectful and racist term , often used by white Europeans referring to arabs and blacks, and people of other races with relatively dark skin, such as Othello. During Shakespeare’s time, blacks are considered to be outsiders and are inferior to white people. In Cinthio’s work, it stated that moors are hot-headed as evident in this quote ‘you moors are of so hot a nature that every little trifle moves you to anger and revenge’ which is evident that moors are hot-headed. In scene 1 of the play, Iago told Desdemona father that his daughter was robbed by a thief, Iago uses metaphor to describes Othello as a “black ram”. Desdemona’s father was shocked that his daughter will fall in love with a black man. He believed that Othello must have use some magic to make his daughter fall in love with him; as there is social class difference at that time and it is unimaginable that a white woman will love a black men.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
Iago begins the play with a deep envy for Othello, and only deepens as the play continues. Iago’s jealousy for Othello begins with Emilia, and the rumor that they were romantically involved. Iago exclaimed in his soliloquy"I hate the Moor/ And it is thought abroad, that 'twixt my sheets he has done my office/ I know not if't be true;/ But I, for mere suspicion in that kind, will do as if for surety”(1.3.12). In this soliloquy Iago explains what budded his jealousy of Othello. Iago’s mere suspicion was enough to engross such powerful feelings of envy. Iago also displayed how easily envy can take a hold of person, and drive them to do to extreme things. Just the slightest doubt created immense envy in Iago, and he wants to make Othello suffer by experiencing the same emotion. Iago knows that in order for his plan to work he must plant...
Iago advises Roderigo to spoil some of Othello’s pleasure in his marriage by rousing Desdemona’s family against the general. The two men come to the street outside the house of Desdemona’s father, Brabantio, and cry out that he has been robbed by “thieves.” Iago speaks in inflammatory terms, vulgarly telling the senator that his daughter and Othello are having sex by saying that they are “making the beast with two backs”. Brabanzio begins to take what he hears seriously and decides to search for his daughter.
Roderigo learns about the elopement of the Moor and Desdemona. He questions Iago in pursuit of the money he has given him in order to woo Desdemona. These lines show that even before the play begins, Iago greatly influences Roderigo. The relationship and trust the two characters have is made apparent through the first lines. Iago takes enjoyment in influencing people, as seen through his first soliloquy.
It was no secret to the reader of the play that Iago possessed a hatred for Othello. In fact, in act one of the plays the reader s...