James Shell focuses on how Donna Tartt’s writing style rejects modern literary conventions. Shell argues, one of the conspirators, Henry Winter, allows his consciences to get the best of him, and feels compelled to kill one of his friends. "'A Morbid Longing for the Picturesque': The Novels of Donna Tartt," is significant because it suggests that in The Secret History, the clique is so self-absorbed that they induce a false sense of superiority that allows them to justify committing murder. However, justifying the act was not enough and paranoia takes over.
The line, “a morbid longing for the picturesque” is stated in the opening lines of the novel by the narrator, Richard Papen. The reader can see that the novel’s plot will parallel the
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
Academic colleagues like, David Greenburg, would have been exasperated, part from envy of McCullough’s ability in not only story telling but to sell and he would object to the approach of this book. The colleagues would tear at the lack of compelling rationale for an overused topic, as well as the scene setting, and meager analysis.
...f one defies the natural law and strives to recover the loss, he or she is already on the road to a tragic end. More ironically, the efforts draw the character farther from what they wanted; the rape made Blanche even less credulous, the funeral made Willy even less respected, the request made Gatsby less favorable by Daisy. All three modernist pieces presented false beliefs about life and showed the consequences of obeying those believe. The consequences revealed a bloody truth – the loss of the hope cannot be recovered. What is lost is already the past; only the future can be earned by the hard work done in the present.
Throughout his nonfiction novel In Cold Blood, Truman Capote continuously contrasts the kindheartedness and innocence of the Clutters to the malicious, manipulative demeanor of Dick Hickock and Perry Smith to emphasize the cold, cruel nature of their crime. By harshly interrupting peaceful, endearing images of Nancy Clutter baking a pie with descriptions of Dick and Perry planning the town darling’s very murder, Capote consistently juxtaposes good and evil. His tactic descriptions of the seemingly discordant yet parallel occurrences in different settings and employment of strong imagery and pathos throughout the novel prove effective in not only developing characterization and appealing to the reader’s emotions but building the contrast between good and evil that
The theme that has been attached to this story is directly relevant to it as depicted by the anonymous letters which the main character is busy writing secretly based on gossip and distributing them to the different houses. Considering that people have an impression of her being a good woman who is quiet and peaceful, it becomes completely unbecoming that she instead engages in very abnormal behavior. What makes it even more terrible is the fact that she uses gossip as the premise for her to propagate her hate messages not only in a single household but across the many different households in the estate where she stays.
"Esteban's memory eternal and they were going to break their backs digging for springs among the stones and planting flowers on the cliffs so that the future years at dawn the passengers on great liners would awaken, suffocated by the smell of gardens on the high seas, and the captain would have to come down from the bridge in his dress uniform, with his astrolabe, his pole star, and his row of war medals and, pointing to the promontory of roses on the horizon, he would say in fourteen languages, look there, where the wind is so peaceful now that it's gone to sleep beneath the beds, over there, where the sun's bright that the sunflowers don't know which way to turn, yes, over there, that's Esteban's Village (Handsomest)"
Can a society of learners and explorers coexist with an ecosystem that can barely stay afloat? “The Tables Turned” by William Wordsworth and “When I Heard the Learn’d Astronomer” by Walt Whitman both tackle the concept of nature vs. science. While the two agree on many terms, the underlying message of each is drastically different. “Tables” is much more didactic while “Astronomer” is the story of a revelation. With both poems having Romantic themes, the two must agree on the basic notions of Romanticism, in this case, the power of nature. Yet, the two disagree on a major aspect of Romanticism, self discovery. “Tables” and “Astronomer” share the same baseline thoughts, yet still tell their own stories of Romanticism.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
Historical fiction shapes a plot and characters on real events, settings, and people that happened in the past. Y.S. Lee’s The Agency, is an example of historical fiction which is based in the Victorian era. In the text, a female detective agency exists whose goal is to expose the scandalous secrets of some of the wealthiest in Britain. The plot is created through combining historical facts with fiction which makes it believable for the reader. Beginning with examining the narrator is crucial for beginning the analysis of this novel. The narrator, along with the principle characters, have a contemporary view on the world which makes it simplistic for the reader to comprehend. The Agency requires the reader to think critically about what would happen if a non-english female detective existed in the Victorian era. How the reader interprets this novel is affected by their own life experiences. Historical detail in Y.S. Lee’s The Agency generates a believable plot line that is simplistic for a reader to understand and makes the reader analyze and think critically about the Victorian era of Britain.
The valley is described as a “desolate” place where “ashes grow like wheat into ridges and hills into grotesque gardens”. (21) Ashes that dominate the area take the shape of natural greenery. The term “grotesque gardens” uses alliteration, with juxtaposition; to highlight the odd pairing of ashes and greenery. Ashes are associated with death while ridges and “gardens” represent the potential to flourish and grow in the promise and ideal of equality as in “the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams.” (143) The trees that once stood here were able to speak to man’s dreams, which allude to America, the land able to speak to man’s dreams and capacity for wonder. All this is replaced by grey ash that suffocates the inhabitants, restricting them to their social class. This presents a bleak image of hopelessness that surrounds the valley.
"this to say about that." : "Death by Landscape" by Margaret Atwood. N.p., n.d. Web. 25 Mar. 2014. .
With each analysis the reader gets a greater understanding of suicide and the mental state of those who commit it, as well as some of their motives. One could read only a single chapter of this book and gain a greater understanding than they previously had on the topic of suicide, but when one brings all the chapters together as a whole a much deeper understanding is obtained. Lester’s analyses start with diaries, using that of a girl he has called Katie as his first example. In this 14 page chapter he analyses her diary, not only comparing her to Ophelia from William Shakespeare’s Hamlet, but using that comparison to show some of her motives and to make sense of them. It is this astute analysis that sets the tone for the rest of the similar chapters, in a way that is not boring but is not lighthearted in the slightest. The way that the whole book works together to give one insight on the topic of suicide makes it a useful resource for those who wish to understand it in a more in-depth way.
Assorted Professors. "Jane Gallagher Character Analysis." The Catcher in the Rye: Shmoop Literature Guide. N.p.: Shmoop University, 2010. 93-94. Print.
In conclusion, the sublime and the beautiful are major topics in romantic poems and novels. Different authors bring out the different ways they can be seen and interpreted. In the novel Frankenstein and the poem “I wandered lonely as a cloud”, the sublime and the beautiful are shown through the feelings and the mind of the main characters. In the poem “Mont Blanc,” the sublime is shown through the complexity of nature and how man will never truly be able to understand it. In order to have something beautiful there must be something sublime, and in order for they’re to be something sublime there must be something beautiful.