A Comparison of The Big Sleep and L.A. Confidential

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A Comparison of The Big Sleep and L.A. Confidential

For this essay I have taken two films of a similar genre and style

from two different cinematic periods and compared them against to

attempt to highlight the similarities and differences that will

inevitably be present. The two films I have chosen are ‘The Big

Sleep’, made in 1946 with Humphrey Bogart and Lauren Bacall, and ‘L.A

Confidential’, made 41 years later in 1997 - with a stellar cast

including Kevin Spacey, Kim Basinger and Danny De’Vito. I chose these

two films as they both originated from books; Raymond Chandler’s

legendary ‘gumshoe’ Phillip Marlowe (Bogart) is adapted brilliantly by

40s film noir director Howard Hawks, and the brutality of James

Ellroy’s work is powerfully adapted for the screen by Curtis Hanson.

An additional reason was that L.A Confidential pays homage to Bogart’s

generation of life weary detectives whilst bringing an added and stark

realism which was lacking from the classic film noir pictures of the

30s, 40s and 50s.

The opening sequences and title scenes of both films play an important

role in telling us what to expect from the movie, and both do it to

great effect.

L.A Confidential starts with old footage of a prosperous 1950s Los

Angeles, a city in which the American Dream can be found, and as the

narrative suggests, it is easy to come by. However, this pretty

picture slowly starts to deteriorate and the scenes of families

playing is interspersed with ‘the underbelly of America’, to quote

“the city the politicians don’t want you to see.”. Straight away we

know this is not going to be either cheery or representative of

anything the city...

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...y, the treatment of these racial groups has changed

little since the days of overt racism, it is not quite as easy to get

away with blatantly beating them in the holding cells for crimes they

did not commit.

In conclusion, I think it is fair to say that there are numerous

differences and similarities between these two great films. But what

one has done for this generation the other did for previous ones. L.A

Confidential ensures we get to see the underbelly of democracy from a

stylised, modern point of view. The overall message of these two films

is very similar, the differences come mainly in the levels of violence

that people are now willing to observe and the technology that is at

the disposal of the directors. What has not changed and never will

change is the means and determination to create great film.

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