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Arguments of punishment in society
Punishment in a modern society
Arguments of punishment in society
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Stability in terms of society can be defined as the state in which power is clear and defined, and the constituents abide to those in power. In modern day institutions, a certain amount of stability must exist or people would lack the motivation to get work done and would not respond to authority. To ensure motivation, employers will install cameras, or use other techniques to always keep an eye on their workers. If people are doing nothing wrong, there is no reason to have a problem with being watched. For this reason, it is not surprising that employers set their work station similar to a Panopticon, an institutional building that is step up with someone in the middle watching everyone, but the workers don’t know if they are being watched or not. Consequently, the workers will be on their best behavior knowing that they are being watched, and will maintain a high level of productivity. Workers perform at their best knowing that they’re being watched because they do not want to lose their jobs more so than they want to impress their boss. As Foucault describes it, “He who is subjected to a field of visibility, and who knows it, assumes responsibility for the constraints of power.” (Foucault, 290) As humans, it is natural for us to do what we want rather than what we need to do. If workers can get away with laziness, then they will. However, being watched at all times forces workers to always be on their best behavior, thus eliminating laziness in the workplace. However, despite its effectiveness, people criticize this use of surveillance, citing that it dehumanizes people by invading their personal privacy. That being said, despite its criticisms, a Panopticon is an effective way of securing discipline in any institution, and the...
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... and stability. Despite this, it doesn’t matter who is in control of the Panopticon, but at the same time, it does matter. It doesn’t matter who is in control of the Panopticon, because it will work regardless. People will abide by the rules, and do whatever is considered “normal.” However, it does matter who is in control because the person in control dictates how people are going to act, or decide what is “normal.”. Because of this, a Panopticon can be used for destructive purposes if the power is in the wrong hands, as shown in the Nazi Germany example. Ultimately, it all depends on whether or not those in power have the best intentions for their people, their institution, and for society.
Works Cited
Foucault, Michel. "Panopticism." Ways of Reading: An Anthropology for Writers.
9th ed. Boston, New York: Bedford St. Martin's, 2011. 282-309. Print.
Foucault and Nietzsche challenge the hidden purposes of historians in their search for origins, demonstrating that an accurate understanding of history rectifies one of any beliefs of moral origins. In this paper, I will elaborate what Foucault thinks an accurate understanding of history regarding punishment truly is. I am going to clarify this concept by focusing on the first chapter of Foucault’s book, Discipline and Punish.
Foucault capitalizes that power and knowledge contribute to the discourse of sex; he discusses how people in power controlled this discourse to repress sex entirely. Foucault talks about the repressive hypothesis in his book. The repressive hypothesis states that whoever holds the power, also controls the discourse on sexuality. Specifically, those in power, according to the repressive hypothesis, exercise to repress the discussion of sex. In addition, Foucault comments that knowledge represents power. Whoever has the power can dictate the language of the population, thus this causes powerful people to also regulate the knowledge of the population. Although Foucault does not agree with every aspect that the repressive hypothesis exclaims, he agrees about the timing of when people started to repress sex. With rise of the bourgeoisie in the 17th century, a rise in tighter control about sex also took place. Foucault stated that the discourse of sex remained
In “The Death Penalty” (1985), David Bruck argues that the death penalty is injustice and that it is fury rather than justice that compels others to “demand that murderers be punished” by death. Bruck relies on varies cases of death row inmates to persuade the readers against capital punishment. His purpose is to persuade readers against the death penalty in order for them to realize that it is inhuman, irrational, and that “neither justice nor self-preservation demands that we kill men whom we have already imprisoned.” Bruck does not employ an array of devices but he does employ some such as juxtaposition, rhetorical questions, and appeals to strengthen his argument. He establishes an informal relationship with his audience of supporters of capital punishment such as Mayor Koch.
Ever feel as though someone is watching you? You know that you are the only one in a room, but for some reason you get an eerie feeling that you are not alone? You might not see anyone, but the eyes of a stranger could be gazing down on you. In Foucault's "Panopticism," a new paradigm of discipline is introduced, surveillance. No one dares to break the law, or do anything erroneous for that matter, in fear that they are being watched. This idea of someone watching your every move compels you to obey. This is why the idea of Panopticism is such an efficient form of discipline. The Panopticon is the ideal example of Panopticism, which is a tool for surveillance that we are introduced to in “Panopticism.” Kurt Vonnegut's "Harrison Bergeron," has taken the idea of surveillance one step further. The government not only observes everyone, but has complete control over society. The citizens of the United States cannot even think for themselves without being interrupted by the government. They are prisoners in their own minds and bodies. The ideals of “Panopticism” have been implemented to the fullest on society in Vonnegut’s "Harrison Bergeron," through physical and mental handicaps.
Among the books discussed over the duration of the course, the most recurrent theme has been the dominance of power relationships and the construction of institutions driven by power. The framework for these socially ingrained power relationships that has been transformed over time has been laid out by Michel Foucault in his book Discipline and Punish. According to Foucault, power is everywhere, dispersed in institutions and spread through discourses. The state functions on a number of dispositions which are hierarchical, naturalized and are the modes of power for the power elite. The result of this social and economic control is observed in nations and across nations through the beauty myth, the prison system, the creation of informal systems or the overarching cultural hegemony and attempted reform of the non-western world. The key to the success of this has been through the misrecognition of the constructed systems of power which are instated through very fundamental mediums that they are not questioned. These structures of control by the state are adopted and reproduced from the base of the familiar, through arrangements and dispositions that pose themselves as natural, as they are embodied and programmed in the play of language, in common sense, and in all what is socially taken for granted. In this essay I will examine these above mentioned structures of the power and how these models are used to discipline individuals and states.
This method of surveillance effectively curtails negative social behaviour by keeping the population under constant fear of being watched. The objective of this intense surveillance is to create a modern Panopticon, a prison designed by British architect Jeremy Bentham in the late 1700s. This prison featured a centralized guard tower surrounded by brightly lit cells. Due to the difference in the quality of light, the prisoners were not able to see the guard tower so, “not knowing if they are being watched, but having to assume that they are, the prisoners [adjusted] their behavior” (Jan Kietzmann 135). This method was adapted by many societies including soviet Russia where the people were so afraid of being spied upon that they would only meet their friends in public to avoid being suspected of private conspiracy (Enteen 209). As in communist Russia, the governing body’s manipulation of surveillance is in an effort to ensure that no citizens are doing, or thinking of doing anything contrary to the goals of the party. This omnipresent surveillance has been shown to cut down on crime, however this comes at the cost of the citizens’ freedom and spontaneity, turning vibrant humans into fearful
"The Use of Force" by William Carlos Williams is a window into one doctor's guilt over the negligent loss of a child patient. This story focuses on the disillusionment caused by his self-pity and guilt. The doctor's guilt triggers a fanciful illusion of "The Use of Force" that gives him giddy delight in his envisioned torture of the young, beautiful girl. His disgust for her uneducated, immigrant parents and their poor, humble surroundings only heighten this image. But his justification of these imagined actions empowers him all the more. He perceives himself above these less than human creatures, as a master lords over his good for nothing dog. In his self-empowered greatness he comes face to face with the greatest flaw any doctor can have, lack of humanity and compassion for those lesser then himself.
Is Michel Foucault a historian or not? At the beginning of the analysis on Foucault’s historical analysis, what should be acknowledged is that none of Foucault’s works refer to his previous ones and every work is based upon a new construction of theory and method which shakes the standard norms of history writing and put his methods under suspicion by some historians. On the other hand, many others favor his work; because of Foucault’s specific approach, Gutting calls him as an ‘intellectual artisan’ who was an expert of producing intellectual equivalents of material objects and especially three kinds of them which are history, theory and myth. (Gutting 1996, 3-6) Thomas Flynn answers this question by claiming that Foucault’s all major works are histories of a
You are alone in a dark cell. You are fearful because you know that you are being watched, but you do not know who is watching you or when you are being watched. You are suddenly conscious of every move you make because you are aware that someone is monitoring every inhale, every exhale, and every little aspect of your life. This is the concept of Jeremy Bentham’s “Panopticon.”
Foucault once stated, “Our society is one not of spectacle, but of surveillance; under the surface of images, one invests” (301). By this, he means that our society is full of constant supervision that is not easily seen nor displayed. In his essay, Panopticism, Foucault goes into detail about the different disciplinary societies and how surveillance has become a big part of our lives today. He explains how the disciplinary mechanisms have dramatically changed in comparison to the middle ages. Foucault analyzes in particular the Panopticon, which was a blueprint of a disciplinary institution. The idea of this institution was for inmates to be seen but not to see. As Foucault put it, “he is the object of information, never a subject in communication”(287). The Panopticon became an evolutionary method for enforcing discipline. Today there are different ways of watching people with constant surveillance and complete control without anyone knowing similar to the idea of the Panopticon.
Imagine being watched by your own government every single second of the day with not even the bathroom, bedroom, kitchen and all the above to yourself. George Orwell’s 1984 is based on a totalitarian government where the party has complete access over the citizens thoughts to the point where anything they think they can access it, and control over the citizens actions, in a sense that they cannot perform what they really want to or else Big Brother, which is the name of the government in the book 1984, will “take matters into their own hands.” No one acts the same when they are being watched, as they do when they are completely alone.
Every great architect is - necessarily - a great poet. He must be a great original interpreter of his time, his day, his age- Frank Lloyd Wright
being watched), but he can’t understand the subjugated experiences they have. For Foucault, the idea of control shifts power unequally to the observer. In his work, Discipline and Punish, he focuses on punishment in social context and uses that to examine how power relations change which effects punishment outcomes. He brings up an interesting point between discipline and punishment. In his words, punishment is about shame/pain or locking people up (whipping people) and discipline is about regulating the body to ensure it continues to fulfill what society needs it to do. He also discusses the idea of surveillance like the panopticon. A panopticon is a type of prison which has a tall tower in the center and all of the prisoner’s cells surround it. It gives the impression that prisoners are always being watched so they must behave. In this instance the prison is one part in a discourse that defines and creates criminals and then punishes
In the novel 1984, the characters are always being watched. They feel as if there is no benefit to being watched, especially when they get arrested for things they say. Technology is at the point where, “Who controls the present controls the past” (Orwell
Michel Foucault’s essay, “Panopticism”, links to the idea of “policing yourself” or many call it panopticon. The panopticon is a prison which is shaped like a circle with a watchtower in the middle. The main purpose of the panopticon was to monitor a large group of prisoners with only few guards in the key spot. From that key spot, whatever the prisoners do they can be monitored, and they would be constantly watched from the key spot inside the tower. The arrangement of panopticon is done in excellent manner that the tower’s wide windows, which opened to the outside and kept every cell in 360-degree view. The cells were designed so it makes impossible for the prisoners to glances towards the center. In short, none of the prisoners were able to see into the tower. The arrangement of cells guaranteed that the prisoner would be under constant surveillance. This is the beauty of the panopticon that anyone can glance at the cells from the tower but no prisoners can see the tower. The prisoners may feel like someone is watching, and know the he or she is powerless to escape its watch, but the same time, the guard in the tower may not be looking at the prisoners. Just because the prisoners think that someone is watching them, they will behave properly.